Tag: NBC (Page 11 of 19)

TCA Tour: “Medium”

During NBC’s portion of the January TCA press tour, I spotted “Medium” creator Glenn Gordon Caron at the network’s cocktail party. I cornered him long enough to tell him how excited I was for the series to return, then I asked him why the show hadn’t scored its own panel that day, even though the miniseries “The Last Templar” had. Caron shrugged and acknowledged that “The Last Templar” was an NBC-Universal production and “Medium” wasn’t, but if he had anything else to say about his show’s home, he was polite enough to hold his tongue.

Now that “Medium” has found a new home on CBS…well, Caron’s still polite, but he doesn’t mind acknowledging that he had some problems with the way the show was underpromoted in its time on NBC. (He also didn’t mind getting off a one-liner about how “the last time we came here, NBC made us walk here.”)

“You know, it’s so hard in this environment to launch a show and sustain a show,” Caron acknowledged. “I think we’re all incredibly grateful to NBC, we were on their air for five years, and nobody wants to take shots. I think there were times along the way when everyone, even people inside NBC, thought, ‘Gee, maybe if we gave that show a little more attention, if we publicized it a little more vigorously, it might actually do better for us and might bring more viewers to the network.’ I don’t think there’s been any great secret there. It’s been written about; it’s been talked about. Having said that, we had five fairly fruitful years at NBC. Looking back, could things have been done differently? Absolutely. Ben (Silverman), who is actually a friend, said some harsh things I’m sure he regrets about our show…and, by the way, you guys play no role in this whatsoever.”

Ahem.

Medium: Season 1 – 4.5 stars
Medium: Season 2 – 4 stars
Medium: Season 3 – 4 stars
Medium: Season 4 – 4 stars

I’m just saying: there are critics who’ve been supportive of the show, and I’m definitely one of ’em.

Okay, back to business.

“Truthfully, we’re grateful to NBC,” said Caron. “We had a nice run there. But the good news is we’re on CBS now, and for the first time in three years, we’re going to do 22 episodes. We’re beginning a season, knowing when we’re premiering: in the Fall and doing 22 episodes. And as a storyteller, that’s a huge thing. It means I can say to you, sir, ‘And on Halloween, we will be doing thus and so.’ That’s a luxury we’ve not had for three years, and those are the sorts of things that are frustrating when you’re doing a show. But it beats not working.”

Indeed, it does. But as happy as he was about bringing the show to CBS (it’s perfect, really, since it’s a CBS production, anyway), Caron did at least try to keep the show where it was by writing a cliffhanger ending to the Season 5 finale…not that the plan actually worked.

“What I was trying to do was write an ending that was so provocative that it would be impossible to cancel the show,” he explained. “You saw how that worked out. It was sort of me being a wiseguy, frankly, and really trying to stack the deck in such a way. And for what it’s worth, NBC was complicit. We don’t make the shows in secret. I said, ‘This is what I’m going to do: she’s going to have a brain tumor, she’s going to go into a coma, and we’re going to put up a sign that says, ‘To be continued.’ And they said, ‘Great.'”

Caron gave us a big scoop, by the way.

“There’s so many of you here, I guess I can let the cat out of the bag: she comes out of the coma,” he revealed, with a grin. “And she’s on a different network. It’s the damnedest thing!”

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TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

There is No Such Thing as a Free Movie

There is absolutely no doubt that the way we watch movies is changing, and changing fast. The film business has managed to avoid the wholesale slaughter of the music industry because of the higher bandwidth needed to convey a movie and the importance (to some of us, anyway) of picture and sound quality. Still, it’s only a matter of time before movies become easily available online, and distinctions between computers and TV sets as entertainment delivery systems is breaking down rapidly.

Hulu has become huge overnight by breaking down the barrier for TV shows and a limited but interesting selection of films despite sometimes erratic technical performance issues (at least on my iMac). Disney/ABC, Universal/NBC and, of course, the brain eating aliens are involved, though the enterprise was started by a force far more sinister and implacable: Rupert Murdoch’s NewsCorp.

Mashable’s Ben Parr today writes about Epix, which he describes as a joint venture of Paramount, Lionsgate, and MGM. Parr was allowed an early look at the site and, as a film fanboy, it sounds pretty great. If I understand it correctly, you would get the service as part of your cable TV or satellite package and would then be able to choose from a Hulu-like library to view either on television or via computer. If you’re into this stuff, you really should read for yourself. For me, one interesting aspect is that it’s unclear how deep that library would be, both because of marketing issues and because of the various confusing deals that have been struck over the years for MGM’s huge back catalog. (If you’re a masochist or just dig this stuff, here’s a Wikipedia taste.)

It all sounds great to me, except, just as there may be with Hulu, much as I enjoy the service it provides, it strikes me that there could be some anti-trust issues here. Or not. I’m only a lawyer in my mother’s fantasies. Cord Bloomquist, however, has a good rundown of the situation vis a vis Hulu from a libertarian perspective, but I’m no libertarian when it comes to megabusiness. I’m really more of a latte-sipping Hollywood (well, Anaheim) librul who thinks that media consolidation is perhaps the single most serious issue underlying all the other issues we deal with, so I’m a bit suspicious of all the studios getting into bed together for these kind of things.

Short version: Bob the liberal is wary, but Bob the movie geek is intrigued. And, let’s face it, one way or another, this the direction we’re going in. I’d just like to see more flowers blooming.

The Biggest Loser: Maturity rules

Last night was the painfully long 3-hour finale of NBC’s “The Biggest Loser: Couples,” and all I can say about that is that I’m incredibly thankful for TiVo. This show was when they bring everyone back from the whole season one by one to weigh them in, which takes about 15 minutes total, leaving 165 minutes of fluff and commercials. As they recapped the whole season, Mrs. Mike and I fast forwarded since we’ve not only seen every episode, but they tend to recap the entire season almost weekly.

Then they brought out Ron and Mike to see who America voted into the final 3…..both looked awesome but Mikey clearly lost more than Ron, at least to the naked eye. We’re all sick of their gameplay, but you have to hand it to them on doing a great job. And, drum roll please….America voted Mikey in! Many of us were pulling for Ron because we didn’t want to give him what he wanted, but I think in the end everyone saw a Mike-Helen-Tara final as more compelling.

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The Biggest Loser: Best case scenario?

So last night’s “Biggest Loser” on NBC gave us a best-case scenario if you’re tired of the gameplay and manipulation, but it is leaving many of us with the feeling of not really caring who wins. And there were some crazy things that went on and some very cool moments, so let’s get to the recap…..

The final four went home for 30 days and then would return to the ranch to weigh in one final time, with America voting someone off, or rather, voting someone in to the live finale next Tuesday. Ron and Mike went home to Detroit, Tara to Long Island and Helen to Lansing (does anyone else notice how many contestants are from Michigan and Wisconsin every season?).

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