Tag: Michelle Williams (Page 2 of 2)

Oh f*ck, it’s a foul-pixelled end of the week movie news dump

It’s been a personally rather stressful week in a good-news/bad-news kind of a way and Hollywood ain’t doin’ nothing to relax me. And so, we begin with a deep breath…

* The first half of “Harry Potter and the Deathly Hallows” will be in a mere 2D. Two dimensions were good enough for Rick Blaine, they’re good enough for Harry. Especially if they really were facing serious technical difficulties, smart move. No studio needs another “Clash of the Titans” fiasco.

* It’s pretty rare that I know for sure I want to see a movie just from simply knowing the topic, the star, and the director, but when it’s a biopic/docudrama about the great-but-homicidal Phil Specter, it’s being directed by David Mamet, and it’s starring Al Pacino, that’s when I know. (Here’s the original NYT post that broke the story, which gives a bit more background on Specter for you youngsters.)

* Classic film lover that I am, I also feel pretty good about “My Week with Marilyn” which has Michelle Williams as Marilyn Monroe, Dougray Scott as her beleaguered husband, playwright Arthur Miller, Kenneth Branagh (who else?) as Laurence Olivier, and Julia Ormond as Vivien Leigh (!) among others. And check out the pic of Ms. Williams/Monroe that’s been circulating all over the net today.

michelle-williams-marilyn-monroe

Aren’t you glad I used that pictures instead of something of Phil “Mr. Fright Wit” Specter or Al Pacino?

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Can Marty and Leo take the weekend without women?

That’s the question being posed by The Hollywood Reporter‘s jolly Carl DiOrio as he predicts that the latest from the team of Martin Scorsese and Leonardo DiCaprio will enjoy a $25-30 opening. The atmospheric Dennis Lehane adaptation, “Shutter Island” is apparently “tracking” best with older men — I’m definitely interested and by “older” I assume they mean “over 15” — and fairly well with younger men, but not so with female of the species.

Leo and friends in

DiOrio finds this surprising because of Leo’s tried and true girl appeal but it’s really not when you consider that the marketing suggests a sort of hard-boiled cop/horror combo with barely a female or any kind of love interest in site and what appears to be a lot of very male-style histrionics.  The trailer certainly emphasizes the male cast members with Michelle Williams and Patricia Clarkson making what amounts to cameo appearances.

As for the reviews, which for a movie like “Shutter Island” can really make a difference, they are okay but not too impressive when you consider that Scorsese is a long-time critical mega-favorite and easily one of the five or so most revered living directors still living. Our own Dave Medsker was notably disappointed in his mixed review and he’s certainly not alone, with only 61% of “top critics” digging “Shutter Island” according to Rotten Tomatoes. (He gets a somewhat better 67% with the critical hoi polloi.) Scorsese’s last attempt at a big time Hollywood thriller, the 1991 version of “Cape Fear,” is the only one of his film’s I’d personally dare call “bad” and I’m hoping I like this one at least a little better. On the other hand, that one made a relative mint for Marty Mr. Scorsese and his colleagues, so who cares if I like it or not?

What's-his-name and what's-her-name in As for this week’s possible #2 and #3, well, last week’s winner “Valentine’s Day” may be in there, but the question is will the critically dissed comedy have any legs now that it’s holiday is long past. Also, with a lack of competing family films, that “Percy Jackson” movie that I’m simply too lazy too type out a complete title for may do pretty well. And let’s not count out “Avatar” quite yet, either, if one of the other films takes a big dive.

Debuting in very limited release this week is what looks like a nifty little political thriller that’s getting solid reviews, “The Ghost Writer.” It stars Ewan MacGregor, Pierce Brosnan, Kim Cattrall, and my and Max Fisher’s one-true-love, Olivia Williams. The director is Roman Polanski, so there’ll be another test of the “no such thing as bad publicity” dictum, I suppose.

Friday movie news dump: the first Salinger movie, the Sundance beat goes on, etc.

Hey folks. I’ve got a relatively limited amount of time today and, just to add to the drama, the usually excellent free wi-fi at the Coffee Bean & Tea Leaf slowed down today to a relative crawl for a time while I was researching this. Let’s see how much I can cover.

* Just as I was ready to wrap things up, we have a breaking story. As I sorta alluded to yesterday regarding J.D. Salinger, it’s inevitable his death will pave the way for some new films. It turns out I was, if anything, way behind the curve. Working screenwriter Shane Salerno — whose work, like the planned James Cameron-produced “Fantastic Voyage” remake, bends toward the geek — has been working on a documentary about the writer who became almost as famous for his escape from the public eye as for his actual work, and it’s apparently nearly completed. Mike Fleming has not only broken the news of the formerly under-wraps project, he’s seen most of the movie

* Of course, Sundance continues slogging away, and word of acquisitions by film distributors have been making their way round the usual spots. Indiewire’s Eugene Hernandez has news on the well-regarded “Blue Valentine” with Ryan Gosling and Michelle Williams. He also gives a quick nod to such other highish profile films as “The Tilman Story” (a documentary about the late Pat Tilman), “The Kids Are Alright” (not to be confused with the old rock-doc about the Who) and “Hesher,” a not very appealing sounding film that nevertheless has Joseph Gordon-Levitt in the lead. The “Valentine” sale is of particular interesting as it was the troubled Weinstein Company that picked it up. Coincidentally, the company named for Harvey and Bob Weinstein’s parents, Mira and Max, has gone on the block.

miramax

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