Tag: MGM (Page 2 of 5)

It’s a brand new week in the movie rumor mill

And there may be some actual news mixed in here. Maybe.

* The big story today is that a lot of people have sussed out the the 23rd James Bond movie is, according to the possibly not-so-super reliable UK tabloid “canned.” Obviously, the same fiscal black hole at the once mighty MGM that is screwing things up royally for “The Hobbit” is also at least delaying the latest entry in what has to be the longest-running franchise in movie history.

He may be a bit emotional, but it’s hard to disagree with the passion of Harry Knowles on this, while Kevin Jagernauth provides some necessary background to the story. I agree that it’s a bummer this is happening during the era of Daniel Craig. As far as I’m concerned, Craig is easily the best Bond since Connery.

Daniel Craig in Casino Royale

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“The Hobbit” needs a new director

So, I was trying to get some other stuff done during the long Memorial Day weekend and thinking I could take a break from constantly monitoring the news as surely nothing earth shattering would happen in the movie world over the three days. However, all it took was one quick look to find I was late to learn of the geek movie bombshell of all time, or at least this month.

Via Mike Fleming and Anne Thompson comes the following: it seems that MGM’s serious fiscal troubles have delayed things as long as cowriter-director Guillermo del Toro’s insanely busy career can stand. Therefore, despite the huge amount of preparation that’s already been done, he is stepping aside as director of the two-planned films of J.R.R. Tolkien’s “The Hobbit,” the “Lord of the Rings” follow-up inspired by the children’s novel that preceded the literary LOTR, later turned into the glorious three part epic directed by Peter Jackson.  Del Toro will, however, continue working on the screenplays for the upcoming films.

guillermo_deltoro_0601

Del Toro — one of my favorite filmmakers now working and, by all accounts and signs, a real stand-up guy — gave the bad news, alongside Peter Jackson, to those who care most, the devoted fans of the late author J.R.R. Tolkien, at theonering.net. It’s definitely being portrayed as the most amicable of semi-partings with both del Toro and Peter Jackson, the LOTR director who’s been overseeing the entire Tolkien project, chiming in. Here’s part of del Toro’s statement:

“After nearly two years of living, breathing and designing a world as rich as Tolkien’s Middle Earth, I must, with great regret, take leave from helming these wonderful pictures. I remain grateful to Peter, [co-writers] Fran [Walsh] and Philippa Boyens, New Line and Warner Brothers and to all my crew in New Zealand. I’ve been privileged to work in one of the greatest countries on earth with some of the best people ever in our craft and my life will be forever changed. The blessings have been plenty…Both as a co-writer and as a director, I wish the production nothing but the very best of luck and I will be first in line to see the finished product.”

Guessing about who the replacement director has already started. Early word is that it likely will not be the obvious choice, Peter Jackson, who it’s safe to say, has done enough for the Tolkien legacy — though Anne Thompson reports he told a New Zealand newspaper he would consider doing it if he had to “to protect Warner Brothers’ investment.” At this point, I’d say so many different things could happen it’s useless to speculate, but that won’t stop anyone.

It’s your barely pre-Memorial Day weekend end of week movie news dump (updated)

And that’s only “pre” on the West coast. Anyhow, thing are going to get a lot less verbose from me over the next few days and I’m in a relatively laconic mood tonight, so enjoy the relative brevity to come.

*  “The Hobbit” remains in suspended animation because of MGM’s fiscal limbo, says Guillermo del Toro. Anne Thompson has some added details on the possible future of MGM, such as it is.

Alice in Wonderland” just crossed the $1 billion mark. Mike Fleming speculates that this might might make Johnny Depp — say it like Dana Carvey’s impression of Mickey Rooney now — the biggest star in the wooorld. If true, the questionable virtues of playing it artistically safe look ever more questionable.

* Interviews with remarkable men: Michael Caine and an extremely funny George Romero in Vanity Fair plugging his new “Survival of the Dead” which is a very limited release right now. Definitely read the Romero whose zombies, we must repeat, never ate brains and, since everyone else is doing it anyway, is working on his own zombie novel. And, yeah, someone is working on “Night of the Living Dead” musical for Broadway, but Romero’s smart enough to stay off of that particular gravy train.

* I’ve never seen them, and they’re not available on DVD, but the autobiographical dramas by Terrence Davies, “Distant Voices, Still Lives” and “The Long Day Closes” have an incredible reputation among critics and others. Davies is coming back with an adaptation of a play by Terrence Rattigan, “The Deep Blue Sea.”  This will be the first movie adaptation of a play by the English writer since David Mamet’s perfectly swell — and, believe it or not G-rated — 1999 version of “The Winslow Boy.”

* “Lost Boys 3” starring the late Corey Feldman doing a Batman-style raspy voice. I don’t even begin to know what to think. [Update: I obviously made a mistake here last night. Mr. Feldman is still, I’m happy to say, very much with us. See comments.]

* He didn’t make many movies, but RIP Gary Coleman anyway. Be sure and check out Will Harris’s terrific remembrance a couple of posts below this one.

* Action-meister Luc Besson is letting members of the French-speaking public become “producers” of an upcoming movie. The first ten-thousand participants will have their names in the credits. Talk about film-making by committee.

* It’s TV but this is too close to home to ignore…the cast of the upcoming HBO TV show starring Diane Keaton and directed by Bill Condon which is not about Nikki Finke just keeps getting better. Recent additions include Ellen Page and Wes Bentley.

* As part of a lame maneuver to try and do and end-run around critics on behalf of what surely seems to be a lame movie, alleged actor Ashton Kutcher is claiming that he’ll pirate and release — all on his own of course — the first ten minutes of his upcoming and pretty lame looking “Killers.” Spare me. Truly.

* If you live in the movie capital, things tend to get a bit quiet over holiday weekends like Memorial Day. It can be kind of nice. Not like the beautiful short below by Ross Ching, but not completely removed from it either. Strangely enough given the impossibility of what’s being shown, this, by the way, is one of the closer depictions of how L.A. actually looks to a native like me.

RIP Lena Horne

The great singer, talented actress, and crucial civil-rights pioneer, Lena Horne, has passed on age 92. The Guardian has a very good obituary which summarizes her life and work.

Ms. Horne’s involvement in the movies was limited by racism — even the movies she appeared in tended to feature her in short musical segments that could be easily edited out for play in the South. Still, she made enough of an impression in two major all-African-American MGM musicals from 1943, “Stormy Weather” and Vincente Minelli’s debut, the musical religious fantasy, “Cabin in the Sky“,” that my favorite uncle always remarked that it was the first time he’d seen an alluring black woman on the screen. If it impacted my very not-black uncle that way, I probably can’t begin to imagine how it must have felt for countless African-American men and women.

Below, Horne shows she’s a natural on-screen with a humorous duet with an unlikely partner from “Cabin in the Sky” — easily my favorite scene from the movie. As the old joke goes, musically speaking it’s a case of “The Agony and the Ecstasy.”

That’s Eddie ‘Rochester’ Anderson, best known as Jack Benny’s greatest comic foil, providing a huge musical contrast while being tempted to the ways of Satan above.

Below, we have Ms. Horne singing the song which became her signature number, and my father’s favorite all-time recording, I believe — from the 1943 movie of the same name and her only lead role until 1969, “Stormy Weather.”

David Hudson of the Auteurs has accumulated the reaction and notes on her passing. From it, I want to particularly recommend Sheila O’Malley’s remembrance. It includes a clip of Ms. Horne taking a lead in a “Sesame Street” duet of “Being Green” with Kermit the Frog that I found incredibly moving. If you consider what the song is really about, I don’t think it’s a mystery why I was so moved.

A capery, spy-ey, hobbity, clashy, ghosty midweek movie news

A sprained ankle and other unexciting matters sidelined me yestereday, but now I can use my imposed semi-immobility for bloggy purposes.

* THR is claiming an exclusive that a date has finally been set for the two-part Peter Jackson/Guillermo del Toro collaboration, “The Hobbit.” (That’s with an assist from the late J.R.R. Tolkien, of course.) There was some apparent confusion earlier in the day, but it now looks like the two films will be released in Christmas of 2012 and 2013. That’s a year off from the original plan for the LOTR follow-up/prequel (though LOTR is technically the sequel here). Though this article doesn’t mention it, at least part of the problem was widely supposed to be the decline and fall of MGM.

* I’m not at all sure how the “poison pill” actually works but it appears that a decision by authorities up in British Columbia — which is, like, part of an entirely different country than ours and everything — will make it easier for Carl Icahn to attempt his hostile takeover of Lionsgate.

* Does anybody really want a “Clash of the Titans” sequel? Well, we’re getting one anyhow.

Clash of the Titans

* Bill Murray is apparently bound and determined to be the proverbial turd in the “Ghostbusters 3” punchbowl. It wasn’t a punch I had my heart set on, in any case, much as I liked the first one.

* Just the day before yesterday I was part of a press round-table with the affable, stylish French director Jean-Pierre Jeunet (“Amelie,” “City of Lost Children”). Someone brought up his adapatation of the acclaimed, fantastical Booker Prize-winning novel, The Life of Pi, a project which the vagaries of movie-making had apparently forced him to give up on. Today, Anne Thompson brings word that it appears that the project has been picked up by another strong directorial hand, Ang Lee.  And, guess what, it’ll be 3-D. Lee’s one of the movies’ great humanists still working, so I’m sure the film won’t be overwhelmed by effects.

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