Tag: Mad Men (Page 5 of 15)

The 2010 Primetime Emmy Awards: The Post-Game Wrap-Up

August 29, 2010 /

First of all, I’d just like to say that it’s cruel of both “True Blood” and “Mad Men” to air new episodes on the same night as the Emmy Awards, especially when neither show is sending out advance screeners anymore. Yes, I’m a big whiner, and I don’t care. It’s 11 PM, the Emmys have just wrapped up, and now I’ve got to go blog both shows. I’m sorry, but there’s no way around it: this sucks.

Okay, enough of my bitching. Let’s talk about the Emmys.

As far as I’m concerned, Jimmy Fallon did a fine job as host. The “Glee”-inspired opening segment was awesome: Jon Hamm ruled that bit with his sweet-ass dance moves, but Joel McHale leaping in front the camera was pretty awesome, too, and once they switched over to the live performance, I laughed out loud at just how happy Randy Jackson seemed to be to get to play in front of the audience. Sometimes you forget that the guy’s got some serious studio-musician street cred.

The minstrel-in-the-aisles bit was hit or miss, but Stephen Colbert was hilarious, and I was pleasantly surprised at Kim Kardashian’s performance. Jimmy’s quick quip at Conan’s expense was pretty funny, too. I wasn’t as big a fan of the farewells to “24,” “Law & Order,” and “Lost,” mostly because all I could think was, “This kind of takes away from the seriousness of the farewells to the folks in the industry who really have died.” The segment with the “Modern Family” cast meeting with the network was hysterical, though.

And now on to the awards!

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Breaking Bad, External Entertainment, External TV, Mad Men, News, Reality TV, Top Chef, TV, TV Action, TV Comedies, TV Dramas, TV Reality

Mad Men - Don Draper on the phone

Mad Men 4.5 – “How does she not fall over?”

August 23, 2010 /

I don’t want to say that Don’s gotten himself the secretary he deserves, but…I don’t know how else to finish that sentence. Although you could easily argue that she’s almost more of a comedic device than an actual character, at least she serves a definitive statement: this is definitely a woman who Don is not going to be sleeping with. Mind you, given her performance in the first few minutes of the episode, there’s really no reason to believe that she’s going to be around for the long haul, anyway. Still, you don’t really hear Don complaining very much when she interrupts the scintillating meeting about the stats behind America’s typical cough-drop users to tell him that he’s got a phone call from Walter Hoffman from The New York Times, though it’s possible that his feelings on the matter changed after he discovered the reason for the call.

Hoffman’s found out that Clearasil’s been signed to another firm, and he’s nosing around about a possible trend with companies jumping ship from Sterling Cooper Draper Pryce. Don claims to not be thinking about it, but Ted Shaw has claimed, “Every time Don Draper looks in his rear view mirror, he sees me.” Don’s only on-the-record comment on the matter is to claims that he’s never heard of Ted Shaw.

Mad Men - Don Draper on the phone

It’s time for a meeting of the partners, one prefaced by a brief conversation about the state of civil rights in America. (I’ve noticed that real-world goings-on seem to only be referenced offhandedly this season. I don’t know that it’s a better-or-worse situation. I’m just saying that I’ve noticed it.) When Don arrives, however, things get down to business, with Pete announcing that he’s convinced the folks at Secor Laxatives to produce a TV commercial and test market it. Cue Roger making a few inevitable jokes on the matter, which are quickly poo-pooed by Bertram Cooper.

Yes, that’s right: I went there.

Better still, Pete’s looking toward a possible relationship between the firm and Honda, which was still very much an up-and-coming company as far as American audiences were concerned. Look at Pryce, making with the funny. He’s really loosened up since his night on the town with Don, eh? Too bad Roger’s being such a hard-ass about the situation, still battling some demons which have apparently been haunting him since World War II. I was somewhat surprised with the way everyone immediately decided to bypass Roger and move forward with the Honda meeting, but I guess it’s hard to argue with the possibility of that kind of money.

Be honest, though: how many of you had ever heard of “The Sword and the Chrysanthemum“? I mean, I’m sure plenty of you have probably read it, but I’m not going to pretend that I’m one of them.

And, seriously, who the hell is Dr. Lyle Evans?

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External Entertainment, External TV, Mad Men, Reviews, TV, TV Dramas

A trailer double bill: “The Black Swan” and “The Red Shoes” and some movie news too, I guess (updated)

August 18, 2010 /

I’m miles from home, I’ve left my mouse at home, and the barristas where I am are annoying while talking about movies, which is extra annoying to me. Can’t they talk annoyingly about sports instead? Why am I here? I got here early to beat the traffic and am across the street from the New Beverly Theater where I’ll be frittering hours away doing something unspeaking geeky on the occasion of the birthday of a fellow film geek blogger.

So, there’s no time for discuss the more interesting than usual casting news that Idris Elba will be taking over the role of James Patterson’s Alex Cross in the upcoming series reboot, that January Jones will try something different from tantalizing and annoying “Mad Men” viewers as Betty Draper and will be taking over the role of Emma Frost in “X-Men: First Class” or that Noomi Rapace, who originated the role of Lisbeth Salender in the Swedish “The Girl With the Dragon Tattoo” is about to be heavily promoted for an Oscar nomination and may be taking on some blockbuster roles in big time American flicks, except that I just did. Instead, I’m presenting the really terrific — and outstandingly creepy — trailer for “The Black Swan” which seems destined for the title of most unnerving ballet film of all time, which I guess is just what we should expect from Darren Aronofsky after all this time. 13 year-old Chloe Moretz has already endorsed it in my recent interview with her. [UPDATE: Anne Thompson has thrown some very cold water over the Nikki Finke/Noomi Rapace story. I’m sure readers of both blogs may be seeing more about this one.]

I think I’ve presented it before here, but what the heck, after the flip is the trailer for the rather strange and very ravishing classic film Aronofsky pretty much had to have been thinking about as he made his film. I hope Mr. Scorsese, whose directing her “The Invention of Hugo Cabret” guides young Ms. Moretz to “The Red Shoes” — I can’t imagine he wouldn’t, seeing as he’s said it’s his favorite movie.

Actors, Actresses, External Entertainment, External Movies, Movie Dramas, Movies, News

A roundtable chat with Kevin Pollak of “Middle Men”

August 17, 2010 /

MM-01394

A highly entertaining character actor, stand-up comic, and now also a screenwriter and Internet talk show host, Kevin Pollak will nevertheless remain forever in the shadow of three men. One is wise-guy crook Todd Hockney from Christopher McQuarrie and Bryan Singer’s slambam 1995 debut, “The Usual Suspects” (currently at #24 of all-time most popular films on IMDb); the other two are, of course, William Shatner and Christopher Walken. So powerful are the Pollak impressions of these two men, I’d venture that when most of us attempt to impersonate either actor, we’re really not doing Shatner or Walken, we’re doing Pollak doing Shatner or Walken. (Though, personally, my extremely bad Christoper Walken is really a very bad impression of Kevin Spacey‘s Walken but, for all I know, Spacey got his from Pollak while shooting “Suspects.”). Indeed, I can remember a time when it seemed like nobody did Shatner and I’m pretty sure it was Pollak who kind of opened to door for all the other impressionists into the voice and mannerisms of the man Pollak calls “the Shat.”

Among the nearly 90 or more productions he’s been involved with as an actor, Kevin Pollak’s latest release is “Middle Men,” a black comedy-laced drama owing more than a little bit to Martin Scorsese. The film stars Luke Wilson as straight-arrow businessman Jack Harris who falls in with a pair of highly inventive cokeheads (Gabriel Macht and Giovanni Ribisi) and would be Internet porn kings during the late 1990s. The pair have developed the first really viable method for collecting money over the ‘net in a reasonable amount of time. Of course, things get massively complicated from there and Pollak turns up later in the film as an FBI agent who comes to Harris and his porn star girlfriend (Laura Ramsay) with a startling new reality. The film, co-written and directed by George Gallo, best known as the screenwriter of “Midnight Run,” is actually just part of an ongoing collaboration between the director and the actor-comic and now screenwriter.

As is often the case, I was one of a number of scribblers who were participating in a roundtable with Pollak during the “Middle Men” press day at L.A.’s Four Season’s hotel. Pollak arrived in a friendly but highly subdued mood. He was a late addition to the press day and obviously has been keeping very busy. Among many other projects, he had a new stand-up special ready premiering, and an increasingly popular podcast, Kevin Pollak’s Chat Show, with recent guests including Neal Patrick Harris and John Slattery of “Mad Men.”  Pollak frankly seemed a little tired at first, though going out of his way to be funny — because that’s what you expect from Pollak. Things perked up as it went.

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Actors, Actresses, Celebrities, External Entertainment, External Movies, External TV, Movie Comedies, Movie Dramas, Movies, New Media, News, TV, TV Comedies

Mad Men - Roger Sterling holding a cigarette

Mad Men 4.2 – A Glass of Gin, A Box of Velveeta

August 2, 2010 /

Mad Men - Roger Sterling holding a cigarette

I’d like to start this week’s “Mad Men” blog out with an apology: I’m out at the TCA Press Tour in Los Angeles (as you probably already know if you’ve been reading Premium Hollywood this week), and I’ve been at the mercy of my schedule, which has been decidedly hectic. I was sent an advance screener of the episode…more about that in just a moment…but since it was mailed to my home, I wasn’t able to watch it until my wife, God bless her, brought it to me when she flew in from Norfolk, VA, late Friday night. I was finally able to watch it on Saturday afternoon, taking notes as I did so, but then I had to find time to actually compose the blog entry…and, well, here it is 11:57 PM PST, and I’m only just now getting the opportunity to do so.

Yeah, it’s been that kind of week…and I think it’s probably going to show in the blog, so let me go ahead and apologize for that up front.

Of course, I guess I should just be happy that I had an advance screener, since lord knows I won’t be getting any more this season…and nor, for that matter, will anyone else. When my wife handed me Episode 4.2 upon her arrival, it was folded inside a piece of paper which read as follows:

July 26, 2010

Dear friend:

With a new season of “Mad Men” underway, I wanted to take a moment to thank you for your incredible and unprecedented support of the series since its debut four seasons ago. I’ve enjoyed our relationship over the years and your insightful reviews and features.

It has been a privilege to be associated with such an extraordinary group of actors, crew, craftsmen and executives – all of whom are committed to the care of our show.

As we provide you a with a copy of our second episode (airing August 1), we wanted to make you aware of a new development in terms of our DVD distribution moving forward.

In an effort to avoid inevitable spoilers and preserve the experience of watching live for our fans, we have chosen to make this the last review copy we send out.

We ask that in the weeks ahead you continue to write on the progression of our show, and I look forward to your thoughts and commentary along the way.

Here’s to an amazing season.

With sincere thanks,

Matthew Weiner

This is, one can reasonably presume, the direct result of Weiner’s annoyance with The New York Times over their piece which was written in advance of the premiere and offered up ostensible spoilers, and I can feel the man’s pain, but, man, I am just not a happy camper about this situation. I mean, God love you, Matthew, but you try having to stay up late on a Sunday night to blog a show…or, worse, two shows, since Alan Ball fucked me over by declaring a moratorium on “True Blood” screeners, too.

I never spoiled nothing for nobody, and this is the thanks I get…?

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External Entertainment, External TV, Mad Men, Reviews, TV, TV Dramas

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