This perhaps too intense looking political thriller/psychodrama is, according to Pajiba independently made with a Nigerian director and Nigerian money, shot largely in a single room, and has been on the festival circuit. Still, it looks to me like it could have some commercial potential beyond your usual festival fare. Clearly, Idris Elba, whose Britishness — and real life sense of humor — are pretty much a secret to U.S. audiences so far, is being groomed for the A-list with his upcoming turn as James Patterson’s Alex Cross. Who knows what the legacy of “Legacy” will be?
I’m miles from home, I’ve left my mouse at home, and the barristas where I am are annoying while talking about movies, which is extra annoying to me. Can’t they talk annoyingly about sports instead? Why am I here? I got here early to beat the traffic and am across the street from the New Beverly Theater where I’ll be frittering hours away doing something unspeaking geeky on the occasion of the birthday of a fellow film geek blogger.
So, there’s no time for discuss the more interesting than usual casting news that Idris Elba will be taking over the role of James Patterson’s Alex Cross in the upcoming series reboot, that January Jones will try something different from tantalizing and annoying “Mad Men” viewers as Betty Draper and will be taking over the role of Emma Frost in “X-Men: First Class” or that Noomi Rapace, who originated the role of Lisbeth Salender in the Swedish “The Girl With the Dragon Tattoo” is about to be heavily promoted for an Oscar nomination and may be taking on some blockbuster roles in big time American flicks, except that I just did. Instead, I’m presenting the really terrific — and outstandingly creepy — trailer for “The Black Swan” which seems destined for the title of most unnerving ballet film of all time, which I guess is just what we should expect from Darren Aronofsky after all this time. 13 year-old Chloe Moretz has already endorsed it in my recent interview with her. [UPDATE: Anne Thompson has thrown some very cold water over the Nikki Finke/Noomi Rapace story. I’m sure readers of both blogs may be seeing more about this one.]
I think I’ve presented it before here, but what the heck, after the flip is the trailer for the rather strange and very ravishing classic film Aronofsky pretty much had to have been thinking about as he made his film. I hope Mr. Scorsese, whose directing her “The Invention of Hugo Cabret” guides young Ms. Moretz to “The Red Shoes” — I can’t imagine he wouldn’t, seeing as he’s said it’s his favorite movie.