Tag: Irvin Kershner

First Watch: “Never Say Never Again” (1983)

Sean Connery as James Bond in Never Say Never Again in tuxedo

I had seen every James Bond film other than “Never Say Never Again,” released in 1983. That omission probably wasn’t accidental. The film occupies a strange and controversial place in the Bond canon: an unofficial, non-Eon Productions entry that marked Sean Connery’s return to the role of 007 after a twelve-year absence. When Netflix recently licensed all 26 Bond films from Amazon in a somewhat surprising move, including this odd, non-Eon outlier, I finally took the opportunity to check it off the list.

Unfortunately, the experience was a letdown. “Never Say Never Again” is a complete mess, and it has aged terribly. Some scenes are so misguided that they feel like unintentional parody, with the Blofeld scenes and dialogue standing out as particularly cringe-worthy. To be fair, many of the Bond films leading up to “Never Say Never Again” haven’t aged especially well either. Their pacing often drags, and Bond’s “cool” factor we all love is frequently buried under long, dull stretches and strained attempts at humor. This film suffers from all of those problems, only here they’re compounded by a weak script and thoroughly schlocky production values.

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Happy 75th birthday Woody Allen — if that’s possible

Thanks to a great post by David Hudson, which I really hope you read, I’m  aware that today is a big birthday for one of the talents that made me want to become involved in this whole show business thing in the first place.

I’ll start off a couple of clips from my personal pet Woody Allen film, 1984’s underrated “Broadway Danny Rose.”

The philosophizing comes after the flip.

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RIP Irvin Kershner (updated)

Irvin Kershner, who died Saturday at age 87, was a solid journeyman director, his early films — several of which, especially “The Flim-Flam Man” and “The Luck of Ginger Coffey” are supposed to be pretty good — are obscure enough that even I haven’t seen too many of them. He was also a graduate of the USC Film School in 1950, which makes him, I guess, about the first of the film school brats.

He’s known today primarily because of two strong, dramatic action films. The first was a 1976 fact-based TV movie, “Raid on Entebbe.” The second was, uh-hmm, “The Empire Strikes Back.” For one film in the series, a “Star Wars” film had a genuinely well-written screenplay with good dialogue and a director who knew how to elicit strong work from actors and structure a dramatic moment. For some reason, everyone agrees it was the best of the series. Watch this scene again, though you’ve certainly seen it before. There’s emotion going on.

Kershner was, I gather, a gracious and intelligent man. Here is a brief tribute/outtake from the documentary “The Nature of Existence” in which Kershner endorses “the Force” in a way, while also speaking out for a spiritual, but entirely non-supernatural view of life, death, and creativity.

Much more, as usual, at MUBI.

UPDATE: The fine blogger Greg Ferrara argues that “The Luck of Ginger Coffey” was a lot better than “pretty good.”

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