Tag: Hugh Laurie (Page 2 of 2)

Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

TCA Tour, Jan. 2009: “Lie to Me”

Given how many iconic film roles Tim Roth has had over the years (Mr. Orange in “Reservoir Dogs,” Charles Ferry in “Everyone Says I Love You,” and Emil Blonsky in “The Incredible Hulk,” to name but three), it’s somehow weird to see him taking on the lead role in an American television series. But, hey, it’s Fox, and you can’t blame the guy for wanting to get in on a little bit of that Hugh Laurie action.

Plus, while the role of deception expert Cal Lightman in “Lie to Me” is a bit too close in feel to the character of Patrick Jane in “The Mentalist” for critics to avoid making the comparison, it’s nonetheless one that has the potential to serve Roth well…just as long as he can get past the nagging sensation that the show’s inspiration, Dr. Paul Ekman, sees right through him.

“I get really freaked out sometimes when I’m around Paul,” said Roth. “It’s like traveling with a critic from the New York Times, and wherever you go, there’s the guy going, ‘No, I don’t believe you. The performance was terrible.’ ‘I only said I’m going to go to the toilet.’ ‘Well, I don’t believe you. You betrayed the fact that you are completely piss-free at the moment.’ It’s an extraordinary feeling of of nakedness.”

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Old Show, New Season: “House M.D.”

Although my esteemed colleague Ross Ruediger may have disagreed with me in his review of “House: Season 4,” as is his God-given right as a TV critic, I have to say that, personally, I probably enjoyed the fourth season of “House” as much as any season of the show to date. After ending Season 3 with the members of House’s team so infuriated with their fearless leader that they were moving on to greener pastures, I think just about everyone figured that Season 4 would’ve begun with them saying, “Okay, we were wrong, we’ll come back.” But they didn’t. Instead, we were treated to House playing his own version of “Survivor” as he selected a new diagnostic team, thereby giving America’s grouchiest doctor the opportunity to interact with a whole new crowd of characters, but we were also still provided with occasional visits from the original team. It was win-win, as far as I was concerned.

It was the two-part season finale (“House’s Head” / “Wilson’s Heart”) that really got me, though. The unfolding of the secrets locked within House’s memory, the tragic ending to the romance between Amber and Wilson, and the realization that the events which led to Amber’s death never would’ve been set into motion if House hadn’t been attempting to take advantage of Wilson for the umpteenth time…it was gripping drama, to be sure. But how on earth can the relationship between House and Wilson ever recover from something like that?

Based on the Season 5 premiere, it’s very possible that it may not…but, then, this is where the optimistic and cynical sides of my brain begin to do battle with each other.

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