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The Wraith: Special Edition

Every film, no matter how good or bad, has its fans, and if there are enough of those fans, then the film is inevitably destined to receive a special-edition DVD. This has been proven time and time again, which means there’s no longer any point in seeing such DVDs and howling with laughter at the suggestion that such treatment is warranted of a film like…oh, say, “The Wraith.” If you’re not part of the camp that’s already in love with the film, then better you should treat it like a pop culture experiment: watch it and see if you can determine why it’s developed such a cult following over the years.

Written and directed by Mike Marvin, “The Wraith” revolves around the mysterious Jake Kesey – played by Charlie Sheen, in his first leading role – who turns up in town right at the same time as a masked man who drives a completely kick-ass car known as…you guessed it…The Wraith. It seems that there’s this gang of drag-racing car thieves, led by a thuggish jackass named Packard Walsh (Nick Cassavetes), who challenge local teens to races where, if they lose, they have to surrender their car. Packard’s ego has gotten so large that he’s convinced himself that Keri (Sherilyn Fenn) is his girlfriend, but she’s got eyes for Jake, and it is mutual, baby. You can imagine how Packard feels about that development. Meanwhile, The Wraith is challenging members of Packard’s gang to races which tend to end in only one participant making it out alive, leading Sheriff Loomis (Randy Quaid) to begin investigating the strange goings-on. Say, is it possible that Jake and The Wraith are one in the same? And what’s the story on Keri’s ex-boyfriend, Jamie, who was killed in one of Packard’s races? You don’t suppose that Jake is actually Jamie, having been brought back to life by some unspecified means, given a change in appearance, and provided with the aforementioned kick-ass car in order to extract his revenge?

Nahhhhhhh.

If you’re not an aficionado of cars, ’80s cheese, or Sherilyn Fenn’s Breasts (yes, they deserve capitalization), then you may struggle to make it through “The Wraith,” but if you’re determined to do it in the name of science, then watching while listening to Marvin’s commentary helps a great deal. It’s also a major bonus that the film’s special features are the work of Red Shirt Pictures, who’ve made a great name for themselves by providing excellent bonus material for cult “classics” like this, so be sure to check out the interviews with Marvin and co-star Clint Howard (whose hair in the movie is fucking outstanding), as well as the featurette about the cars used in the film and the cult that surrounds “The Wraith.” That cult isn’t likely to grow any larger as a result of this special edition, but it’ll sure make the existing membership happy.

Click to buy “The Wraith: Special Edition”

Breaking Bad 3.6 – There’s Crime…And Then There’s Crime

Remember how I opened last week’s blog by saying, “This, my friends, was one hell of an episode, offering up multiple moments which will almost certainly inspire me to say the same of future episodes”? I couldn’t have been more right: not only was this the best episode of Season 3, but it was one of the best installments of “Breaking Bad” to date, serving up moments that were nailbiting to the Nth degree and an ending which left me screaming at the TV, demanding that next week’s episode start right now, dammit!

Well, it’s about time the Cousins got legitimately threatening again. They’ve just kind of been hovering in the background lately, glowering but not really doing anything specific to match their completely bad-ass look. Now, to be fair, it’s not like they haven’t wanted to seriously fuck some people’s shit up…specifically, Walt’s shit…but they’ve been held at bay by their attempts to maintain some semblance of civility within the organization. That whole pre-credits sequence was nice and nerve-jangling, but its conclusion, with the seamless sonic blending of one cousin biting into a piece of fruit and the other dropping his axe into the officer’s skull, was just another example of the show’s ability to get a laugh out of some seriously dark shit. The next time we saw them, they were sitting in Gus’s fine, upstanding establishment, back to their usual all-you-have-to-do-is-look-at-us-to-know-that-you-shouldn’t-fuck-with-us schtick, but, hey, if it works, why change it? It was instantly obvious that they had no intention of going anywhere until Gus gave them what they wanted…which, of course, is why he eventually did just that.

Sort of.

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Your TCM Fest ultra-quick box office report.

It TCM Fest‘s closing day and I’m determined to see “The Magnificent Ambersons,” “The Good Earth” (with an appearance by centenarian film legend Luise Rainer), and the new, new, new “Metropolis” but today’s box office estimates are bit too interesting to ignore completely.

The short version is that, as per the mighty Box Office Mojo chart, “How to Train Your Dragon” won the weekend box office with just over $15 million. “The Back-Up Plan,” a comedy vehicle for Jennifer Lopez, opened with a rather lame $12.25 million which should please our own David Medsker, who hated, hated, hated it. Graphic-novel based action fest “The Losers” made only $9.6 million, but seeing as it’s budget was $30 million less than the J-Lo film, it’s actually doing a lot bettter despite grossing less.

“Date Night” is hanging in there very nicely in its third week. Like, “Dragon” it defeated both newcomers and came in at the #2 spot, earning $10.6 million for an accumulation nearing $65 million, $10 million more than its budget. Familiar and reliable comedy faces still mean something at the box office if the movie makes people laugh. Expect to see more family films and wide-audience PG-13 comedies and a bit less ultra-violence.

And that leads us to Matthew Vaughn, a director who has a lot less luck than talent and smarts, is no doubt thanking his reasonably lucky stars for keeping the budget on “Kick-Ass” reasonable.  The controversial black-comedy action flick dropped by 52%, roughly average for genre films that aren’t setting the world on fire. Still, the total gross is actually already $4 million above the $30 million budget. Assuming  the budget number is correct and what I can only imagine will be a long and healthy life on home video, he’s actually done rather well even as a something of a disappointment. Hope for the best, prepare for the worst.

Oh, and I guess I should see “Kick-Ass” myself before it leaves theaters. I always seem to catch Vaughn’s films after they’re declared failures and find myself really liking them. I guess I like underdogs.

A chat with Ted Lange…? You got it!

On Sunday, April 25th, TV Land will be airing its annual celebration of classic television known as the TV Land Awards. Our man Bob Westal was walking the red carpet for us, star-spotting and chatting with the occasional celebrity passerby, but as I’m ensconced here in Virginia, I have to make do with phoners. It was hardly settling, however, to have the opportunity to chat with an iconic figure of ’70s and ’80 s television like Ted Lange. Although he’s arguably best known for his role as bartender Isaac Washington on “The Love Boat,” it’s far from the only item on his resume, so I made sure to brush up on his list of credits on IMDb before getting on the phone with him. This proved to be a wise move, as it resulted in stories of a Shakespearean production and tales of working on “Wattstax,” “Friday Foster,” “Record City,” “Mr. T and Tina,” and, yes, “That’s My Mama,” too. But, of course, there was still plenty of “Love Boat” banter as well, since it was that very show which led Lange to attend the TV Land Awards and reunite with his former crewmates…sorry, I meant castmates.

Come aboard as we set sail for…

Ted Lange: Hi, Will!

Bullz-Eye: Hey, Ted, how’s it going?

TL: Good! How are you doing?

BE: I’m doing well. It’s a pleasure to talk with you.

TL: What city are you in?

BE: I’m in Norfolk, Virginia. Where are you? Somewhere on the east coast, I guess, given how early it is.

TL:West coast, actually!

BE: Wow, then it’s really, really early there. Are you in California?

TL: Yessir. Los Angeles, California, city of the angels! (Laughs)

BE: Well, one of our writers here at Bullz-Eye was actually at the TV Land Awards the other night…

TL: Oh, really?

BE: He did the red carpet thing, and then he headed into the bloggers’ room, so he wasn’t in there with the action, per se, but he said it was a good time.

TL: It was a good time. It was a lot of fun.

BE: So was the entire cast there for the reunion?

TL: Well, Gavin MacLeod (Captain Stubing) had a back operation – he hurt himself, hurt a couple of his discs – so he wasn’t able to be there. We really missed him, because, you know, he’s the anchor of the show as the captain. So I called him up and talked to him to see how he was doing, and he was a little weak, but he was recuperating well. But everybody else was there, and they all brought their kids. Fred Grandy (Gopher) brought his daughter, I brought my son…it was a lot of fun.

BE: I was talking to Bob, our man who was there, and he was quite pleased that he’d gotten to talk to Bernie Kopell (Doc) on the carpet. So do you guys keep in touch aside from these occasional public reunions?

TL: Oh, yeah, absolutely. We’re friends. The great thing about the show was that we made friendships, you know? We were acting buddies and everything, but off-camera…I mean, I learned how to play tennis on Bernie’s tennis court. I wasn’t really into tennis ‘til I met Bernie. He’s been a good pal, and Fred I see all the time whenever I’m out on the east coast, and Tewes…we’re all friends, and that was the wonderful ancillary benefit of the show: that we made some really lasting friendships.

BE: So how did you first come onto “The Love Boat”? Obviously, you were pretty well established on television already, thanks to “That’s My Mama.”

TL: Yeah, actually, I did two series. I did “That’s My Mama,” and I did another series called “Mr. T and Tina,” with Pat Morita. The network was aware of me, and they had done a pilot and…they had used the guy who played the postman on “That’s My Mama,” Teddy Wilson, on the first “Love Boat” pilot, and they didn’t like the chemistry of the crew, so when they did the second pilot, they kind of threw everybody out that wasn’t working and brought in some new guys…and they stuck with the “That’s My Mama” cast by bringing me in to play the bartender. (Laughs) So I was very fortunate!

BE: Had you worked with Aaron Spelling before “Love Boat”?

TL: No, I hadn’t, actually. Jimmy Komack was the producer of “Mr. T and Tina,” and he sat me down and said, “You’re going to go work for Aaron Spelling, so let me just tell you that he’s really a great guy.” And, of course, he was correct.

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Live from TCM Fest

Yes, I’m typing this from the lobby of the Beautiful Hollywood Roosevelt and rushing to make the 3:15 screening of the soon to see the rediscovered western, “Jubal.” But here are two very quick news bits.

Ryan Reynolds is * We have two new major releases this weekend, “The Back-Up Plan” (which our own David Medsker hated, particularly on behalf of those who have given birth or been associated with those who have) and “The Losers.” Neither is expected to hit the #1 mark. That will be either “Kick-Ass” or, once again, “How to Train Your Dragon.”  In limited release, we also have not another superhero-related comedy, but I take it more of a superhero related drama or dramedy, definitely a tad more sensitive than “Kick-Ass,” “Paper Man.” It’s yet another film which has Ryan Reynolds doing the long-underwear hero thing.

* Thanks to my friend, once and, I hope, future blogger and all-around good guy Zayne Reeves, I heard about the revelations regarding an “Alien” prequel that Ridley Scott told MTV News, Onion A.V. Club has the short version for hurried people like you and I. Basically, it’s about the dead “space jockey” the original crew of the Nostromo found all those years back.

No leave me alone, I’ve got movies to see!

jubal_03

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