Tag: Headlines (Page 36 of 146)

Mad Men 4.10 – Do You Promise Not To Tell?

Joan wants a chat with Roger…and the talk is serious: “I’m late. Very late.” I guess I shouldn’t have been surprised at how Roger immediately did his best to calm her down, speaking to her in a tender voice and assuring her that he’d take care of everything. His doctor, however, isn’t nearly as tolerant of the fact that Roger’s gotten Joan pregnant, but he still passes along information so that she can get an abortion…if she decides to actually get one, that is.
The mere fact that Roger broached the possibility of Joan keeping the baby made me sure that we were going to spend the rest of the episode playing “will she or won’t she,” and I was right on the money about that. Even now, Joan’s impossible to read. I hate to believe that she actually went through with it ’til we get formal confirmation on the matter, but she probably did, as it would go against standard “Mad Men” storytelling for her to do something as cliched as say, “I changed my mind, I’m keeping the baby.”

Lee Garner, Jr. is back…but not for long. After the Christmas episode, you’d think they’d be glad to see him go away for good, but since Lucky Strike is basically the client that’s keeping Sterling Cooper Draper Pryce afloat, their departure could literally sink the firm. It’s a little disconcerting to see Roger shift from angry into being legitimately upset. Will he be able to save SCDP in 30 days…or before he has another heart attack?

Isn’t it amazing how the promise of a ticket to see the Beatles at Shea Stadium – which dates the events of the episode as taking place near August 15, 1965 – can make up for years of half-assed parenting? But, my God, even Betty’s icy exterior cracked when Don told her where he was taking Sally…and, perhaps even more impressively, mother and daughter actually shared a smile. Unfortunately, the way Don kept having to put pressure on Harry about the tickets, coupled with Harry’s expression while assuring him that he’d get the tickets, had me worried almost immediately that the grand event wouldn’t go off as planned. Little did I know that it’d be the only thing that would pan out.

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Weekend box office: greed is still pretty good

Things turned out at this weekend’s box office more or less as predicted on Thursday. “Wall Street: Money Never Sleeps” came in on top at an estimated $19 million for Fox, according to the Box Office Mojo chart, about a million or two shy of the figures being bandied about, but close enough for an adult skewing film expected to have decent legs. Nikki Finke thinks it may have missed it’s moment in terms of being a topical must-see and also avoiding some bad press provided by the mouthy Oliver Stone. Maybe. She also points out that Fox hasn’t exactly been on a hot streak this summer. Still, this is actually a career high, raw cash wise, for Stone and not too bad a showing for the longest break between an original and a sequel since Martin Scorsese and Paul Newman dared to follow-up the genuine classic, “The Hustler,” with his underrated non-classic, “The Color of Money,” a quarter century after the fact.

Following not so far behind, really, is Warners’ “Legend of the Guardians: The Owls of Ga’Hoole” which earned an estimated $16.3 million. Anthony D’Allesandro is calling the film a “bomb” along the lines of the recent “Cats and Dogs” sequel. That may be accurate compared to what family films like this usually make and in light an as yet unspecified large budget but it’s still within a couple of million of this weekend’s $50-70 million live-action hit.

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While the books might have had an audience, something just seemed generally awry and the film lacked a clear premise for non-fans other than “owls fighting.” Whether or not Zack Snyder, whose early hits are receding in the memory of Hollywood, no doubt, gets to remain in the high end movie big leagues may now be largely dependent on what happens when his strange and zany looking action fantasy, “Sucker Punch,” comes out on 3/25/11.

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Mubarak ho, Mr. “Robot”-o

Though there’s been some bombshell television news today, it’s been a blissfully slow news 48 hours regarding the movie world. True, Mike Fleming had a couple of scoops yesterday. His short list of possible “Superman” directors is fun — I’ll take Duncan Jones please, though Matt Reeves would be okay, too.  Also, though I remain impressed by her work, having just seen another terrific performance by Chloe Moretz at a screening last night of “Let Me In,” the fact that she’s got another nice gig as “Emily the Strange” is interesting but not exactly earth shattering. So, I’ll forgo the end-of-week movie news dump.

Instead, we’ll spotlight what have to be the trailers of the day, if not the week. According to Anne Thompson, it apparently started from a tweet by the very busy former “Lost” showrunner Damon Lindelof, who’s heading to India and will be checking out what has to be one of the most lavish Bollywood films ever in terms of effects. It’s a superheroic science fiction tale involving, well, a robot, a giant snake thing, an enormous number of guns, and, of course, big time musical numbers! Here’s the short trailer and some brief TV spots Thompson ran.

Also, just about the time Thompson put up her post, I was alerted by friend-of-the-blog-and-blogger Randy R. to a another, slightly more musical comedy oriented trailer that was running on the site of Ms. Thompson’s comics counterpart, Heidi MacDonald.

Gotta love Bollywood: something for everyone.

Just for the record, “Robot” is directed by Shankar (though it’s such a common name I’m not 100% sure if this is the same Shankar who crafted the hugely popular  “3 Idiots,” though it seems like a reasonable bet) and stars Aishwarya Rai and Rajnikanth who I gather is known as simply Rajni and is a superstar. The music is by A.R. Rahman who is easily the best known composer of Bollywood music here in the West for his terrific work on “Lagaan” and also as the double-Oscar winning composer of the music for “Slumdog Millionaire.”

Weekend box office never sleeps, does it?

It’s certainly not resting this very busy weekend when the return of Mr. “Greed is Good” himself and a bunch of 3-D fantasy owls will battle for the #1 spot, with any number of other interesting things happening on the sidelines.

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The smart money seems to be pretty positive that “Wall Street: Money Never Sleeps” will earn in the neighborhood of $20 million and so may end up winning the weekend. At least that’s what I’m reading via jolly Carl DiOrio and the more circumspect Ben Fritz.

The audience for the latest from Oliver Stone skews fairly older, not only because it’s a topical thriller from the bombastic but literate Stone, but because it’s a sequel to a hit movie that is — shockingly for some of us — old enough that 24 year-old co-star Shia LaBeouf was barely a toddler when it first came out. That may help with the film’s longevity since older audiences tend to take their time seeing a new movie. Also, a bit of extra publicity from Gekko-man Michael Douglas‘s well-publicized upbeat battle with cancer might add to awareness over the long term. The reviews, which also have a somewhat stronger effect on older viewers, are only meh-to-okay with somewhat better response from more blue-state-centric “top critics.”

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Midweek movie news

No promises we’ll have a Friday news dump this week, so you’d better enjoy this edition…

* Well, the big news tonight is most definitely the reorganization going over at the Warner Brothers megastudio. As far as I’m able to suss out, what this amounts to is a consolidation of power for CEO Jeff Bewkes. Reading Nikki Finke‘s current summary of the situation is a bit like reading a Television Without Pity post for a very complicated soap opera you’ve never seen, but Anne Thompson keeps it much, much simpler. On his way out exec Alan Horn is a good guy who Thompson believes was simply superfluous. Another case of a nice guy finishing last?

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However, Nikki Finke does allude to a very crucial part of the Warners empire, and that’s DC Comics now being headed by the Warners minded and Finke approved Diane Nelson. As it happens, my deep, deep connections in the comics biz were e-mailing me news earlier today — which I was somewhat aware of but failed to properly cover earlier in the week — of an onging reorganization going on over there which certainly ties into the ongoing attempts at Warners to become more aggressive regarding comics adaptations along the lines of what Marvel Entertainment has been doing for some time — and also to try and avoid more flops like “Jonah Hex.”

There was even talk some talk of DC becoming entirely a West Coast operation, but that would be a major breach of publishing industry tradition with some actual problems involved and, in any case, thanks to FedEx and the ‘net, freelancers can live where they want now. Heidi MacDonald’s great comics blog The Beat has been covering this end of the story and you read about some of what’s going on here.

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