Tag: Allen Ginsberg

Hidden Netflix Gems – Magic Trip

Fans of Tom Wolfe‘s seminal 1968 non-fiction novel The Electric Kool-Aid Acid Test have been waiting a long time to see Alex Gibney and Alison Ellwood‘s Magic Trip, whether they knew it or not. Though a narrative adaptation of the definitive book on hippie culture is reportedly in the works from director Gus Van Sant and his Milk screenwriter Dustin Lance Black, this is the closest thing to an adaptation we’re likely to see anytime soon. In fact, it’s even better, because the documentary, subtitled Ken Kesey‘s Search for a Kool Place, is assembled almost entirely from the footage Kesey and his band of Merry Pranksters shot during their LSD-fueled cross-country road trip beginning in 1964.

This is not to say you have to be a fan of Wolfe’s book to enjoy Magic Trip. Fans of Hunter S. Thompson‘s Fear and Loathing in Las Vegas and/or Terry Gilliam‘s film adaptation of it, the Grateful Dead, Allen Ginsberg, or Kesey himself will also get a lot of enjoyment out of it, along with anyone who appreciates wild, anarchic adventure. Narrated by Stanley Tucci, the film tells the story of Kesey (best known as the author of One Flew Over the Cuckoo’s Nest) and a group of friends who set off for the 1964 New York World’s Fair in a hand-painted school bus and then just kept going, traveling all around the country in an effort to expand the consciousness of the entire United States. Along the way, they threw parties with the likes of Thompson and Timothy Leary, and gave a then unknown band called the Warlocks (who later became the Grateful Dead) their start as an unofficial house band.

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Weekend box office never sleeps, does it?

It’s certainly not resting this very busy weekend when the return of Mr. “Greed is Good” himself and a bunch of 3-D fantasy owls will battle for the #1 spot, with any number of other interesting things happening on the sidelines.

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The smart money seems to be pretty positive that “Wall Street: Money Never Sleeps” will earn in the neighborhood of $20 million and so may end up winning the weekend. At least that’s what I’m reading via jolly Carl DiOrio and the more circumspect Ben Fritz.

The audience for the latest from Oliver Stone skews fairly older, not only because it’s a topical thriller from the bombastic but literate Stone, but because it’s a sequel to a hit movie that is — shockingly for some of us — old enough that 24 year-old co-star Shia LaBeouf was barely a toddler when it first came out. That may help with the film’s longevity since older audiences tend to take their time seeing a new movie. Also, a bit of extra publicity from Gekko-man Michael Douglas‘s well-publicized upbeat battle with cancer might add to awareness over the long term. The reviews, which also have a somewhat stronger effect on older viewers, are only meh-to-okay with somewhat better response from more blue-state-centric “top critics.”

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