Tag: Harry Potter and the Half-Blood Prince (Page 2 of 3)

Harry takes $159.7 million to Gringott’s; Sacha Baron Cohen’s fans disapparate

The “box office gurus” who spoke to Nikki Finke of a $200 million five-day take for “Harry Potter and the Half-Blood Prince” were, to employ a bit of British understatement, just a bit off. According to all the estimates, the David Yates-helmed picture netted a relatively earthbound but still terrific series-best $159.7 million since its release last Wednesday, with $79.5 million of it earned over the weekend. The film’s international take is said to be extremely good, but no numbers are available as of this writing.

Nikki Finke, however, has people whispering in her ear that it won’t get close to “Transformers: Revenge of the Fallen” take, and, realizing that the non-humanity driven franchise did break the $200 million mark on its opening five day take (albeit on a long holiday weekend), that seems reasonable enough to me. Let us do as Harry would and mutter a charming British curse under our breath. Still, it’s not a bad time for Warners, owner of DC Comics as well as Bugs and Daffy, et al, once again showing that it knows its way around a character-driven franchise. On the other hand, the semi-serial nature of the Potter films might be largely responsible here for the non-ultra-stratospheric take. Adults and others who’ve never gotten on the Potter bandwagon might be slower than ever to jump on it at this point.

Sacha Baron Cohen WAS BrunoAnd now for something completely differerent:  Based on the news of bad electronic word of mouth and the like — and knowing that the audience for comic male genitalia in a gay context might be limited, to say the least — I certainly expected a dip in the fortunes of “Brüno,” but not the humongous 81% drop that The Hollywood Reporter reports. Sacha Baron Cohen’s semi-reality comedy earned a sad estimated fifth place $2.8 million over the weekend, meaning that it likely won’t beat “Borat” and that Mr. Cohen’s future in more conventionally-made pure-fiction comedies might be somewhat assured — though it would be foolish in the extreme to count the comedian out (though some will, because some enjoy doing that).  Also, once again, my modest prognosticatory powers were proven even more more modest.

Just in case you were wondering, the #2 spot this week was taken by “Ice Age: Dawn of the Dinosaurs” with $17.7 million and “Transformers 2” hanging in at #3 with $13.8 million, while I still wonder just what the attraction is. But, to paraphrase something someone brilliant once said, both in art and in movies, we are stunned by the choices of others.

Your Friday evening movie update

Gambon is Dumbledore!* The weekend hasn’t even started in terms of box office reporting, but “Harry Potter and the Half-Blood Prince” is already netting huge deposits for Gringott’s. Variety is estimating an “$80.1 million domestic cume” and $125.9 million worldwide. And I can remember when only geezers were named “Harry.”

* Charlie Matthau is dipping into the frequently profitable writing well of the frequently adapted author Elmore Leonard, with “Freaky Deaky.”

* Entertainment newshound Nikki Finke has a funny idea of taking a vacation, because her blog is still being updated by her rather heavily for someone whose supposed to be taking it easy (well, you don’t get that famed $14 million pay day by being all easygoing). In any case, Finke is apparently happy to sorta be called “thuggish” by business writer David Carr in the New York Times. Good article, possibly slightly inaccurate editorializing aside. Pull quote: “I’m not mean, I just write mean.”

* The same folks who gave Ms. Finke her money are doing something similar for the lighter side of the showbiz fence and have brought on mega-gossip monger Bonnie Fuller.

* Consider yourself a cinephile or film geek? Really? Well, if so, Prof. Snape has a challenge for you but beware or it might be 200 points from Gryffindor.

Harry Potter and the ginormous filmgoing hordes (updated)

We’ve got an early and rather light box office preview this week because only one new wide release is coming out. However, it’s already looking to be a doozy. Yes, it’s time for another highly profitable trip to Hogwarts with today’s (actually early as possible this morning’s) release of “Harry Potter and the Half-Blood Prince.”

Anyhow, word of highly boffo early ticket sales outpacing the midnight opening of “Transformers: Revenge of the Fallen” has proven out. Estimates of the Wednesday morning midnight take are roughly $20 million, says Variety and Nikki Finke. THR‘s Carl DiOrio wrote yesterday of roughly a $140 million five day gross and $100 million weekend. However, perhaps taking the fact that the $20 million figure beats both the Wednesday midnight opening of “The Dark Knight” by $2 million and “Transformers” by $4 million, the diviners reporting to Finke are telling her to expect $175-190 million, but with a $90-$100 million weekend a la DiOrio.

[UPDATE: The midnight gross turned out to be an even more whopping, more record breaking $22.2 million. Nikki Finke is now talking about the possibility of the fantasy flick breaking the $200 million mark in its first five days.]

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Will “Brüno” stimulate hot moviegoer-on-box office action? (Updated)

Okay, so a lot of things have changed in this country with regards to attitudes towards gays, but just how will America deal with the envelope-pushing antics of Sacha Baron Cohen’s latest creation? “Brüno” has already offended a few in the gay community, but is also certain to be utterly avoided by America’s sadly larger homophobic community. As far as I’m concerned, just how this obviously risky material will fare is anyone’s guess, since from all accounts “Brüno” is no cuddly “Will and Grace” or “The Birdcage” and really puts its confrontational money where it’s transgressive mouth is, however comically presented. It’s R-rating has been deemed by Roger Ebert and many others as “very, very hard.”

Reviews are positive, more or less, but critics are somewhat divided. Ebert liked it a lot. Owen Glieberman awarded it a fairly rare A-. Anthony Lane of The New Yorker, however, was less amused and trotted out a variation of the “queerface” meme some were concerned with a few weeks back. On the other hand, as I’ve discussed at my other blog home in another context, Lane’s statements are often, to be extremely easy on him, ill-informed. Joe Morgenstern, on the other hand, makes his point simply enough: he doesn’t think it’s funny, just kind of gross.

Hollywood Reporter box office prognosticator Carl DiOrio is fairly high on the film regardless, calling about $30 million or more for the Larry Charles directed stunt comedy. Pamela McClintock, his opposite number at Variety is saying it should debut in vicinity of Baron Cohen’s prior out of the box hit, “Borat,” at somewhere near $28.5 million. Apparently, the logic here is that Cohen’s now far greater fame will be canceled out by subject matter/content that some audience members who liked the earlier film may just want to avoid this time around. There’s obviously general agreement about the numbers, but I wouldn’t be surprised if this one proved the prognosticators wrong either by making a lot less or a lot more money than expected.

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Harry Potter and the more family-friendly rating

Early ticket sales are outpacing “Transformers: Revenge of the Fallen,” which naturally warms my Michael Bay-unfriendly heart, but that’s not the only news for the upcoming “Harry Potter and the Half-Blood Prince.”

A day or two back, Pamela McClintock of Variety wrote an article detailing the possible box office up- and downsides of the milder PG MPAA rating the upcoming Harry Potter film, “Harry Potter and the Half-Blood Prince,” will have in comparison to the stronger PG-13 rating of the previous film. (Shorter version: parents may be more likely to encourage to allow kids to see it, but teens may prefer the allure of mild cinematic transgression promised by the PG-13.)

This PG-rating seems like another example of the arbitrary nature of the ratings. (It’s actually worse than that, but that’s another blog post.) Of course, I haven’t seen the new Potter film — and I’m not half way through reading the book yet — but by the very nature of the series, with the characters maturing and a war of wizards raging, the new film should, if anything, be at least slightly more violent and sexually charged than the prior film.

Even with most of us lucky enough to lead lives more or less without violence, real life is NC-17 from a fairly young age. For most of us, daily life is full of cursing, scatology (assuming we’re reasonably regular), sex and/or thoughts of sex. It’s not implying any scandal whatsoever to say that a sufficiently frank documentary about the making of a Harry Potter film could get an quick R-rating simply for language. Thanks to Ricky Gervais and company, we already have an idea of what such a documentary might be like.

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