Tag: Cloris Leachman (Page 2 of 2)

New York, I Love You

Composed like a mini festival of short films on the subject of love, “New York, I Love You,” the second installment in the city-based anthology series, starts off strong before coming to a screeching halt. A majority of the best segments not only occupy the first half of the film, but they also have the most star power, including one by Jiang Wen starring Hayden Christensen and Andy Garcia as two men vying for the attention of a beautiful girl (Rachel Bilson); Yvan Attal’s playful two-parter (featuring Ethan Hawke, Maggie Q, Chris Cooper and Robin Wright Penn) about flirting with strangers; and perhaps most surprisingly, Brett Ratner’s charming tale of a young kid (Anton Yelchin) whose last-minute prom date (Olivia Thirlby) turns out to be more than meets the eye. Mira Nair’s segment about a Jain gem merchant (Ifran Khan) and Chassidic dealer (Natalie Portman) haggling over the price of a diamond (and bonding over religion) is also cute, but it probably would have made for a better full-length feature.

Portman also directs a segment that is easily one of the weaker entries in the anthology, while Shekhar Kapur’s story about a retired opera singer (Julie Christie) just doesn’t fit tonally with the rest of the film. The same can be said about Scarlett Johansson’s contribution, which was deleted from the theatrical cut and appears only as a special feature on the DVD. It’s probably a good thing it was removed, because with the exception of a hilarious final segment starring Eli Wallach and Cloris Leachman as an old married couple making their way to Coney Island for their anniversary, the second half of the film is a bore. It’s also a little strange to see Woody Allen, Martin Scorsese and Spike Lee sitting on the sidelines, because no one knows New York better than these guys. Maybe the producers will be smart enough to recruit them during their next visit to the Big Apple.

Click to buy “New York, I Love You”

Nickelodeon/The Last Picture Show

This two-disc set is basically the agony and the ecstasy from the collected works of film critic/scholar turned boy wonder writer-director-actor Peter Bogdanovich. Placed in reverse chronological and quality order, Disc One is 1975’s agonizing “Nickelodeon,” one of a series of box office and/or critical failures that ended the young director’s early career hot streak. A forced slapstick comedy drawn very loosely from the silent era reminiscences of Hollywood greats Leo McCarey, Raoul Walsh and Allan Dwan, it’s a good-natured but entirely unfocused bore despite the strong efforts of an all-star cast led by Burt Reynolds and Ryan O’Neal, and featuring Tatum O’Neal (“Paper Moon”) and John Ritter (“Three’s Company”), among many others. The disc includes both a brand new black and white director’s cut alongside the original color theatrical version, but it will take more than the majesty of monochrome to save this one. Bogdanovich’s DVD commentary provides better movie history and better entertainment.

“The Last Picture Show” is, of course, something completely different. On his second feature, Bogdanovich blew the 1971’s cinema world’s collective mind and drew comparisons to his friend and mentor, Orson Welles, with this crisply wrought black and white adaptation of an early Larry McMurtry novel. Nominated for eight Academy Awards, it details the late teen years of two high school football players (Timothy Bottoms and Jeff Bridges) and a manipulative beauty (Cybill Shepherd) following in the footsteps of her unfaithful mother (Ellen Burstyn) in a rapidly dying Texas town. A minor cause celebre at the time because of its nudity and blunt sexuality, its glory is its acute visual storytelling and Robert Surtees’ masterful photography, a biting and heartbreaking script, and a large number of genuinely tremendous supporting performances. In particular, Cloris Leachman as a deeply lonely housewife who falls for a high school boy and Western mainstay Ben Johnson (“The Wild Bunch,” “Wagon Master”) as the charismatic walking embodiment of the town, Sam the Lion, won entirely deserved supporting acting awards. A sardonic yet humanistic exploration of fractured relationships and poor choices, it remains a riveting and moving work of cutting edge movie-making from a true cinematic reactionary.

Click to buy “Nickelodeon” and “The Last Picture Show”

That Girl: Season Five

When Marlo Thomas turned up as Rachel Green’s mother on “Friends,” ’60s TV aficionados had a good laugh at the appropriateness of the casting, since Ann Marie – Thomas’s character on “That Girl” – could easily have been Rachel’s mother, given all of their similarities. By the fifth and final season of “That Girl,” things had finally gotten serious between Ann Marie and her longtime beau, Don Hollinger (Ted Bessell), with the two of them at long last getting engaged…not that we actually saw them tie the knot by the end of the series. (Apparently, Marlo didn’t want to send a message to young women that marriage was the ultimate goal for them.) Virtually every episode this season features a recognizable guest star, but some of the bigger names include Cloris Leachman, Regis Philbin, Alex Rocco, Dick Van Patten, Milton Berle, and Marlo’s daddy, Danny. Meanwhile, fans will be glad to find that Marlo has returned, along with series co-creator Bill Persky, to contribute a foursome of audio commentaries, including one for the final episode. Kudos to Shout Factory for successfully putting out the entire series of “That Girl” onto DVD; it might not be the funniest sitcom of the ’60s, but it’s an important one that deserves to be remembered.

Click to buy “That Girl: Season 5”

Comedy Central Roast of Bob Saget

This should have been explosive. Bob Saget, who made nine figures pimping some of the blandest television ever created, is in fact one of the filthiest comics on the planet. Comedy Central lines up nothing but comedians – and Cloris Leachman, who steals the show – to roast him, which means there are theoretically no dead spots in the lineup, right? Wrong. The comedians on the dais are the weakest batch that Comedy Central has ever assembled for a roast, to the point where Carrot Top’s bit during Flavor Flav’s roast looks better and better in retrospect. Jon Lovitz tanked, Brian Posehn just isn’t wired to roast, and Norm McDonald, arguably the funniest guy on the dais, deliberately tanked his routine, going old-school clean to counter Saget’s inherent foulness. Lastly, the grand roastmaster Lisa Lampanelli is not present, and she is sorely missed. John Stamos actually does a great job as host, and Saget’s rebuttal is second only to Leachman (to Brian Posehn: “Man, look at you. Did any lesbians survive the fire?”). Still, this had the potential to be much funnier than it is. Pity.

Click here to buy “Comedy Central Roast of Bob Saget”

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