Tag: Clint Eastwood (Page 6 of 7)

Old dogs, new tricks, and Matt!

Matt Damon in

You’re pre-weekend box-offfice preview will be up bright and early tomorrow morning, but first I have a couple of what Rachel Maddow calls “Holy Mackeral stories.” Both of them involve old movie reliables trying new stuff, and somehow Matt Damon is involved in both movies.

* Back in 1955, Clint Eastwood had uncredited bit parts in two sci-fi monster/horror flicks from director Jack Arnold, “Revenge of the Creature” (the sequel to the 3-D hit, “Creature from the Black Lagoon”) and “Tarantula.” Since then, he’s somehow managed to steer clear of anything remotely fantastical either as an actor or a director — until now. “Hereafter” is being kept under wraps but the story is said to be in the same general ballpark as “The Sixth Sense.” It’s being written by Peter Morgan, also a first-timer in tales of the supernatural, though the playwright/screenwriter of “Frost/Nixon” and “The Queen” is also branching out genre wise with the 23rd James Bond movie. As suggested above, the star will be Matt Damon, who has been around the supernatural before. However, I suspect this film won’t have a whole lot in common either with Terry Gilliam’s ill-fated “The Brothers Grimm” or Kevin Smith’s “Dogma.”

All of this is not to say that director Eastwood can’t do scary. His 1971 directorial debut, the witty and suspenseful “Play Misty for Me,” was pretty thoroughly grounded in our reality but had some definite terror elements.

* Now, Michael Douglas found himself in a pretty similar predicament to Eastwood’s “Misty,” character in the 1987 hit, “Fatal Attraction,” but there’s pretty much no similarities in anything he’s done before with his next project. I don’t know how I’ve missed it, but the actor commonly associated with such super-macho characters as Gordan Gekko (soon to be reprised in the upcoming “Wall Street” sequel) and ultra-horny cop Nick Curran of “Basic Instinct” will be playing Liberace, the glitzy pop-classical concert pianist for whom the word “flamboyant” might have been coined. Directing the film will be Steven Soderbergh, returning to his nonfiction well that earned him one of his biggest commercial successes with “Erin Brokovich” and, he hopes again, with this week’s wide release of the fact-based comedy, “The Informant.”

Just to tie things up in a nice ribbon, as reported by People — who somehow found a picture of Michael Douglas looking oddly like Liberace might have looked later in life — “Informant” star Matt Damon will play Liberace’s longtime partner who ultimately sued the Las Vegas star in a palimony suit. I’m not sure it’s fair to say he “outed” Liberace. This will not, of course, be the first time that Matt Damon has played a gay character. That would be “The Talented Mr. Ripley.”

And, now, a moment of vintage Liberace. Definitely not with Matt Damon.

RIP Karl Malden (updated)

Like all character actors, Karl Malden never got quite the same level of attention as costars like Marlon Brando, Vivien Leigh, Steve McQueen, Anthony Perkins, Montgomery Clift, Michael Caine, and George C. Scott. Even the seventies TV series he starred in, “The Streets of San Francisco” found him being overshadowed in the eyes of the teenybopper set by his young punk of a male ingenue costar, Michael Douglas. That was largely because Malden was the kind of performer who understood that acting is a team sport. His best scenes were like great duets with near perfect communication between him and his scene partners. The exception were American Express travelers’ checks; those, he wiped off the screen.

Karl Malden died today at age 97, having been more or less fully retired since appearing in a 2000 episode of “The West Wing.” While he was never precisely an A-lister, he was a go-to actor for secondary leads, president of the Motion Picture Academy, and as far as I can tell a universally respected figure among actors and everyone else associated with the movie industry. He was also married to the same woman for seventy years, a rare enough Holllywood achievement to merit it’s own special Oscar. Not a bad life.

Below the fold is a video tribute I found that, from the misspellings, I gather may come from Serbia. (Malden, whose real name was Mladen Sekulovich, was the son of a Serbian father and a Czechoslovak mother.) The image quality could be better and some of the clips are a little too brief, but it does give you an excellent overview of his truly diverse film career, which included work with some of the greatest Hollywood directors including Elia Kazan, John Frankenheimer, and Alfred Hitchcock. It also includes some interesting moments from two oddball spy films, “Murderer’s Row,” which I haven’t seen, and the underrated “Billion Dollar Brain,” which included some pretty amazing scenes between Malden and Michael Caine as his old spy buddy, Harry Palmer, as well as Françoise Dorléac as his treacherous spy girlfriend (though he’s pretty tricky himself).

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Ella and Jack

Here’s another movie moment inspired by A Blog Supreme, this time two clips featuring probably my favorite singer, period: Ella Fitzgerald. These clips are both from “Pete Kelly’s Blues” a strangely interesting film directed by Jack Webb (aka Joe Friday of “Dragnet”) who was also the primary creative voice on the show which set the pattern for today’s TV police procedurals. Considering it has both Webb and Lee Marvin in major roles, it’s probably the most macho jazz film ever, and considering Clint Eastwood‘s investment in jazz on film going back to his debut as a director, “Play Misty for Me,” that’s saying something. It also featured another great singer, Peggy Lee, who may turn up here another time.

You can read my PH review of “Pete Kelly’s Blues” and some other notable jazz films gathered under Clint Eastwood’s name here.

Blu Tuesday: Gran Torino, The International and Fired Up

It may be another slow week in the world of Blu-ray, but while you won’t find too many titles worth owning on the New Release shelf, there are a few movies that are at least worth a rental. Today’s catalog selection is also pretty lackluster (“Predator 2,” really?), so just consider this week another welcome opportunity to save up for the months to come.

“Gran Torino” (Warner Bros.)

Of course, one movie definitely worth purchasing is Clint Eastwood’s no-frills drama about a Korean War veteran whose neighborhood has become overrun by a community of Asian refugees called Hmong. Easily one of the best films of 2008, “Gran Torino” also managed to become a surprise hit at the box office. I’m not sure how (it’s a great movie, but it doesn’t exactly scream “mainstream”), but it’s just nice to see audiences embrace such a low-key drama. The movie also features Eastwood in one of his best performances to date – somehow making an unapologetic racist seem remarkably charming – but is biggest contribution is in casting of Bee Vang and Ahney Her, two relative unknowns who do an incredible job standing toe-to-toe with the acting veteran. The Blu-ray is pretty low-key itself, but fans will enjoy “The Eastwood Way,” an exclusive featurette about the making of the movie.

“The International” (Sony Pictures)

Though I still have yet to actually see the lukewarmly received crime thriller, it’s hard not to recommend “The International” based solely on the involvement of Clive Owen and Tom Tykwer, director of the cult film “Run Lola Run” and the hugely underrated “Perfume: The Story of a Murderer.” Though it’s been called anti-climactic by many, it’s hard to deny the appeal of both men, not to mention the inclusion of Naomi Watts as Owen’s partner in crime. Still, movies don’t just get delayed or divide critics for any old reason, so you might want to approach “The International” with caution. If nothing else, at least you’ll get a decent collection of extras to browse through including a director/writer commentary, a making-of featurette and a look at recreating the Guggenheim for the film’s climactic shootout.

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Clint Eastwood is still a badass

Clint Eastwood is getting rave reviews for his recent tough guy performance in “Gran Torino.” Clint offers up some great quotes in a recent interview in Esquire which will only add to his badass reputation.

We live in more of a pussy generation now, where everybody’s become used to saying, “Well, how do we handle it psychologically?” In those days, you just punched the bully back and duked it out. Even if the guy was older and could push you around, at least you were respected for fighting back, and you’d be left alone from then on.

I don’t know if I can tell you exactly when the pussy generation started. Maybe when people started asking about the meaning of life.

Classic stuff.

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