Tag: Clint Eastwood (Page 3 of 7)

Midweek movie news

You’d think Jewish New Year and Labor Day coming so close together would slow down the pace of movie news a little, but leisure is for suckers and Yahweh is just another bit player in this hard luck town.

* The talk of the geek-o-sphere for some time is going to be the announcement of a massive and potentially trendsetting film/television cross-over adaptation of Stephen King’s multi-volume “The Dark Tower” mega-epic. Universal, which has had some very tough times lately, is taking what I’m guessing could be a make-it-or-break-it gamble on the project, the news of which was broken by Mike Fleming earlier.  I’m not a King reader, but I am intrigued by the fact that it’s a western-science fiction-horror cross-breed. In any case apparently the plan is to start with a movie, go to a 22 episode not-so-mini-series, and then onto another movie, another series, then wrapping it all up with movie. The idea being to provide fans with both the grandeur of theatrical films and the detail and time of a television series.

the_dark_tower

It’s intriguing but laden with potential pitfalls. One is that it demands an awful lot of time and people who aren’t following the series may feel shut out of the latter two movies. The other is that, quite frankly, I feel the “A Dangerous Mind” creative team of director Ron Howard and writer Akiva Goldsman — who I gather will be writing and directing the first two films and the entire first series at least, which could be some kind of record if that’s what’s really going to happen — simply haven’t indicated they’re up to this kind of material. I hate to say it but winning Oscars can be negative indicator sometimes.

It’s not that I doubt their ability to crank it all out. Howard is obviously a very competent director who knows how to make highly professional material and I have tremendous respect for him as an individual and one of the more positive forces in Big Moviedom. However, he’s always shown a tendency to play it safe and often a bit dull when the chips are really down creatively as a director and none of Goldsman’s movies have been all that inspiring to me either. All I’m saying is that I had a good feeling about Peter Jackson taking on “The Lord of the Rings” and I have a bad feeling about it, though I’d seriously love to be wrong.  Something tells me this project needs a real lunatic and Ron Howard is one of the sanest guys in show business. Huge King fan Quint at AICN has similar misgivings. He has a more riding on this than I.

* Simon Abrams is right re: “Kick-Ass” doing a lot better than people assumed. Even though I cover the weekend grosses here, we all make way too much of those openings and fail to look at the overall picture. Calling a movie a bomb that makes nearly half its budget in its opening weekend is just idiotic anyhow. The actual success of the film may have figured in the ongoing financial struggles between Lionsgate and Carl Icahn.

Aaron Johnson is

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A cinematic wish for a shana tova from Premium Hollywood

I’m a very secular and nonobservant Jew, so there’ll be a news laden post up a bit later. However, I’m not so devoutly unobservant and secular that I completely ignore the day — even if I only figured out a couple of hours ago that Jewish New Year, aka Rosh Hashanah, began tonight.

Anyhow, I was moved to post my favorite scene from, of all films, Clint Eastwood’s “Bird,” written by Joel Oliansky. In this scene, Jewish trumpeter Red Rodney (Michael Zelniker), after traveling with the band through segregated Jim Crow states as “Albino Red,” arranges a much needed paying New York area gig for jazz innovator Charlie Parker (Forest Whitaker) and crew.

If I remember the rest of the scene correctly, afterwards,  the rabbi says something like, “Most of you boys aren’t Jewish, but you’re good.” I’m not exactly sure why, but I’ve always found this scene both a little bit funny and extremely moving. (I briefly reviewed “Bird” as part of a series of “The Eastwood Jazz Collection” a couple of years back.)

By the way, the real Red Rodney, born Robert Roland Chudnick, like his friend, Bird, and so many other jazz musicians of his era, struggled with hard drugs for most of his life before reviving his career in the late seventies and eighties. He died in 1994 at age 66.

Memorial Day with Mr. Eastwood, Part 1

The titles pretty much says it. It’s Memorial Day and it’s also Clint Eastwood‘s 80th birthday. It seems appropriate to feature moments from his two elegiac World War II movies about the Battle of Iwo Jima.  Below, Eastwood and his cast discuss re-staging one of the most recreated moments in American history for the highly underrated “Flags of Our Fathers.”

More to come, but in the meantime be sure to take a look at the “Eastwood @ 80” page at the recently renamed MUBI.

RIP Frank Frazetta (update 2x)

It’s just one of those days. Frank Frazetta has passed on at age 82. He was key artist in the fantasy and science fiction field who, in his own way, had a major impact on the movie world. Though he was primarily known as the painter whose work graced the covers of books by Conan, the Barbarian creator Robert E. Howard and Tarzan/John Carter of Mars author Edgar Rice Burroughs, he also worked in comics, movie posters, and record album covers, primarily heavy metal. His work doubtlessly influenced its share of film imagery as well. (Princess Leia’s outfit while being held captive by Jabba the Hutt comes immediately to mind.)

Anyhow, below are some random movie-related works by Frazetta, starting with this very Frazetta poster for a Clint Eastwood actioner many would rather forget but I remember fairly fondly. (Of course, I was 15 or so when I saw it.)

frazetta-eastwood-movie-poster-gauntlet1

Much more after the flip.

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Midweek movie news

Getting a bit of an early start and catching up with some news we didn’t discuss yesterday.

* In terms of raw cash, the movies had a record March this year, largely thanks to those inflated, and then extra-inflated, ticket prices for “Alice in Wonderland” in 3-D. We’ll see how long this lasts.

Alice in Wonderland

* RIP Corin Redgrave, of one of the world’s great acting families.

* Reading this Nikki Finke item about what sounds like the increasingly fraught auction of MGM, it really does make it seem like a million years ago when MGM was the absolute epitome, for better and for worse, of Hollywood power.

* I’m breaking a confidence here with this super-secret Twitter leak by Jon Favreau, but it appears that Harrison Ford will be in “Cowboys and Aliens.”

* Universal, which hasn’t exactly been rolling in cash lately, has pulled the plug on “Cartel.” It would have been a remake of the fact-based Italian mafia thriller from 1993, “La Scorta,” set admidst Mexico’s drug wars. Josh Brolin was set to play the lead. Mike Fleming doesn’t specifically mention insurance or the cost of security, but considering the topic and what’s been going in throughout Mexico — apparently including Mexico City where the film was to be shot — it must have been through the roof.

* Master cinephile blogger Dennis Cozzalio checks in and brings word of some cool film fests.

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