Tag: Chris Rock (Page 3 of 3)

Good Hair

Sadly overlooked at the box office, Chris Rock’s documentary on black hair – and the billion-dollar industry built around it – is a fascinating, if tragic, look at what black women will do in order to “fix” their naturally curly hair. Rock examines the products that “relax” hair (which will eat an aluminum can in four hours), and the weaves that they buy as a means of getting around using the relaxer. (Raven-Symone actually pulls her weave out of place on camera.) Rock even travels to India to meet the people who collect the hair that’s used in weaves. There is a sub-story involving four stylists competing for a $20,000 prize at the semi-annual Bronner Bros. hair convention in Atlanta – one of whom, surprisingly, is a white boy – but it doesn’t quite gel with the rest of the movie. The meat of “Good Hair” comes from women discussing the hair tragedies they’ve suffered at the hands of relaxer (that asymmetrical haircut in Salt & Pepa’s video for “Push It”? Yep, the result of her hair falling out) and how they handle having sex while wearing a weave (“Stay on top”). And Rock, being an ace comedian, knows a good last line when he hears one, so he wisely lets noted philosopher Ice-T close the show: “I just think that women shouldn’t be pointing their fingers at other women for what they doin’ to help each others’ bodies. Other than that, do whatever makes you feel good, because trust me, if a woman ain’t happy with herself, she gonna bring nothin’ but pain to every-fucking-body around her.”

Click to buy “Good Hair”

Raimi & Spidey part company; Hanks to direct again with Roberts in tow; history repeats on “Thor”; an auteur departs; ASC, WGA, and ACE noms; Nikki Finke makes a friend

Spiderman

My highly esteemed colleague Will Harris has been right on top of  the huge small screen stories that seem to be breaking right and left at the TCA conference this week. Still, it’s not like there hasn’t been any news in movieland. It’s almost hard to know where to start.

* The Hollywood Reporter as well as Nikki Finke and new stablemate Mike Fleming (more on that below) are carrying the news that, in the wake of ongoing script problems, the kibosh has been put on Sam Raimi’s “Spiderman IV” with Tobey Maguire and Kirsten Dunst and a 2012 reboot, written by James Vanderbilt (“Zodiac“) announced. The new film will feature a once-again teenage Peter Parker, so Taylor Lautner is no doubt already in touch with his agent.

THR says the script problems had something to do with a disagreement over supervillains between Raimi and Sony and/or Marvel Studios. Finke also notes that the fourth installment would probably not have been in 3-D and it seems reasonable that that might have been a factor, given the current mania for the process.

* In another apparent scoop for new Deadline team member Mike Fleming, Tom Hanks is returning as a writer-director for the second time since making his 1996 charmer, “That Thing You Do!” A comedy, “Larry Crowne” will reteam him with his “Charlie Wilson’s War” co-star, Julia Roberts. Like “Up in the Air,” according to Fleming it’s somewhat topical in that’s it’s about a middle-aged guy forced to reinvent his career at a time when past generations where just starting to settle down.

While he’s at it, Fleming also has the word on Shia LaBeouf not going agentless after all and signing with CAA. Agents around the world can all breathe easier now.

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Will “Couples” find box office fulfillment?

Couples Retreat

As if the movie gods themselves wished to offer me some breathing space, this weekend has only one new wide release, and it sure doesn’t strike me as anything to get very excited about. Our own Jason Zingale — who enjoyed seeing a reunion of “Swingers” pals Vince Vaughn and Jon Favreau — gave a pretty tepid, just this side of positive, review to “Couples Retreat.” Jason’s take, however, is a hysterical rave compared to the blistering reviews that had the film at a pretty darn rotten 09% “fresh” Rotten Tomatoes rating.

Nevertheless, audiences may differ from the critics. The comedy does boast the appeal of the all-mid-level star cast, which also includes the very talented Jason Bateman and Kristen Bell. Also, the fact that the R-rated blood/body-parts splatter comedy, “Zombieland,” and the PG-rated family food splatter science fiction comedy, “Cloudy With a Chance of Meatballs,” are dominating the box office right now means that there’s not a whole lot out there in wide release for the non-splattery date movie trade.

Whip ItNow, Fox Searchlight’s hopes of good word-of-mouth-based box office could pan out for the girl-powered sports comedy, “Whip It.” So, if director Peter Billingsley — yes, Ralphie from “A Christmas Story” — wants to avoid a nasty box office defeat, he’ll have to hope there are no pleasant suprises for his fellow ex-child star making a feature directorial debut, Drew Barrymore. Variety‘s Andrew Stewart says the lately somewhat beleaguered Universal expects “decent numbers” whatever those are, but my hunch is that “Couples” will be lucky to be in the top five on this weekend’s hit parade and may not crack double digits. However, I’m nearly always wrong when I stray from the experts. We shall see.

The remaining action this weekend is in terms of limited releases. As per Box Office Mojo, other than some potential Oscar fare we may be discussing in coming weeks, we have “Good Hair,” from Chris Rock and director Jeff Stilson getting excellent reviews and debuting in 185 theaters, as well as the LeBron James-headlined sports documentary, “More Than a Game,” expanding into 44 theaters. “From Mexico With Love,” an old-school boxing/message picture being aimed at the Latino market, is also getting a very decent sized release in 285 theaters. The earnest looking drama has been so successfully hidden from critics so far, it’s not even appearing on Rotten Tomatoes new release listing.

Oh, and I almost forgot the one release that’s probably destined to be more than a trivia question after this week is over. After an extremely successful midnight-only release last week, the canny scarefest “Paranormal Activity” will be getting a normal release in 159 screens this weekend. As it happens, I saw it last night and will be writing up the review after I’m done here, but suffice it to say for now that I personally observed a bunch of presumably jaded, mostly youngish, industry-connected folks at a screening on the Paramount lot last night doing a pretty good impression of the folks in the trailer — well, maybe laughing at their own fear a bit more. This is not just hype.

paranormal activity

Rainy days and movieland Mondays… (Updated)

…Can really get you down. Especially if you’re a deposed big time executive.

* Marc Shmuger and David Linde are both now former honchos at Universal. As reported in the show biz paper of record, having a far better and busier Monday are Adam Fogelson and Donna Langley, from the marketing and distribution departments respectively. As for the why, I’m sure it can mostly be summed by a number of fairly expensive/high profile box office disappointments/flops including “Duplicity,” “Funny People,” “State of Play,” and the one that got almost no respect from anyone (except Roger Ebert), “Land of the Lost.”

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Still, you can trust Nikki Finke to find a more down and dirty side (Shmuger was “‘The Schmuck'”! Poor Linde was “collateral damage”) while Anne Thompson provides her usual sober assessment and notes that the real killer might have been the lack of any apparent “tentpoles” coming any time soon.

* On a similar note, the Rich Ross ascension at Disney is starting to look like a sure thing amidst an overall shake-up — or at least that’s what they’re saying today at Variety. We’re told to expect “a greater emphasis on tentpoles and family fare.” Not a surprise…gotta have them tentpoles.

UPDATE: Ross’s promotion is official. Anne Thompson has the press release.

* Nikki Finke also has an item to gladden the heart of our own Chris Glotfelty. “Paranormal Activity” has had what the Finke terms “freakishly good” business with $15,000 per screening averages (matching the amount I’m seeing reported as the film’s budget…very spooky!) in a special midnight-only engagement in 33 cities Thursday through Saturday, which means some theaters were making those numbers not only at midnight but even on a day when most people had work/classes the next morning. The film will be expanding into a regular release in 40 cities on Friday.

After reading a few reviews and seeing some comments online in addition to what Chris wrote, I have to say that in the wake of so-called “torture porn” and considering that filmic horror has, long ago, sometimes gone to places so horrible and extreme an awful lot of us won’t even consider following (and I don’t just mean silly gorephobics like me), it’s nice to see you can still scare an audience, including hardy souls like Chris (and supposedly Steven Spielberg), to death with not much more than a big, slow build-up and some very inexpensive atmosphere and basic special effects. Is it possible that our filmgoing innocence still lingers?

* Work on the “Arrested Development” movie continues. Yay.

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A Chat With Comedian George Wallace

George Wallace has been doing stand-up comedy since the average Premium Hollywood reader was in elementary school…or possibly even longer than that. (You make the call: his first TV appearance as a stand-up was on “The Mike Douglas Show,” and it’s fair to suspect that he’d already been doing comedy for a few years before that.) Once in awhile, however, he takes time out of his residency at the Flamingo in Las Vegas to do a TV appearance or pop up in a movie. Wallace took a few minutes to talk to Premium Hollywood in connection with a guest spot on his buddy Byron Allen’s myNetworkTV series, “Comics Unleashed,” which airs tonight at 9 PM EST, and we asked him about his stand-up, his memorable appearance on “Seinfeld,” and several other topics of note. In return, he provided more than enough laughs to remind us why he placed in Comedy Central’s list of the Greatest Stand-Ups of All Time.

Stay tuned for…

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