Tag: Bob Dylan (Page 2 of 2)

“I’m Still Here” — the teaser trailer, the myth, the legend

If you follow movies at all, I don’t think there’ll be any way to avoid Casey Affleck‘s film about his friend and brother-in-law, Joaquin Phoenix. For starters, there’s the whole “is it live or is it Memorex” question of whether the film is a documentary about an actor going off his rocker or a mockumentary in which the actor endures humiliations and tortures that he’d have to be crazy to undergo if he were not, in fact, going off his rocker. And then there are the alleged scandals surrounding the making of the film, as if intended to create another circle of weirdness around this thing.

Okay, then, just watch the damn trailer

So, who’s the older gent with the deep voice talking there? Any ideas? He reminds me slightly of spoken word artists Joe Frank and Ken Nordine who are both old enough now that they’re voice could be that scratchy, but I don’t think he’s either one. Also, how long before this film plays on a double with Todd Haynes’  Bob Dylan anti-biopic,  “I’m Not There”? Everyone’s going to mix them up anyway.

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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10 from Denzel

Friday’s big release is Tony Scott’s remake of a relatively obscure, but beloved, seventies suspense-action flick, “The Taking of Pelham 1-2-3.” I haven’t seen the new version, but the original is notable for surprisingly large amounts of comedy given the deadly subject matter, and one of the most authentic recreations on film of what it feels like to be in New York City. It’s also one of a handful of action/tough guy films to feature the unlikely but always effective presence of Walter Matthau.

But while the original had Matthau, the new one has another actor who, in a very different way, is also in a class by himself: Denzel Washington. To celebrate the career of the charismatic, old-school movie star and true master thespian (and an personal favorite of mine), Bullz-Eye is covering ten films from the actor’s past you may not be familiar with. Even playing in a frequently tasteless, shtick-based, comedy as a complete unknown, he had class and hard-earned talent to boot.  Read “Washington Insiders” here.

And the most fun part of working on a feature like this? It’s discovering surprising moments from a star you thought you already knew. Like this moment, featuring a bit of New Orleans/Professor Longhair style piano blues and some reggae Bob Dylan. I don’t think that’s him playing piano, but I believe he’s actually singing there, and not badly.

Seth MacFarlane’s Cavalcade of Cartoon Comedy

It’s funny to think how vastly different Seth MacFarlane’s life would be right now had “Family Guy” not been revived from the dead. FOX would have never offered him a multi-million dollar development deal and a big chunk of their Sunday night primetime block, and he certainly wouldn’t have had the commercial backing from a company like Burger King to launch his own online series, “Cavalcade of Cartoon Comedy.” Unfortunately, if there’s any indication that MacFarlane might be losing his comedic edge, this is it. While the collection of animated shorts is presented in the same vein as the cutaways from “Family Guy,” they mostly just feel like B-sides that never made the final cut. There are a few really good ones in the group (Wile E. Coyote finds Jesus after finally killing the Road Runner, Mario’s advances are squashed by the Princess, and Bob Dylan gets into a mumble fight with Tom Waits and Popeye backstage at his concert), but a majority of them are only giggle worthy. The shorts themselves are pretty harmless on their own, but when viewed in one sitting, they don’t work quite as well. Plus, the idea of having to pay for something that you can watch for free online is a pretty ridiculous concept, so unless you pray at the altar of MacFarlane, you’d be better off watching it the way it was meant to be seen.

Click to buy “Seth MacFarlane’s Cavalcade of Cartoon Comedy”

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