Tag: Alexander Skarsgard (Page 3 of 3)

True Blood 3.3 – Lie Back, Sweetheart, And Think Of Estonia

I feel obliged to open this week’s blog by asking a question that’s been gnawing at me for the past two weeks: am I the only one who isn’t really caught up in Season 3 of “True Blood” in the same way as Season 2? At first, I blamed it on the fact that I was coming off the ridiculously-real feel of “Breaking Bad” and hadn’t yet re-acclimated myself to the town of Bon Temps, then I considered the possibility that it’s because no one thus far in Season 3 has really grabbed me the way Maryann the Maenad did when she first made the scene, but now I’m just wondering if it’s because the pop culture landscape is so riddled with vampires that I’m starting to feel the overkill. I’ll give the show credit this week for a consistently enjoyable episode, but I wish it hadn’t opened and closed with scenes that were so thoroughly disconcerting that they couldn’t help but leave a significant impact: to leave me thinking, “That’s not awesome. That’s just disgusting.”

As for the opening, I obviously heard the gun go off at the tail end of last week’s episode, but I didn’t really think much about what the end result would be, as I was focused more on what Eric was about to do. As such, I certainly didn’t expect the end result to be Eric leaping in front of the bullet so that the werewolf would survive at least long enough for him to interrogate him for a bit. It was good to hear Sookie using her powers again, and the back-and-forth between the werewolf and Eric made me laugh, even if it was a predictable exchange (“You might as well go ahead and kill me now.” “As you wish.”), but you’ll forgive me, I hope, for my feelings on the throat-ripping scene, which was so gross as to deflate what otherwise would’ve been a smirk-worth comment from Eric: “Got your rug all well.” The duo quickly dispose of the corpse, with Eric acting surprisingly worried about the threat of werewolves. In addition to his not-very-couched hint about his feelings toward Sookie (“I don’t expect you to understand.” “I understand very well.”), I also thought it was interesting the way Eric recognized the werewolf’s accent. Who knew that vampires had an ear for such things?

The storyline within the King’s palace in Mississippi wasn’t nearly as interesting as the trip it served to take us on, but it was amusing to see His Majesty mock his “associate” and his tendency to overemphasize the importance of their nice things. The conversation between the King and Bill was somewhat educational, with the former asking Bill vampire to vampire about his feelings toward Sookie, basically saying that it wouldn’t be such a bad thing if Bill were to turn her. Bill’s not having any of that, though, and the next thing you know, he’s on a trip down memory lane, recalling the awful experience that he was forced to endure as a result of being turned by Lorena. Revisiting his first post-turning encounter with his family, having to look upon the body of his dead son and suffer through the emotional torture of his wife’s reaction to his vampirism…you wouldn’t wish that on anybody. And then for Lorena to tell him that he’d be doing Carolina a favor by basically wiping her memory? Rough stuff, to be sure. You can see why Bill pledged dedication to Mississippi, but you know Sookie’s going to have something to say about it.

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True Blood 3.2 – A Vampire Is Never At The Mercy Of His Emotions

As we return to the festivities as we left them last week, it’s clear that Bill has chosen not to play around when it comes to dealing with the werewolves. The slaughter comes to an abrupt end, however, with the arrival of Russell Edgington, the Vampire King of Mississippi. I was impressed with what Denis O’Hare brought to the role, if not terribly surprised: the guy’s been bouncing around films for ages, but he’s had quite a bit of TV work lately, including roles on “Brothers and Sisters,” “CSI Miami,” and “The Good Wife,” even an episode of “Bored to Death.” I had to laugh at the idea of a werewolf named Cooter, of course, along with his delightfully redneck comment, “You’re about to get deader, dead ass motherfucker!” It was a shame to see him dispatched so quickly, but, hey, that’s what happens when you drink from one of the King’s guests.

There’s not necessarily a lot of substance to it, but I’m enjoying the saga of Jessica trying to figure out what to do with the body of the dead trucker, what with the excessive Lysol use and the chainsaw. I liked Pam’s explanation about how to feed properly without killing your victim (it’s all in the heartbeat, apparently), and I have to believe that Pam’s the one responsible for the trucker’s body disappearing. I suspect Pam may be seeing a little bit of herself in this young girl. I also continue to be touched by Hoyt’s attempts to resurrect his relationship with Jessica, as he’s trying so hard to understand her, despite her refusing to allow him to be a sweetheart. She may say it’s too late for her to fight her nature, but it’s clear that he has no intention of giving up. Does that mean that he’ll end up being just another victim? We’ll see, but I like to think that her reaction to seeing the picture of the trucker with his son may have re-stirred some of her humanity.

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True Blood 3.1 – With All Due Respect…

Hey, everybody, “True Blood” is back! And, man, when that show comes back, it doesn’t waste any time, does it? I can’t think of the last season premiere that was quite so action-packed. Whether it’s a response to the complaints over the way Season 2 limped to a conclusion after Maryann was finally taken down in the first half of the season finale or simply a conscious effort by the producers to make sure that the viewers are given plenty to keep ’em coming back, I don’t know…and, frankly, I don’t care. At the very least, I have to say that, although the amount of activity was somewhat dizzying at first (possibly because the advance screener I received wasn’t preceded by a “Previously on ‘True Blood'” segment to get me back up to speed), so much happened that I definitely found myself in a position of thinking, “Okay, I reckon it was worth coming back for Season 3.”

I mean, seriously, here’s what happened in the first two minutes (!) of the episode:

• Sookie runs out of the restaurant, frantic that Bill’s been kidnapped, leading the French woman to decry the world’s vampire population.
• Sam’s on the road, heading for Magnolia, Arkansas, looking for some folks named Melinda and Joe Lee Mickens…who are, as it happens, his folks.
• Jason’s having an anxiety attack over shooting Eggs.
• Tara is beside herself with grief, but Lafayette’s trying to console her.
• Hoyt makes Jessica’s heart momentarily melt with the flowers she’s left for him, but although she’s touched, she’s can’t just leave her trucker lying on the porch.
• Bill’s kidnappers are a bunch of rednecks who tell him that he can call them the Fuck You Crew.

Talk about making quick work of playing catch-up, huh?

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The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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