Page 213 of 1232

Hard days at the office #4: But the pink actually tastes worse to me than the blue

Another Labor Day inspired clip.

It’s rare that a movie about something you’ve personally experienced actually gets something right, but then one thing a lot (but by no means all) filmmakers know well is the movie business. I never worked for directly anyone quite as powerful or as mean-spirited as Buddy Ackerman, but what I did experience was close enough. This (ironically NSFW) scene from George Huang’s “Swimming with Sharks” definitely brings up the old unpleasant goosebumps. Feel free to skip to 00:20.

Yeah, sure, Kevin Spacey is great at this sort of thing, but I tell you that no actor in the world does scared better than Frank “Check Out the Big Brain on Brad” Whaley.

Mad Men 4.7 – If it’s Sunday night at 10 PM, it must be May 25, 1965

Tonight’s episode of “Mad Men” was one of the strongest offerings of the season, once again focusing on the unique relationship between Don and Peggy that’s been a hallmark of the series since the very beginning. He used to be the lord of the manor and she used to be as meek as a mouse, but Peggy’s come a long way, baby, and Don…well, he’s still got his title, but his power would seem to be somewhat on the wane. This week, the two went head to head, and while neither necessarily came out a victor in the end, they both learned a great deal about each other in the long run.

Mad Men - Peggy in green jacket and yellow hat

First, a look around the office. The gang’s all geared up to watch Sonny Liston battle Cassius Clay for the second time in their respective boxing careers, which places the precise date of the episode as May 25, 1965. As it happens, it’s also Peggy’s birthday, and since she’s 26, that means she was born in 1939…and, as it happens, on the same day as Sir Ian McKellen and the late Dixie Carter of “Designing Women” fame. Just an FYI. Before they can embark on their fun-filled fight extravaganza, however, they’ve got to present Don with their pitch for Tourister, which involves the then-mostly-unknown Joe Namath. It’s pretty funny, but Don all but sneers at it, saying, “Endorsements are lazy,” once again confirming that, for all of his gifts as an ad man, he’s destined to become a dinosaur sooner than later if he doesn’t change his attitude. And make no mistake: Don does have an attitude, snapping at Peggy, “I’m glad this is an environment where you feel free to fail.”

Ouch.

Peggy retreats to her office, where we find that good ol’ Duck has remembered Peggy’s birthday, which is more than Don’s don. Duck’s present to her: business cards with her name on them as well as a possible new title, provided that she’s willing to join forces with him. It sounds like a great idea at first, with his pitch about how it’s going to specialize in women’s products and his excitement over the likelihood that Tampax will be one of their first clients, but then things start to go south as it becomes evident that Duck’s been let go from his firm, probably because of his severely increased drinking habits. Peggy shifts from excitement to concern, Duck moves from business into personal, and when he begins to drunkenly plead with her to see him, she takes the opportunity presented by her co-workers entering her office and hangs up. I’m sure I’m not the only one who knew we’d see Duck again before episode’s end, but I can’t say as I quite expected to see him doing what he tried to do.

But we’ll get to that.

Continue reading »

So maybe “The American” f**ked with the correct Mexican

George Clooney is

Hey, we’ve got ourselves a modest surprise that diverges substantially from what I wrote back on Thursday night. Though the weekend is still ongoing, apparently, a lot of people didn’t get the memo that “The American” is a rather dry if eye-filling European-set arthouse style thriller, rather than the intelligent but plot-heavy action film a la the original “Day of the Jackal” they might have felt like seeing. That’s what the dreadful D- Cinemascore rating Nikki Finke is reporting would seem to indicate, in any case. Also, George Clooney‘s star power still counts for something. Even La Finke has stopped her bitter attacks on him.

Box Office Mojo reports that the “one last job” thriller about an assassin and gun-maker earned an estimated take of nearly $13 million. Finke has her estimated numbers a bit larger than that, and her guesses about the film’s total take including Labor Day and it’s early opening reflect that. (The estimate she has has the film making a total of 19.2 million.) Assuming all that’s true, it’s just possible that the adult-oriented thriller could outgross the roughly $32 million “Vampires Suck” has made so far, perhaps there is a movie God, but I wouldn’t bet on it.

Danny Trejo is
All of this is not to say that this weekend’s tongue-in-cheek Mexploitation geek fave starring the very cool Danny Trejo, “Machete,” did at all badly on this somewhat underwhelming weekend. It was outgrossed slightly by this weekend’s predicted #1 film, “Takers,” which netted an estimated $11.45 million in its second weekend. It’s $11.3 million really isn’t that bad, however even if it is ranked at #3. I don’t have a budget for the film, but Nikki Finke’s argumentative commenters were throwing around a $25 million figure — a bit high for Robert Rodriguez but quite cheap for a movie with this kind of all-star supporting cast, including Jessica Alba and Robert DeNiro. Considering the way movies like this tend to have a long and healthy life on DVD, that strikes me as a very good start. And that’s not counting the inevitable New Beverly Cinema double-bill with “Black Dynamite.”

“The Last Exorcism,” as predicted, suffered a large 62.5% drop in its second weekend, perhaps largely due to an ending most audience members hated, with an estimate of over $7.6 million. I’m convinced it was the vagueness of the premise that did in this week’s week’s third wide new release, “Going the Distance.” The raunch-infused rom-com came about Justin Long and Drew Barrymore having a long-distance relationship, I guess, wheezed across the finish line at the #5 spot with an estimate of slightly under $6.9 million. Yeah, I know, I wrote “6.9.” Grow up already.

Drew Barrymore and Justin Long try

Sons of Anarchy: Season Three Preview

sons_preview

Anyone that’s read my “Sons of Anarchy” blog or followed our bi-annual TV Power Rankings on Bullz-Eye knows that I’m a massive fan of the FX biker drama, so it shouldn’t come as much of a surprise that I’m beyond excited for the start of the new season. Last December, creator Kurt Sutter delivered a heart-wrenching finale that resulted in the death of several characters (including one of the Sons’ own), and found Ethan Zobelle getting away scot-free, Gemma on the lam for murder, and Jax’s son kidnapped by IRA gunrunner Cameron Hayes.

Season Three picks up only a few days later, with SAMCRO still reeling over Abel’s kidnapping and Gemma finding refuge with her father, played by Academy Award nominee Hal Holbrook, who might just be the show’s golden ticket to the Emmys next year. Holbrook isn’t the only new actor joining the cast, either, as the Sons’ will be heading to Ireland in search of Abel, placing them smack dab in the middle of IRA country. Among the new faces include “Deadwood” alum Paula Malcomson as the old lady to a member of the Belfast charter and cousin of Cameron Hayes, and James Cosmo (“Braveheart”) as her priestly brother. Kenny Johnson, who briefly appeared last season as a nameless member of the Tacoma charter, will also have a recurring role this season (and now with a name, Kozik), which means we’ll probably learn more about his mysterious history with Tig.

While flipping through the Season Three press kit that FX provided critics, I also found it a bit suspicious that Tayler Sheridan, the actor who plays Deputy Chief David Hale, was missing from the cast and crew bio section, despite the inclusion of much smaller supporting characters. Although it’s pretty much a given that Hale will be taking over the role of Chief now that Unser has left Charming with Gemma, I’ve heard rumors over the last few weeks that the first episode features a bombshell of a surprise involving his character. I’m not sure what that means, exactly, but I’ll be blogging the season as it progresses, so be sure to come back on Tuesday nights to read my recaps and join the conversation. To help tide you over until then, check out this sneak peek of the new season courtesy of FX:

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑