Page 195 of 1230

“Retribution this Christmas”

The Coen Brothers certainly have been no strangers to the American West or movie Western iconography. Still, there’s a difference between borrowing Western tropes for such more or less contemporary tales as “Raising Arizona” or “Fargo” or “No Country for Old Men” and making an actual western with six-shooters and cowboys and all of that. Hence, this teaser for “True Grit” makes me very, very happy.

H/t the Film Drunk, who very correctly reminds us that this may perhaps be more fairly described as a new adaptation of Charles Portis’s novel. I haven’t read the book yet — at least I don’t remember ever reading it — and its been decades since I’ve seen the hit John Wayne/Henry Hathaway version from the sixties, but I understand from people in the know that, surprisingly, that version was mostly very faithful to the book.

“It’s amazing how much a person can cry”

It’s a Monday morning, so a lot of you probably feel like crying anyway. Now, thanks to Pajiba’s Harry Hanrahan, you could let the crying expert, Ms. Julianne Moore do it for you. It doesn’t matter whether the flick is great, bad, or indifferent, she never fails to be effective.

The crying hall of fame has just too members in my view and, oddly enough, both of them are named “Moore.”

Mad Men 4.10 – Do You Promise Not To Tell?

Joan wants a chat with Roger…and the talk is serious: “I’m late. Very late.” I guess I shouldn’t have been surprised at how Roger immediately did his best to calm her down, speaking to her in a tender voice and assuring her that he’d take care of everything. His doctor, however, isn’t nearly as tolerant of the fact that Roger’s gotten Joan pregnant, but he still passes along information so that she can get an abortion…if she decides to actually get one, that is.

The mere fact that Roger broached the possibility of Joan keeping the baby made me sure that we were going to spend the rest of the episode playing “will she or won’t she,” and I was right on the money about that. Even now, Joan’s impossible to read. I hate to believe that she actually went through with it ’til we get formal confirmation on the matter, but she probably did, as it would go against standard “Mad Men” storytelling for her to do something as cliched as say, “I changed my mind, I’m keeping the baby.”

Mad Men - Joan Halloway

Lee Garner, Jr. is back…but not for long. After the Christmas episode, you’d think they’d be glad to see him go away for good, but since Lucky Strike is basically the client that’s keeping Sterling Cooper Draper Pryce afloat, their departure could literally sink the firm. It’s a little disconcerting to see Roger shift from angry into being legitimately upset. Will he be able to save SCDP in 30 days…or before he has another heart attack?

Mad Men - Roger Sterling

Isn’t it amazing how the promise of a ticket to see the Beatles at Shea Stadium – which dates the events of the episode as taking place near August 15, 1965 – can make up for years of half-assed parenting? But, my God, even Betty’s icy exterior cracked when Don told her where he was taking Sally…and, perhaps even more impressively, mother and daughter actually shared a smile. Unfortunately, the way Don kept having to put pressure on Harry about the tickets, coupled with Harry’s expression while assuring him that he’d get the tickets, had me worried almost immediately that the grand event wouldn’t go off as planned. Little did I know that it’d be the only thing that would pan out.

Continue reading »

Boardwalk Empire 1.2 – And the world turns…

When the second episode of “Boardwalk Empire” kicks off, it’s a snowy day in 1920, but things are starting not on a boardwalk in Atlantic City but, rather, outside a church in Chicago. It’s the funeral for Big Jim Colosimo, and the reporters are already swarming around Johnny Torrio about his possible connections in Big Jim’s sudden and untimely demise by lead poisoning…as well they should. Still, look at the lovely flower arrangement sent by Nucky Thompson. He’s a real sweetheart, that one…

They’re definitely going out of their way to underline the fact that Nucky’s still mourning his wife: this is two episodes in a row where there’s been a blatant cut to her picture that’s either been preceded or followed by a shot of Nucky looking sad and lonely. Still, he instantaneously transforms into All Business Nucky when Agent Van Alden bursts into his office, easily finding a smirk to accompany his question about whether Van Alden would like “coffee…or something stronger.” Still, the agent’s skepticism about Hans Schroeder’s connection to the shooting is clearly weighing heavy on Nucky’s mind, as evidenced by his extremely limited tolerance for George when he encounters him early in the episode. I mean, seriously, he barely even tried to mask his distaste for the man.

Continue reading »

Weekend box office: greed is still pretty good

Things turned out at this weekend’s box office more or less as predicted on Thursday. “Wall Street: Money Never Sleeps” came in on top at an estimated $19 million for Fox, according to the Box Office Mojo chart, about a million or two shy of the figures being bandied about, but close enough for an adult skewing film expected to have decent legs. Nikki Finke thinks it may have missed it’s moment in terms of being a topical must-see and also avoiding some bad press provided by the mouthy Oliver Stone. Maybe. She also points out that Fox hasn’t exactly been on a hot streak this summer. Still, this is actually a career high, raw cash wise, for Stone and not too bad a showing for the longest break between an original and a sequel since Martin Scorsese and Paul Newman dared to follow-up the genuine classic, “The Hustler,” with his underrated non-classic, “The Color of Money,” a quarter century after the fact.

Following not so far behind, really, is Warners’ “Legend of the Guardians: The Owls of Ga’Hoole” which earned an estimated $16.3 million. Anthony D’Allesandro is calling the film a “bomb” along the lines of the recent “Cats and Dogs” sequel. That may be accurate compared to what family films like this usually make and in light an as yet unspecified large budget but it’s still within a couple of million of this weekend’s $50-70 million live-action hit.

gahoole22

While the books might have had an audience, something just seemed generally awry and the film lacked a clear premise for non-fans other than “owls fighting.” Whether or not Zack Snyder, whose early hits are receding in the memory of Hollywood, no doubt, gets to remain in the high end movie big leagues may now be largely dependent on what happens when his strange and zany looking action fantasy, “Sucker Punch,” comes out on 3/25/11.

Continue reading »

« Older posts Newer posts »

© 2025 Premium Hollywood

Theme by Anders NorenUp ↑