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Not funny/moderately funny: “Killing Bono” vs. “Still Crazy”

Another entry in my occasional pairing of dramatically unfunny material (usually a trailer) with something that is, at least, a bit amusing.

No time for extended commentary today, but a picture is worth a thousand words and we’ll start with this misfired trailer for a film with a premise that’s apparently much stronger than the execution. What’s it’s like to be the also-ran band from Dublin, circa 1976? (H/t Deadline)

And now we have a trailer for a 1998 comedy that also takes a backward look at seventies rock. From the dependable writing team of Dick Clement and Ian La Frenais and director Brian Gibson, here’s “Still Crazy.”

It’s not quite a laugh riot, but I know which movie I want to see, if only for the amazing cast.

Trailer time: Still “The Beaver”

One news item that Nikki Finke broke this week was that the long-delayed Jodie Foster film, which she costars in and directs, “The Beaver” looks to be getting a Spring 2011 release date. Confirming the news, Summit released a trailer yesterday, and here it is. To my surprise, this seems to be less of the black comedy I expected, and more of a straightforward psychodrama with some comedic elements.

Of course, the issue here is the film’s star, Mel Gibson, who you may have heard saying a few very impolite things. Of course, the eternal question is will audiences forgive said impoliteness. As Russ Fischer noted, there are some parallels that might help wary audiences over the hump. Who doesn’t love a redemption story? In any case, I think most people who say they’ll never see X star’s movies after X episode of misbehavior, alleged or proven, are people who weren’t fans to begin with. If the movie is something audiences think they’ll like, they’ll show and, though I’m not sure Mel Gibson is a guy I want to have the proverbial beer with anymore, I don’t believe that should be the first criteria for film attendance.

On the other hand, I seriously wouldn’t hold my breath regarding that Oscar qualifying run, at least as far as Gibson is concerned.

Vampires Suck

2009 may not have been a spectacular year in cinema, but at least Jason Friedberg and Aaron Seltzer didn’t add to the pile of disappointment with another one of their stupid spoof movies. Unfortunately, they didn’t go away for good, and the best thing that can be said about their new film, “Vampires Suck,” is that it’s not as bad as their previous efforts. At the very least, it’s a lot more focused, using the first two “Twilight” movies as the backbone of the story, almost to the point of copyright infringement. Stephanie Meyer’s teen angst-filled universe is certainly a place that’s ripe for comedy, but Friedberg and Seltzer seem content with just throwing a bunch of lazy, half-baked jokes at the wall and praying that some of them stick.

Most of the jokes fall well short of their mark, but there are a few smirk-worthy moments thanks to stars Jenn Proske and Matt Lanter, both of whom do spot-on impressions of the actors they’re parodying. The film also has a surprisingly high production value compared to the directors’ previous work, which often looked like they were shot in someone’s backyard. But the problem with spoofing a phenomenon like “Twilight” is that only people who’ve seen the movies will understand a majority of the jokes, and they’re probably the last group that would want to watch “Vampires Suck.” It’s definitely a step forward for Friedberg and Seltzer, but it’s a small step, because the movie is still so terrible that it’s difficult to put into words. Let’s just say vampires aren’t the only thing that sucks.

Click to buy “Vampires Suck”

Happy 80th birthday Jean-Luc Godard, not that you care what we think…

That eternal bad-boy of the movies, still no stranger to controversy, turns 80 today. Ignoring the Oscars, and charges that his long-held anti-Zionism is really antisemitism, he remains a figure worth fighting over.

We open our brief salute with the trailer for the upcoming documentary, via Anne Thompson, “Two in the Wave,” the film covers the brief friendship, and long estrangement, between Godard and Francois Truffuat, who was Joe Strummer to Godard’s Johnny Rotten, the Beatles to his Rolling Stones, if you will.

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The Hoff abides

The interviewer’s nightmare is the subject who gives one-word answers to every question, the person who doesn’t really know what to say and who doesn’t like talking. David Hasselhoff is not that interview subject. Our erstwhile TV-meister, Will Harris, interviewed the “Knight Rider”/”Bay Watch” human phenom over at our Bullz-Eye.com mothership, and found out how a perfectly straightforward question could lead to a nearly 1300 word answer, and that was just for starters.

Of course, it’s not like there isn’t anything to talk about as the Hoff, as I understand he is now known, discusses his new reality show with his daughters and his extremely varied career that you probably know more about me than me anyway. It’s amazing how much the man has done, and is doing, aside from “Baywatch, “Knight Rider,” his German musical superstardom, his Comedy Central roast, and a certain unplanned video appearances sans shirt but avec cheeseburger, that I’ve been able to more or less completely ignore for three decades. (He was, however, almost an extra in one of my favorite Roger Corman flicks, the original “Death Race 2000,” so there’s that.) Anyhow, enough of my yammering, you want to read the Hoff’s yammering

Click here to read Will Harris’s interview with the Hoff himself, David Hasselhoff.

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