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Top Chef All-Stars: yikes

We figured that this season of “Top Chef,” being “Top Chef All-Stars” and all, there would be some ego clashes and shocking eliminations. Last night was mostly the latter.

The show began with Joe Jonas of The Jonas Brothers joining host Padma Lakshmi to announce the quick fire challenge. Helping to cater “A night at the museum” for a group of kids visiting the National Natural History Museum, the chef-testants would have to created a midnight snack geared toward kids that were apparently around 10-12 years old. Each snack would have to be served in a brown paper bag.
The least favorite snacks were by Tiffany D (coconut rice pudding), Mike Isabella (chocolate coconut bar with coconut horchata) and Stephen (snickerdoodle cookies). The favorites were Spike (homemade potato and carrot chips with dip) and Tiffani (Rice Krispie treat snowball).

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Hell’s Kitchen: we’ve reached the finale

It’s been a long haul this season, and as Fox backed-to-backed two seasons of “Hell’s Kitchen,” we had the chance to see how disinterested the producers are in making this show better or changing things up. Every season, the challenges and when they do each challenge are the same. But I digress. This season is remarkably different, because of the lack of talent. Last night the two finalists were chosen by Gordon Ramsay, but both have serious flaws. Let’s go to the videotape of last night’s next-to-last episode…

Initial challenge: Creating a “fusion” dish using two cuisines from around the globe

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Teaser trailer time: They’re messing with history in three dimensions in “Transformers: Dark of the Moon”

Apparently it wasn’t just the Cold War that made John F. Kennedy so anxious to reach the moon. He apparently wanted some big, ugly toy robots even more than he wanted sex with Marilyn Monroe.

Boy, I’m already so not a fan of this franchise and then they go and mess with both Apollo 11 and my man Walter Cronkite, whose too seriously dead to complain that they used him to advertise a (most likely) crappy science fiction film from Michael Bay. Of course it’s in 3D.

Oh, and the first person to post a Pink Floyd joke in comments gets an extremely special No Prize. (Note: I don’t like Pink Floyd very much either. I just felt like mentioning that.)

H/t Deadline.

It was 30 years ago today, sadly

Today is the thirtieth anniversary of the murder of John Lennon. It was a bummer at the time and it’s depressing even now. In any case, it’s an opportune time to present a clip of Lennon and his little back-up band performing one of his most underrated songs.

Keeping up my Bob Dylan theme from yesterday, it’s worth noting that this was famously Lennon’s effort at writing a Dylan song. Of course, it came out a Lennon song, but that’s kind of the point.

Also, I never fail to marvel at how well these musical sequences from 1965’s “Help” — a movie that on the whole didn’t hang together at all well — were shot by the great director, Richard Lester. It’s a just about perfect sequence in my view. Coincidentally, MUBI pointed the way to this Look Magazine interview from the set of Lennon’s one and only solo starring role, also with Lester, “How I Won the War” from 1967. It was obviously hot on the heels of the “bigger than Jesus” craziness, so there’s the inevitable discussion of religion and spirituality.

Perhaps Leonard Gross thought he was just penning the usual cliches we writers write about controversial and talented creators when he wrote the following. Still, his wrap-up turned out to be a lot more right than he probably realized.

The hysteria that surrounds him can no longer disguise the presence of a mind. His ideas are still rough, but his instincts are good and his talent, extraordinary. You may love him, you may loath him, but this you should know: As performer, composer, writer or talker, he’ll be around for a long, long time.

A roundtable chat with Kate Bosworth and Danny Huston of “The Warrior’s Way”

The movies often make for strange companions, if not actual bedfellows. So it was that a bunch of entertainment writers at the junket for the genre-blending martial-arts western fantasy, “The Warrior’s Way,” met with a pair of actors with a definite air of  beauty-and-the-beast about them.

Kate Bosworth is, oddly enough, the beauty of the pair. Perhaps best known as Lois Lane in the unfairly maligned “Superman Returns,” Bosworth has appeared in a number of films, including a solid appearance as Sandra Dee in Kevin Spacey‘s offbeat Bobby Darin biopic, “Beyond the Sea.” She also played porn star John Holmes’ teenage girlfriend in the fact-based “Wonderland” and was the female lead in the gambling-themed hit, “21.” Bosworth launched her career starring in the short-lived “Dawson’s Creek” spin-off, “Young Americans,” which wrapped in 2000 and followed that up with the lead role in the surfing-themed “Blue Crush” in 2002.

Danny Huston is often cast in the role of beastly types and authority figures, and usually a combination of both. He was the leader of the cold weather vampires in “30 Days of Night,” a memorably creepy power broker in “Children of Men,” and the mutant hating Col. William Stryker in “X-Men Origins: Wolverine.” He was also the despicably ultra-vicious desperado/gangleader brother of Guy Pearce in the 2005 mega-grime Australian western, “The Proposition.”

It’s also mandatory that I mention that Huston is about as “Hollywood royalty” as people get, being the son of acting and directing great John Huston, whose best remembered acting role remains as the deeply evil Noah Cross of “Chinatown” and whose iconic films included “The Maltese Falcon,” “The Treasure of the Sierra Madre,” and, still going strong decades later, “Wise Blood” and “Prizzi’s Honor.” That additionally means that Danny Huston’s grandfather was the early Hollywood star and character actor Walter Huston and his half-sister is Oscar-winner Angelica Huston. Still in his forties, he also was a director early on in his career, helming 1988’s “Mr. North.”

Bosworth and Huston were there to promote their roles in “The Warrior’s Way,” which was released this last weekend in a modest wide release. In the film, the first English language starring vehicle for Korean superstar Jang Dong-gun, Bosworth plays Lynne, a knife-thrower in training bent on revenge against the man who killed her family and attacked her. Naturally, that man is the Colonel (Huston), a mask-wearing evildoer who was badly disfigured by Lynne as a young girl, so it’s clear these two just aren’t going to get along.

Off screen, however, the two got along just fine as they sang the praises of the film which none of us entertainment journalist types had actually seen. About 10-15 minutes worth of clips had been shown to us the night before, prior to a very pleasant reception with some really delicious sushi and yakitori treats. The next day we got more American style fare at the Beverly Hilton. Did I mention that the food is often the best part of a press day?

The conversation started around some of the costumes used in the film. One journalist asked Kate Bosworth if she enjoyed the costuming aspect of movie-making. This might have turned into a very interesting piece if she’d said, “God, no, I hate it!” But, of course, that’s not how she feels.

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