Category: TCA Press Tour (Page 12 of 56)

TCA Tour: Comedy Showrunners Q&A – “The Big Bang Theory” / “Two and a Half Men”

During the TCA tours, there’s an understandable tendency for the networks to pimp their newest programming, but once in awhile, they do manage to offer us a panel that shines the spotlight on an established show. In this case, it was actually two shows: “The Big Bang Theory” and “Two and a Half Men.” On the panel were Chuck Lorre (co-creator of both series, executive producer on both shows), Bill Prady (co-creator of and executive producer on “The Big Bang Theory”), and Lee Aronsohn (co-creator of “Two and a Half Men,” executive producer on both shows). I’m not going to tell you that I wouldn’t rather have had actual cast members on the panel, but given the comedic credits of this trio, it was unsurprising to find that we got quite a few laughs during the course of the conversation.

First, though, let’s go ahead and acknowledge the elephant in the room right away, shall we? You know that someone had to ask about Charlie Sheen, and while they did, one must applaud the restraint of the collected TV critics that the question didn’t come up until several minutes into the panel. Predictably, the guys went for the joke before offering up a proper answer.

“I’m sorry, what happened with Charlie?” asked Lorre, innocently.

“I don’t know,” said Aronsohn, poker-faced. “Something happened?”

Lorre then slipped into serious mode. “We put on a show last night, and it went extremely well,” he said. “We had a great week, and the audience was wonderful last night, so we’re just going about our business. Charlie is a consummate pro. He shows up and he delivers, and last night was one of our strongest episodes. It was just terrific.”

Okay, let’s get into the meat of the panel a bit more, which was – thankfully – far more about the shows themselves rather than the sordid personal lives of one of their stars.

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TCA Tour: NBC Executive Session

I think it’s fair to say that there wasn’t a single member of the Television Critics Associate who wasn’t chomping at the bit to see how this session was going to go down. With all of the controversy breaking about the reported cancellation of “The Jay Leno Show” and rumors of its host moving to a half-hour slot at 11:35 PM, thereby moving the other members of the late-night line-up – “The Tonight Show starring Conan O’Brien” and “Late Night with Jimmy Fallon” back by an hour, everybody wanted to know how NBC was going to handle damage control.

“I see we have a full house,” said NBC Universal TV chairman Jeff Gaspin, as he walked onto the stage and stood before a ballroom filled with TV critics, many of whom were poised to pounce. “I heard there were some scalpers outside.”

The levity quickly went by the wayside, however, as Gaspin went into the recitation of what one can only presume was a well-tweaked statement, confirming that, starting February 12th, “The Jay Leno Show” will no longer air at 10 PM. He admitted that, although the series performed at acceptable levels for the network, it did not meet the needs of the network’s affiliates, hence the change in programming strategy. He also stated that NBC’s goal was to keep all three of its hosts as part of the late-night landscape – “The Jay Leno Show” at 11:35 PM, “The Tonight Show starring Conan O’Brien” at 12:05 AM, and “Late Night with Jimmy Fallon” at 1:05 AM – while acknowledging that this plan was in no way a done deal and that talks are still ongoing.

“It’s a fluid situation,” said Gaspin. “Everybody has the weekend to think about it, and we’ll see what happens when we start the new week tomorrow.”

While he would not confirm the hosts’ specific reactions to the new plan, Gaspin said that all three gentlemen were “incredibly gracious and professional” and that they acknowledged that they knew it was a difficult situation. As for anything else that went down during the discussions, he merely described it as a “private conversation,” adding, “When it’s all settled, you can go and ask them what their feelings were.”

Gaspin expects that the new late-night line-up will be in place by the time NBC’s coverage of the Olympics begins in February.

Unsurprisingly, the critics’ claws were soon out, with one wanting to know exactly what happened with the network’s assurances during the summer TCA tour that the success or failure of “The Jay Leno Show” would not be determined fully until the series had run for a full 52-week cycle. Gaspin maintained that the 52-week plan still would’ve been his preference but again cited the affiliates’ concerns as being the driving force behind the comparatively-quick removal of the series from its prime-time berth.

“Starting in November, the affiliates started calling, saying that local news was being affected more than expected,” said Gaspin. By the end of the month, the stations which utilized people meters for their ratings continued their complaints, now citing statistics where, in some cases, #1 local news broadcasts had dropped to #3. Gaspin continued his constant dialogue with the affiliates, requesting that they wait and see how the show would do against repeats…and, indeed, “The Jay Leno Show” did do better, but only by about a tenth of a rating point, still coming in second to either CBS or ABC on a regular basis. When the smaller affiliates without people meters got their November book numbers, “the drum beat started getting louder,” Gaspin said, and as it became progressively more clear that they were only going to be getting more vocal about their displeasure, throwing around comments about possible preemption, “we realized things were not going to go well if it was kept in place.”

Gaspin continued to clarify, however, that despite the feelings of the affiliates, NBC did not feel that “The Jay Leno Show” was a disappointment on a network level. “It was working at acceptable levels financially, making money at 10 PM,” he said. “For the network, it was not a wrong decision.”

He also underlined that, insofar as he was concerned, the reason behind the limited viewership had nothing to do with the show or its level of quality. “There’s a lot of choice at 10 PM,” he said. “We thought it could be everybody’s second choice, but there were just so many other choices that people thought were better.” In the end, Gaspin conceded that “The Jay Leno Show,” while being easy entertainment, simply wasn’t the first or even second choice of enough viewers.

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TCA Tour: Showtime Executive Session

You’ll have already seen my story about Showtime greenlighting “The Borgias,” which I posted because it was easily the biggest news within the network’s executive session, but Robert Greenblatt, Showtime’s President of Entertainment, did have a few more things to say during his remarks…and these are some of them:

* First of all, it must be said that Greenblatt had us from “hello,” offering an opening which couldn’t have been more perfectly designed for his audience. “I’m glad this is the first day,” he said, “because it’s so great when you guys are not sort of at the end of the rope here after rolling your eyes from all of what we’re saying to you, and I hope I can engage you enough today, because I’m sure all of you are just waiting for tomorrow’s NBC presentation. I’d love to get my temporary TCA card so that I could sit in on tomorrow’s session.”

* Coming soon is Showtime’s first foray into the world of traditional reality series. Get ready for “The Real L Word of Los Angeles,” which Greenblatt says will be on the air probably this summer. “We’ve just cast those women,” he said, “so at some point we will parade them in front of you for some kind of grilling…and I mean ‘parade’ in the best sense of the word.”

* When discussing the network’s new series, “The Big C,” a dark comedy starring Laura Linney as a woman dealing with a diagnosis of stage-four cancer, Greenblatt said, “I hope you all got our press announcement yesterday that we greenlighted a series about a character facing a terminal illness; I just want to make it clear that we have not picked up ‘The Jay Leno Show.'” Ouch…and ho, ho, HO!

But seriously, folks, Greenblatt says, “We look at the show essentially as a wake-up call as she begins to kind of look at her life and decide how she’s going to live it for the last amount of time that she has, and I think in the best possible world here, I think what we’ll do with this show is humanize the dilemma of her illness. Obviously, the show will walk the line between drama and comedy, and I don’t think there’s anybody better who could do that than Laura Linney. We’ve also surrounded her with some extraordinary people, an ensemble of great actors: Oliver Platt plays her husband, and we have Gabourey Sidibe, who’s the star of ‘Precious,’ who’s in the show as well.”

The pilot for “The Big C” was directed by Bill Condon, who already has experience with directing Linney and Platt from when they all did “Kinsey” together. We aren’t yet privy to the entire pilot, alas, but Greenblatt offered us a sizzle reel from it, and it looks really good, but for my money, no line topped this one from Linney to Sidibe: “You can’t be fat and mean. You can either be fat and jolly or a skinny bitch. It’s up to you.” The network has ordered 13 episodes, and the series goes into production as soon as Linney finishes her current commitments at the Manhattan Theater Club, with a premiere planned for later this summer.

* Greenblatt also spoke briefly about “Episodes,” the network’s new comedy, which was announced a few months ago. Created by David Crane and Jeffrey Klarik, the series is about a British couple who have a hit series on the BBC and, when an American TV network comes to them and convinces them to come to Hollywood and do an American version of their show, Hollywood just systematically destroys the show.

“Not,” added Greenblatt, “that that would ever happen at Showtime.”

Although “Episodes” won’t actually begin production until the spring, the producers thoughtfully put together a short piece to give us an idea of the flavor of the series…and it was funny. As you may have heard, the series will start the former Joey Tribiani, Matt LeBlanc, who will play himself as the woefully miscast star of the show within the show, and the piece showed us what he had to go through to get the part. (“I’d be playing myself, and I have to read? Fuck Showtime!”) Production on the series starts in late spring, and Greenblatt hopes the series will be on the air in the fall…and if it maintains the tone of what they showed us, then so do I.

Showtime greenlights the perfect series to replace the outgoing “Tudors”

During his welcoming remarks to the Television Critics Association, Robert Greenblatt – President of Entertainment for Showtime – revealed that the network has decided what will take the place of “The Tudors” when the series completes its run at the end of its fourth season.

Get ready for…”The Borgias.”

Greenblatt joked that they wanted to give fans of Showtime’s current period piece the opportunity to enjoy another “demented dynasty,” and, boy, do the Borgias fit that bill. Adultery, theft, rape, bribery, incest, murder…yep, sounds like a premium cable series to me.

“We think it’s a pretty dynamic story to dramatize,” said Greenblatt. It must be: not only will Neil Jordan serve as the executive producer (he will also direct the first two episodes), but “The Borgias” has drawn Jeremy Irons to play the role of patriarch Rodrigo Borgia. Plus, in a nice bit of torch-passing, Michael Hirst – one of the primary behind-the-scenes players on “The Tudors” – will be working on series as well.

“The Borgias” is scheduled to premiere on Showtime in the spring of 2011.

UPDATE – Showtime has issued its formal press release about the pick-up the series, describing “The Borgias” as “a complex, unvarnished portrait of one of history’s’ most intriguing and infamous dynastic families. The series begins as the family’s patriarch Rodrigo (Jeremy Irons), becomes Pope, propelling him, his two Machiavellian sons Cesare and Juan, and his scandalously beautiful daughter, Lucrezia, to become the most powerful and influential family of the Italian Renaissance. And all that power and influence eventually leads to their demise. As Machiavelli once said about his friends, the Borgias, ‘Politics have no relation to morals.'”

Greenblatt also offers this further quote:

“Having blazed a trail with the award-winning ‘The Tudors,’ we wanted to continue to offer our audience a period drama as wicked, witty, and utterly compelling — and that’s what ‘The Borgias’ will be. I can guarantee you’ve never seen a family quite like this before, nor could you make up the outrageous twists and turns of their epic saga if your life depended on it. The directorial mastery of Neil Jordan along with Michael Hirst’s flair for bringing historical dramas vividly to life for a contemporary audience will make ‘The Borgias’ unlike anything else on television.”

TCA Press Tour: CBS Executive Session

Nina Tassler, President of CBS Entertainment, favored us with her presence this morning at the TCA tour, sitting down for an executive session which provided us with the following quotes and tidbits:

* Regarding the decision to place the new reality series “Undercover Boss” in the plum spot following the Super Bowl, she said that it was a combination of good timing and a good series. “We’re very high on the show, but we spent a lot of time talking about what the right strategy would be,” she said. “We’ve seen five or six episodes of ‘Undercover Boss’ by now, and there is a tone and a quality to the show that we felt was a great fit after the Super Bowl. It is aspirational. It is a feel-good program.
Everybody who is sitting and watching the Super Bowl, be you 8 or 80, can stay right there and enjoy the program. I think 15 years ago, that spot was used to launch new programming. Obviously, in the last 10, 15 years it’s been used more as a platform to get greater exposure for existing shows. But we thought, ‘You know what? We have a great project, we’re very high on it, and we think we’re going to launch another big-branded reality show.'”

* Obviously, NBC’s continued fall from grace via the great failure that was “The Jay Leno Show” was a topic of conversation that everyone wanted Tassler to weigh in on. “Through it all, we have to realize that ABC, CBS and FOX…we’ve all fared, I think, very well during this experimental phase for NBC,” she said. “But if we can harken back to when there was that grand proclamation about 8 o’clock at NBC…? Remember? We all wrote about that: 8 o’clock was over at NBC. They were going to have a whole different strategy developing for 8 o’clock. And then along came 10 o’clock, and they were going to have a whole different strategy for 10 o’clock. You know, I think ultimately, there is no substitute for developing great shows, working with great talent, and getting your program on the air.”

“The unfortunate thing is that our creative community was to some degree somewhat bruised by this,” she continued. “I think that the talent as this was taking place, a lot of people were put out of work. A lot of people really saw this as having a pretty negative impact on our business. But I think right now for us, it just allowed us to get a bigger piece of the ad revenue pie at 10 o’clock, and again, what I have the most trouble with is for their company, their decision to do what they did, to sort of turn that and say that his is a reflection on the whole network business, I think is misguided. Our business is thriving right now. We are enjoying success with new hit shows, as is ABC, as is FOX. So I think at the end of the day, it was an experiment that obviously did not work, but for us, like I said, there’s no substitute for just developing and producing and launching great shows.”

There’s certainly no question that a couple of CBS earned some additional success from viewers’ indifference to “The Jay Leno Show.” As Tassler observed, “We moved ‘The Mentalist’ to 10 o’clock on Thursday night and launched ‘The Good Wife,’ so 10 o’clock has been good business for us.”

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