Category: TV (Page 457 of 595)

American Idol: Everyone Rebounds

Last night’s “American Idol” featured most of the eleven contestants elevating their game in a big way.
It was 60’s British Invasion week, where the guys were coached by former Herman’s Hermit Peter Noone, and the girls were helped out by former British pop diva LuLu. Both of them have got to be sixty-ish yet were remarkably spunky and helpful with their coaching.

What was really great about yesterday’s show was the fact that everyone realized this is a competition and that, genders aside, it was time to bring the “A” game or face swift elimination. Almost everyone brought that game, and in fact, the ones that didn’t were only B-pluses. Fear will do that, I guess.

Okay, here we go…..

THE REALLY GOOD

Melinda Doolittle is already a star. I don’t think she has it in her to even remotely suck. She is professional, and performs every song with a conviction that none of the other ten contestants have. Melinda sang “As Long As He Needs Me,” and I’m more convinced every week that it’s her competition to lose. Randy said it was the best vocal of the night, Paula said Melinda never sounds forced, and Simon said Melinda made a boring song sensational with an impeccable vocal.

THE GOOD

Too bad for all of these folks that Melinda is in Season 6, but they do have a shot as well….

Chris Richardson scaled things back, and instead of dancing and doing vocal acrobatics he just focused on singing. Good move. His acoustic version of “Don’t Let The Sun Catch You Crying” was really, really good. He never wavered offf pitch and the judges knew it. Randy said it was a different side of Chris and a great performance, Paula said it was sexy and charming, and Simon said it was Chris’ best performance yet. I would keep an eye on this kid, he’s starting to peak.

Blake Lewis did a really original version of the Zombies’ “Time of the Season,” with a limited amount of beatboxing. Like Chris, Blake focused on his vocals and really did a nice job. It was original without being over the top. Randy said Blake had a “massive YO factor,” Paula said Blake picked a good song, and Simon said Blake was “a million times better than last week.” I would keep a close eye on him as well.

Jordin Sparks is also starting to peak, and her version of “I Who Have Nothing” was just short of spectacular, meaning it was just short of Melinda. When you think that Jordin is only 17, it’s downright ridiculous that she is this good. And I think she may just rise up and take this all the way to the final 2 or 3. Randy said it was one of the best performances last night, Paula said Jordin has great range, and Simon said she sang a gloomy song beautifully.

THE IN-BETWEEN

Haley Scarnato kicked things off last night and her legs and outfit that was held on with thumb tacks really did a nice job. I mean, did anyone notice that Haley was singing? She did and actually was better than usual, with her version of “Tell Him.” I think she tried hard but was still mediocre, and honestly she’s not going anywhere when she dresses like that. Randy said it was the perfect song choice, Paula said it was “girlish” and Simon called Haley a “naughty thing.” He added that it was fun but shrieky in spots. Again, the legs and the small amount of fabric help her a ton.

Stephanie Edwards sang “You Don’t Have To Say You Love Me” (what was with all those long titles in the sixties?) and it wasn’t nearly her best. I have a bad feeling that Stephanie is separating herself from the pack in the opposite direction, because she was so promising early on. Randy said it wasn’t her best performance, Paula said it was the right song but pitchy, and Simon said Stephanie is losing her edge.

Lakisha Jones sang “Diamonds Are Forever” and they had to keep harping on the fact that she was wearing a million dollars worth of diamonds. Um, that is like a nickel to “American Idol,” so we really don’t care. Lakisha was not at her best last night and showed that she is not in the same league as Melinda anymore. Randy said it wasn’t his favorite Lakisha performance, and Simon said it was like seeing “Lakisha in 50 years.” Odd comment, but strangely accurate.

Phil Stacey sang “Tobacco Road” and it was not bad but kind of all over the place, like he was rocking but shouting too much. Randy said it was “pretty good but pitchy,” Paula said it was a good choice but pitchy, and Simon said it was nothing more than a bar band performance. Phil could also be in danger of hitting the road this week.

Chris Sligh also sang a Zombies song with “She’s Not There,” and though it wasn’t bad, it still wasn’t vintage Chris. This guy is not going anywhere, but he can certainly do better. At least he didn’t play with the arrangement too much this week to make the song sound modern. Randy said that he felt like all of the night’s performances were great including this one, Paula said the vocals were good, and Simon said Chris didn’t have the best vocal but that he was way better than last week. Then Chris did something really disturbing with Ryan….he pulled a Taylor Hicks and did a shout out to the “Fro Patrol.” Be very afraid, little kittens.

THE BAD

Sanjaya took on the Kinks’ “You Really Got Me,” a surprising choice for the usually subdued kid, but he actually came out of his shell and wasn’t nearly as bad as usual. Still, when looking back at clips of each singer it’s still clear that Sanjaya does not belong here anymore. Randy said the performance “shocked” him, Paula said that this was the Sanjaya she was waiting for, and Simon made reference to a little girl crying in the audience and that the girl’s reaction mirrored his own. Read: Simon still thinks Sanjaya sucks, and I agree with him. But the girl was crying because she was overwhelmed, and that makes me realize that he isn’t going anywhere, at least not this week. The kids and Vote For the Worst will still support this non-talent.

Gina Glockson did her rocker chick thing once again with the Stones’ “Paint It Black” and it really looked like a karaoke performance. Gina has a niche in this, but really doesn’t belong among the top talent. Randy said it was pitchy and “just aight,” Paula said Gina was better than last week, and Simon said there were “moments of complete torture” and that it was “style over content.” Amen to that, Cowell. Gina is in serious danger.

So my bottom 3…..Phil, Stephanie and Gina, and I’m picking Gina to go home thanks to Simon’s comments.

Oh, and since the show is still two hours long but with less and less contestants every week, the producers fill it up with the after-performance-interview-and-contestant-backlash thing, which is really getting old. Do I care what Gina thinks about Simon’s comments? Hell no….take your medicine like an adult and get on with your attempts to sing.

So tonight we’ve got the results, and I hope Stephanie can hang on another week, because she really is better than she showed last night. I’ve had enough of Gina and Sanjaya. How about you?

24, Hour 14: Yo bad azizi as a nuclear war

Correction to the Hour 13 blog: the Doom board I found that was so awesome is called “Go 2 It.” I play the ultra-violent version in “God mode,” which gives me the most bang for my buck with no consequences for my inability to actually survive the level legitimately. The sheer chaos on the screen makes me giggle.

This episode brought about a million lyrics from ‘80s pop songs to mind, but I decided to name-check a super-obscure Duran Duran B-side. You know, to bolster my street cred.

Here is what I said last week about the preview for this week’s episode:

As CTU is tracking the “drone” plane that houses one of the suitcase nukes, it is clear to them that someone within CTU is manipulating the action. Is this when they finally play the Nadia/Milo card? Does Nadia sell Milo down the river? Of course she does. Isn’t that what he’s been here for all this time?

As usual, I got it half right. Nadia was indeed fingered as the internal leak that is supplying the satellite intel to the Russian flight simulator, but she maintains her innocence, and has the nerve to dismiss Milo for not believing her. And knowing “24,” it’s safe to assume that she is indeed innocent. They did allow one new girl have a speaking line in this episode. Maybe she’ll be outed as the mole next week. And as much of a cocky jerk as the Ricker is, and as much as he seemed to enjoy choking Nadia, I don’t believe he has the technical savvy to pull such a stunt, his lust for hurting people be damned. Maybe Milo set her up? That’d be a surprise, but it would also be a cheat. Given Eric Balfour’s reputation as a show-killer of Ted McGinley proportions, it’s safe they’re not about to make him a bad guy. It’s one thing to do something that no one expects, but it’s another entirely to do it solely because no one will expect it. Ask David Lynch about that, he knows all about cheating in his movies.

Senator Roark, meanwhile, is one step away from off ripping his clothes, jumping on the table in a crouched position, beating his chest with his fists, shrieking, “WAR! WAR! WAR!” at the top of his lungs, and throwing a pile of feces at Karen Hayes. He’s using the same logic that a high school teacher of mine used once to give me and a classmate a zero on an exam. His proof: we couldn’t prove that we weren’t cheating. Very clever, Mr. Steve Clippinger. Why didn’t you ask me when I stopped beating my girlfriend while you were at it?

Anyway, Roark is doing the same thing, blatantly fitting his square-peg, square-peg, square, square, peg “Killing an Arab” policy into whatever round hole he can find, even when he’s told at every turn that what he’s doing is fucking nuts and he himself knows that he’s making gross assumptions in order to make his case. It all seems like a whole lot of time-killing bluster when you consider the timeline: it’s dark, and the day/season ends in ten hours, which means that this is going to end before you see any daytime shots of riled-up citizens arguing about the civil rights of the Muslim community or the backlash from bombing Fayed and Dr. Bashir’s homeland. It’s all a distraction, people. Let’s move on.

Now, what to make of this whole ‘Audrey is dead’ thing? Is it true? My first instinct was to say that it was bogus, but we have to remember that when they were writing these episodes, they had no idea if “The Nine,” the new show of Audrey Raines actress Kim Raver (who showed all kinds of skin that you only wished she had shown on “24”) was going to be picked up. As it turns out, the show was canned – which is too bad, because it had its merits despite a lack of longevity as a series – so they have the liberty of either leaving her in the ground or bringing her back. And given the number of unanswered questions on the show, I would bet on her showing up in just enough time to make Heidi Petrelli jealous. Speaking of which, was anyone else surprised to see her make a pass at Jack within the confines of CTU? Dr. Romano’s body’s still warm, for crying out loud.

Here’s what I want to know, though, stat: Farmer Hoggett left his son with a cell phone that had President Buck Buck Brawwwwk’s number. Why hasn’t anyone investigated a link between Hoggett and Former President I.M. Weasel? In fact, given that Jack now knows that his father was partially responsible for not only the current day’s events but the assassination of his boy David Palmer – not to mention the framing of Jack for said events – why the hell isn’t CTU using every exhaustible resource to find Hoggett? It’s as if he flew to another planet or something. He’s in Los Angeles, you halfwits! Go get him!

Also, what about the shady group that Mr. Hilary Swank works for? They were the ones that set this whole plan in motion, after all. Don’t think for a second that we’ve forgotten that. Sometimes I feel as though the writers of “24” treat us like cats, that they can jangle keys in our face and we’ll forget about whatever we were thinking about beforehand. That’s not a smart tactic, since cats are fickle and will forget your precious show when they lose interest. All hail the fickle cats!

Prison Break: “Panama”

Though I do like the fact that the story has moved to Panama, there are a few inexplicable decisions in this week’s episode that simply cannot be overlooked:

1. There’s no way in hell that FBI Internal Affairs lets C-Note go on his own recognizance if he’s supposed to testify against Mahone. They might keep him in jail or they might keep him in a safe house, but they would not release him.
2. Why in the world would Michael have a tattoo of Christ(ina) Rose on his arm, allowing anyone bright (or determined) enough to figure out his endgame? It’s the name of your mom! You can’t remember it without a tattoo? For that matter, if you’re an escaped felon, why would you name your boat after your mom?
3. How does T-Bag neglect to put a “Do Not Disturb” tag on his door when leaving a murdered prostitute in the hotel bathroom? It would have bought him at least a few hours head start.

Ridiculous, dumb and dumb.

Like I said in my last post, I just hate it when smart characters do stupid things. It makes the show tough to enjoy.

And, otherwise, there was a lot to like about this episode. From Sarah’s question – “Are you asking me to sail off into the sunset with you?” – to Bellick’s insult – “What’s Spanish for INS?” – there were some good lines.

But still, there is one thing that bothers me. If the President is out of office, why does Mr. Kim still care about tracking down the convicts? Wasn’t the original intent to protect the President? Now that she’s gone, who really cares?

I’m guessing it has something to do with the mysterious SONA file, but even money says that the writers don’t even know where that storyline is headed right now.

And where in the world is Agent Eisen?

Rome: “No God Can Stop a Hungry Man”

Rome Lucius

Man, this show isn’t afraid to jump ahead in time! Apparently, “all these years” in Egypt has corrupted Mark Antony and it’s obvious that the spicy Cleopatra holds a lot of influence over him. After the dynamic duo multitasked by negotiating with a delegation from Rome while practicing their archery (on a slave, no less!), there was a great exchange between the Lucius and the representative from Rome:

Roman representative: Is he always like that?
Lucius: Like what?

Speaking of Lucius, he’s still in Egypt and is spending his nights having sex with scary bald prostitutes and dreaming about Niobe. He’s also charged with raising Caesarion, who is Titus’…er…Caesar’s son. Lucius certainly thinks it’s the former, because whenever the kid asks about his dad, Vorenus describes Titus.

It was a cold move for Octavian to send his sister and mother to Egypt and it was even colder that Antony sent them packing without even meeting with them. I was a little worried that their ship might sink on the trip home, but when Lucius said it wasn’t a bad idea for Posca and Jocasta to stow away, I figured killing Atia and Octavia wasn’t a part of the “delicate mission” that Antony gave him. Once back in Rome, Posca provided Octavian with justifcation for war (Antony’s will), so now everybody’s happy.

Titus had apparently been with Gaia for some time. The relationship felt rushed (as does the entire season), but the fight with POW Memio was still effective. You just knew that once Gaia confessed, the big fella was going to kill her. I thought Gaia was one of the more interesting (and more attractive) characters on the show, so I’m sad to see her go.

But I have to say that she had one of the best sendoffs ever. That final shot of her drifting in the water was simply gorgeous.

Bullz-Eye’s Badass Bracket: Round 1

Who is the biggest badass in entertainment history? It’s the kind of hypothetical that could keep a group of guys up until the wee hours of the morning, with plenty of booze fueling the debate, of course. Regrettably, Bullz-Eye’s Badass Bracket is a BYOB affair, but don’t let that distract you from the task at hand.

After several phone and email conversations comparing the credentials of this sadistic freak with that lovable villain, we settled on a group of 32 entertainment tough guys (and gals) who’ve spilled way more than their fair share of fake blood. Some walk the righteous path, some walk the wicked, and some travel both, but they’re all worthy entrants in the Badass Bracket.

The first round of the competition features some marquee matchups right out of the gate. Follow along with our bracket, or click on one of the links below to vote for your favorite character:

(#1) Jack Bauer vs. (#16) Indiana Jones
(#2) Maximus vs. (#15) James Dalton
(#3) Hannibal Lecter vs. (#14) Snake Plissken
(#4) John McClane vs. (#13) Tyler Durden
(#5) The Bride vs. (#12) James Bond
(#6) Conan vs. (#11) Casey Ryback
(#7) Sonny Corleone vs. (#10) Tony Soprano
(#8) Ash Williams vs. (#9) Doc Holliday

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