Category: TV (Page 273 of 595)

TCA Tour, Jan. 2009: “Sit Down, Shut Up”

Need a good reason to watch Fox’s upcoming new animated series, “Sit Down, Shut Up”? Hell, I’ll give you ten good reasons…with resumes that include “Pushing Daisies,” “SpongeBob Squarepants,” “Saturday Night Live,” “The Simpsons,” “Futurama,” “Arrested Development,” “Two and a Half Men,” and, uh, “Cavemen”…and they’re all labeled by name in the photograph below.

(L-R) Kristin Chenoweth, Tom Kenney, Nick Kroll, Will Arnett (who is standing in front of Cheri Oteri), Jason Bateman, and executive producers Josh Weinstein, Eric and Kim Tannenbaum and Mitch Hurwitz

Now, I ask you: how can you not want to watch “Sit Down, Shut Up”?

If you aren’t familiar with the concept of the show, it’s based on a live-action Australian sitcom about a bunch of cranky, obnoxious, irresponsible teachers but has, over the course of several years of evolution, found its way into an animated adaptation instead, albeit one with live-action backgrounds.

“It’s changed so much, I guess we’re really wondering why we are still paying royalties to Australia,” admitted Hurwitz. “But we’re in over our heads at this point. There is no getting out of it.”

But why did they decide to switch it from live-action to animated in the first place?

Continue reading »

TCA Tour, Jan. 2009: “24”

As readers of David Medsker’s weekly blog are already well aware, “24” is back on Fox in a big way, and the show was back at the January TCA Tour in similar fashion, earning its own panel this time around. (The decision in July to relegate the series to a half-hearted “24”-sponsored luncheon, with critics being forced to fight from scrum to scrum in order to get their questions answered, earned my ire in this entry.) From the questions being posed, it was clear that, after a less-than-stellar sixth season, many in the audience have found themselves becoming fans of the show again in Season 7. In particular, it seems that the little moments are what’s doing it for them, such as the scene in the car with Jack and the cop, where Jack acknowledges that maybe they were right in questioning him.

“I think Jack Bauer is certainly in a position where he’s questioning a lot of the things that he has had to do either by his own choice or by orders,” said our man Kiefer Sutherland, “and certainly at the beginning of the season, you see him in Africa, very disconnected from the United States. And so he is wrestling with his own history, about what he actually believes was right and fair and whether or not he was, in fact, the kind of person that should have been put in the position to do these things. It’s a through-line that really travels all 24 episodes this year. And so there’s this constant balance of defending, for instance, in the Senate investigation, his own actions. On a much cleaner level and a much more personal moral level, he questions those things greatly, so this inner struggle is something that carries him through all 24 episodes.”

Of course, if you’ve been watching this season, then you’ve probably already noticed how many times Jack has been standing up for his actions after being condemned by others. This might…just maybe…be a case of the show’s writers lashing out at their critics.

“I would be lying if I said there wasn’t some of that in there,” said producer Howard Gordon, with a laugh. “Obviously, there was the conundrum of how do we do a show that had taken quite a bit of heat for allegedly advocating this way of law enforcement and this way of countering terrorism. It was a nuance and it is an evolving question that plays, as Kiefer said, throughout the entire season. So I counsel patience, and I hope people have the patience and the appetite and the desire to watch through the whole season, because I think the answer to these questions will not be known until the very last episode.”

Continue reading »

TCA Tour, Jan. 2009: “Lie to Me”

Given how many iconic film roles Tim Roth has had over the years (Mr. Orange in “Reservoir Dogs,” Charles Ferry in “Everyone Says I Love You,” and Emil Blonsky in “The Incredible Hulk,” to name but three), it’s somehow weird to see him taking on the lead role in an American television series. But, hey, it’s Fox, and you can’t blame the guy for wanting to get in on a little bit of that Hugh Laurie action.

Plus, while the role of deception expert Cal Lightman in “Lie to Me” is a bit too close in feel to the character of Patrick Jane in “The Mentalist” for critics to avoid making the comparison, it’s nonetheless one that has the potential to serve Roth well…just as long as he can get past the nagging sensation that the show’s inspiration, Dr. Paul Ekman, sees right through him.

“I get really freaked out sometimes when I’m around Paul,” said Roth. “It’s like traveling with a critic from the New York Times, and wherever you go, there’s the guy going, ‘No, I don’t believe you. The performance was terrible.’ ‘I only said I’m going to go to the toilet.’ ‘Well, I don’t believe you. You betrayed the fact that you are completely piss-free at the moment.’ It’s an extraordinary feeling of of nakedness.”

Continue reading »

TCA Tour, Jan. 2009: “The Simpsons”

Now that I’m back from Los Angeles and have begun to recover from the nasty ear infection and sore throat which gripped me almost immediately after getting off the plane in Virginia, I’m finally able to get back to writing up the remainder of the panels I attended during the TCA Press Tour. Sorry for the delay, but I just naturally presumed you were more concerned about my health than in getting these updates. (And if I’m wrong, I don’t want to know about it.)

When we last left the tour, I had finished up my coverage of upcoming PBS programming and the various new and returning cable series, so now it’s time to move onward to the broadcast networks. We’ll start with Fox, which started their day off in a very fun way by offering up a “Simpsons” breakfast, complete with Bart, Lisa, Homer, and Marge – who was holding Maggie – wandering around and greeting us all.

Also on hand were a couple of real people involved with the show, most notably producer Al Jean, who was able to spare me a few minutes to provide a few tidbits about what we can expect from the show, which is now entering an almost-inconceivable 20th year on the air.

Continue reading »

Dallas: The Complete Tenth Season

Waking up from a season-long dream, Pam realizes that Bobby is still alive and well, and it’s quickly back to corrupt business as usual at Southfork and Ewing Oil. Season 10 appropriately sees a return to the less flashy template of Season 8, although there is one major holdover from the infamous dream. Steve Forrest was introduced as ranch hand Ben Stivers in Season 9, and he is reintroduced here as a new incarnation of the same character, only this time his name is Wes Parmalee. (Pam’s obvious psychic abilities go unmentioned.)

It doesn’t take long for the bomb to drop: Is Parmalee actually Ewing patriarch Jock, seemingly returned from the dead? While J.R., Bobby, and Clayton are certain he’s a fraud, Miss Ellie is more easily swayed. The Parmalee storyline dominates the first half of the season, and while it’s great drama, it lacks a truly satisfactory conclusion, and the season’s second half is arguably stronger. With the oil business facing tough times, J.R. hires fanatical mercenary B.D. Calhoun (Hunter Von Leer) to blow up an oil field in Saudi Arabia, thus driving up the price of Texas crude. Things don’t go as planned, the CIA starts sniffing around, and Calhoun returns to take bloody revenge on everyone’s favorite oil slick. The situation worsens when J.R.’s botched scheme is leaked to the public, and the government begins an investigation that may bring Ewing Oil down for good.

Season 10 is very traditional “Dallas,” although it clearly signifies a major shift in the series’ mythology. It is not only the final season for both Victoria Principal and Susan Howard, but also the first for Sheree J. Wilson’s April Stevens, who would last through the final season. Further, while the “Dallas” DVDs have never been gold standard, this set is unusually erratic in video quality, and the second episode has terrible audio. Here’s to hoping that Season 11, set for an April release, will at least be of the usual consistent mediocre standard.

Click to buy “Dallas: The Complete Tenth Season”

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑