Category: TV (Page 270 of 595)

American Idol: Welcome to Randy Jacksonville

So last night in part five of eight of FOX’s “American Idol” audition rounds, the scene shifted to Jacksonville, Florida. And the producers of the show decided to have a little fun and give judge Randy Jackson some love due to the name of the city (that’s really a stretch, isn’t it?). They showed Jackson in his days performing with the rock band Journey, and basically paid tribute to him a bit. That’s okay, but still a stretch. Anyway, this city did not seem to have the talent level of other audition rounds, and it was obvious right from the start of the show last night. Here are the highlights and lowlights:

THE BAD

Dana Moreno was shouting a Chaka Khan song, and I do mean shouting. Next! 16 year old Kaneswa had been told her entire life by her mom what a great vocalist she was, but that is always the recipe for failure, isn’t it? Kaneswa sang Anita Baker’s “Caught Up in the Rapture,” complete with some of Anita’s vocal acrobatics. However, for Kaneswa, they were not acrobatics, but more like nasal inflections….Darren Darnell was the life of the party among contestants waiting to audition, so much so that I was thinking he could be the next Ryan Seacrest. But then when his buddy didn’t get a golden ticket, a switch went off and this guy looked depressed and started crying, right up through his own audition, which bombed anyway….A girl named Naomi sang Minnie Ripperton’s “Lovin’ You” and while she may have hit the high falsetto note at the end, it was the only note that was on key. Naomi brought along her friend who was semi-obsessed with Randy Jackson, and the friend got to sit on Randy’s lap. Anyway, Naomi was awful….George Ramirez, an 18 year old who sort of looked like a young Abe Lincoln, was a physics student who just happened to want to give singing a try, but it was more like a low rumble of off-key mess Continue reading »

ABC greenlights “V” pilot

When I was a kid, one of my favorite miniseries was “V,” the story about an alien invasion of Earth. I remember thinking that it was the coolest thing I had seen since “Star Wars.” I watched it again a few years ago and thought it was brutal. Ah, the innocence of childhood!

Anyhoo, according to Variety, ABC has given the go-ahead to a pilot that will re-imagine the ’80s miniseries.

New adaptation of the franchise was written by “The 4400” co-creator/exec producer Scott Peters. Peters is aboard to exec produce along with HDFilms principal Jason Hall. Warner Bros. TV, which was behind the original longform, is producing.

The new “V” centers on Erica Evans, a Homeland Security agent with an aimless son. When the aliens arrive, her son gloms on to them — causing tension within the family.

Like the original, show centers on visitors who say they’ve come to help the Earth — but their motives are nefarious.

“Battlestar Galactica” has set the bar for re-imagined series and I have a feeling that the new version of “V” will be a disappointment. I could never get into “The 4400” — and I love sci-fi — so Scott Peters’ involvement doesn’t fill me with warm, fuzzy feelings. Also, ABC has already bailed on a good alien invasion story — “Invasion” — that had a great cast, so I don’t have confidence that the network knows how to make this kind of story work.

But then again, they gave us “Lost,” so you never know.

An “Important” Clip with Demetri Martin

Remember how I recently praised Demetri Martin’s upcoming new Comedy Central series, “Important Things with Demetri Martin”? Well, now’s your chance to see that I wasn’t bluffing about its hilarity…

24 7.6: Sweet dreams and flying machines land in pieces on the ground

Come on out, you tinfoil-wearing conspiracy theorists. After playing coy for the first six seasons, “24” has finally delivered an episode that does what the show had previously been reluctant to do: hit us where we live. Where we all live.

But first thing’s first: Save Freckles! (Insert Ferris Bueller water tower joke here.) Her predicament was actually more dire than I made it out to be, and she had stopped breathing by the time 4B and Chloe arrived. The scene created a clip show of sorts in my head, a History of Cinema Resuscitations. I thought of Ed Harris pounding the bejeezus out of Mary Elizabeth Mastrontonio in “The Abyss,” which is still one of the most powerful scenes I think I’ve ever seen. Then Chloe pulls out the syringe filled with adrenalin, and I thought: what on earth did we do before “Pulp Fiction”? That movie really did rewrite the rules, didn’t it?

My next thought, by the way, was of Nicolas Cage injecting himself in the heart with the VX gas antidote in “The Rock.” Anyone else have that same thought?

Emerson is taken out after foolishly putting a gun to Jack’s head, which did not surprise me one bit. Jack and Tony were asking way too many questions, and it was only a matter of time before Emerson decided to call them on it. Tony’s now in charge, but he also knows, after the botched attempt on his life, that Col. Dubaku has no further use for him. Prime Minister Matobo/Bassett is now in play with a wire (Chloe, once again, gets the line of the week with “No, I’m a stay-at-home-mom” as she’s putting the chip on one of his teeth), but something tells me that Jack and Tony need to worry more about Freckles than they do the Prime Minister. You just know that she’s going to spill the beans to someone before the next hour is over, and blow their cover.

“Seriously, did you read my file? If I wanted you dead, you’d be dead. Now shut up and marry me.”

As for the other B-story, I was stunned when SS Agent Gedge actually succeeded with half of his plan to kill Samantha and the First Man, and man, was his murder of Samantha brutal. I hate seeing pretty girls die, but to be fair, she was a dead girl walking from the very beginning. At the same time, I watched Gedge throwing the rope over the rafters and thought, “Isn’t this crime scene going to look just a tad suspicious?” Seriously, you just know that the forensics people on any of the “CSI” staffs would see right through that ruse and suspect foul play. But hey, Gedge was young; maybe he hadn’t done enough killing yet to have a feel for the subtle.

And now, the main story: President Taylor knew an attack was imminent, and refused to stand down to a butcher, even though doing so meant risking the lives of innocent Americans. This is about as unwinnable a position as one person can be in. If she capitulates to General Candyman, then she’s admitting that terrorism works as a form of diplomacy, and opens the door for anyone to take a shot at squeezing us for this or that. If she holds her ground, and lives are lost – and they were, in the form of two colliding planes, and possibly a power plant somewhere in Ohio (I’ve never heard of the city, and I live in Ohio) – then she’s the President that had the chance to stop it but chose not to.

Sound familiar? The President that had a horrific attack happen on their watch, with the world speculating how much they knew before it happened? Uh huh, they just went there.

Granted, the circumstances are much more black-and-white here – Bush wasn’t dealing with rampant corruption, or the dreaded CIP device – but I never thought “24” would get this close to real life, ever. I have to think that an episode like this is going to get the 9/11 conspiracy chatter going again. I’m not sure there is a point to getting it started again, but I don’t expect that to stop people from wondering what Bush “knew.” Mind you, I was not W’s biggest fan, but here’s the thing: whatever it is that Bush knows, you can bet that it’s something you don’t ever want to know. Just sayin’.

I either wasn’t paying enough attention, or there wasn’t a single “Damn it” this week. Can anyone confirm this?

Jack finally killed someone, yay! The streak is over. And from the looks of the preview for next week, he makes up for lost time. Ehhhhhxcellent….

Moonlight: The Complete Series

“Jericho” fans seemed bewildered when, after all the hype their show received upon its last-second reprieve from cancellation, its second season didn’t find a huge surge in viewership. They shouldn’t have been. There have been precious few occasions when series have been saved from oblivion and suddenly had the masses respond by saying, “Wow, you guys were right! This is awesome!” That’s just not how the mind of the average TV viewer works. They’re not thinking, “Say, if all these people like the show that much, there must be something to it.” Obsessive fans freak out the average TV viewers, and their actions generally only serve to convince Joe Average that this show, whatever it may be, can’t possibly live up to the hype that’s being heaped upon it, and since it can’t, then why bother tuning in?

But here’s a dirty little secret for you: the minds of critics have been known to work the exact same way.

“Moonlight” seemed like a perfectly viable concept when it was originally pitched by CBS. Certainly, “Angel” fans were immediately on edge when word got out about this new series about a vampire private detective…and so, for that matter, were the rabid “Forever Knight” aficionados… but, still, it was going to be produced by David Greenwalt, who had actually worked on “Angel,” so there was hope that the vampire mythos would at least be done right. But then things got a little dodgy on the creative end, with cast and creators being switched out left and right, including the aforementioned Mr. Greenwalt, and critics were left lingering in wait for a pilot episode that took forever to come to fruition. Once it did, we were grumpy and, frankly, we just couldn’t see what all the fuss was about…but, dear God, those Alex O’Loughlin fans sure as hell could. They attacked in droves, criticizing my opinion of the series while invariably finding a way to mention how incredibly hot O’Loughlin was in the role of Mick St. John (the aforementioned vampire), yet they rarely offered much in the way of reasons beyond his sex appeal for me to give the show a second chance.

So I didn’t…until now.

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