Category: TV (Page 203 of 595)

Top Chef Masters: Cooking for Doogie and his buddies

Last night was the fourth preliminary round of “Top Chef Masters” on Bravo, and the challenges are surely not getting any easier. For this one, the four contestants were Mark Peel from Los Angeles; Douglas Rodriguez, who owns several restaurants nationwide; John Besh from New Orleans; and Anita Lo from New York City.

Host Kelly Choi announced the quickfire challenge, and as they have been using some of the more interesting challenges from past seasons of “Top Chef,” they continued that by asking the chefs to create a dish with eggs, but with one hand tied behind their back. The judges were “Top Chef” regular Gail Simmons, as well as two other experts in eggs including a diner owner. Douglas went first and made a corn cake with eggs and ham. Mark, who said his dad was born with one arm, knew a little something about this particular “disability,” was a bit more ambitious, making a duck egg pasta with an olive oil cream sauce. Anita cooked the egg in its shell with shiitake mushrooms and truffle oil. And John made simple slow-cooked eggs, but he cooked them too slowly, because they weren’t done in the 25-minute alotted time.

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Reno 911!: The Complete Sixth Season

There was a time when “Reno 911!” was so uproariously funny that it’s hard to believe the show never became more popular. Nowadays, it’s just amazing Comedy Central hasn’t pulled the plug. Ever since the release of their feature film, the Reno Sheriff’s Department has been a magnet for low-rent gags and overused cameos. Desperately in need of a creative shake-up, the show killed off three of its deputies and introduced two new ones in their place. Improv veterans Ian Roberts and Joe Lo Truglio quickly proved that they weren’t the answer to the show’s problems, however, no matter how willing they are about making complete asses of themselves. They just don’t bring anything to the table that Carlos Alazraqui, Wendi McLendon-Covey and Mary Birdsong already contributed themselves, and in some instances, their involvement is even less effective. The show tries to make up for it with guest appearances by Jonah Hill, Rainn Wilson and George Lopez, but it’s like putting a band-aid on a bullet wound. There’s still the odd flash of brilliance sprinkled throughout the season – like the well-made parody of the Montgomery Flea Market commercial – but unless you’re willing to sit through 20 minutes of groan-worthy jokes for the chance at laughing once, you’d be better off just watching something else.

Click to buy “Reno 911!: The Complete Sixth Season”

Peanuts: 1960’s Collection

The MSRP on “Peanuts: 1960s Collection” seems a tad exorbitant – six 30-minute TV specials plus a featurette on the music of composer Vince Guaraldi, needlessly spread over two DVDs, does not seem like it should carry a $30 price tag – but there is no denying the quality of the contents. There is a raw beauty in these early shorts; television was a new medium for Charles Schultz, and he made sure his stories, true to form, spoke from the heart and entertained the kids in the process. (He always maintained that his comic strip was never meant for children.) The one-two punch of “A Charlie Brown Christmas” and “It’s the Great Pumpkin, Charlie Brown” are worth the price of the set alone, but what a pleasant sight to see the long-lost baseball episode “Charlie Brown’s All-Stars” (where Schultz teaches kids the importance of loyalty) and “He’s Your Dog, Charlie Brown,” where Snoopy gets his first lead role, as it were. The Guaraldi featurette turns out to be one of the set’s highlights – he is the one that suggested the muted trumpet sound whenever the teachers spoke – but they missed a golden opportunity to include the Robert Smigel cartoon of Jesus welling with pride and doing the Franklin dance after watching “A Charlie Brown Christmas.” Still, we’re splitting hairs, and besides, you already decided to buy this the second you saw the title, didn’t you? At least, those of you born before 1975, that is.

Click to buy “Peanuts: 1960’s Collection”

A Chat with Saul Rubinek

Saul Rubinek is one of the most versatile characters actors in Hollywood, able to move from sitcom to serious drama without a moment’s hesitation. As a result, he’s one of the busiest guys in the business, a fact which is easily proven by taking a gander at his IMDb listing. It’s been awhile, however, since he’s taken on a role as a series regular, which should give you an idea of how special he believes his new gig, Sci-Fi’s “Warehouse 13” (premiering July 7th), to be. Bullz-Eye spoke with Rubinek about how he came aboard the series and what we can expect from his character, and we also chatted with him about his experiences on “Frasier,” “Star Trek: The Next Generation,” and “The Outer Limits,” and the legacy of “True Romance.”

* “I adore (‘Warehouse 13’), and it’s a pleasure to be able to talk about it. I’ve had so many times in my life where I’ve had to sell a show, you know, and do my due diligence as an actor and try desperately to look for something positive to say. Here I am in a kind of heaven.”

* On doing “Frasier”: “I had to pinch myself. That was one of the most amazing times I have ever had, where you feel like you are doing this little one act play, no interference from anyone, anywhere. We’re just doing this little one act play, and then 23 million people showed up.”

* “That world of Lewis Carroll, Jules Verne, Robert Louis Stevenson is a world that I threw myself into as a kid. And also, even darker, into the world of Lovecraft and Poe as well. I loved that. As a child, I was able to throw myself into a world of make believe where I actually was in that world, because as a kid, boy, it was really easy to believe it when I was doing it.”

To read more, click here…or, if you’d rather, there’s the big graphic below that’s a bigger target:

And as a Premium Hollywood bonus, here’s Saul’s death scene from one of his very first films, one which he discusses in the interview:

15 Movies That Were Almost Turned Into TV Series

If you’re not an ABC Family aficionado like myself, then you may not be aware that the often-underrated network is preparing to launch a new series on July 7th: “10 Things I Hate About You,” based on the film of the same name. It’s hard to say whether this is a good idea or not, though the fact that Larry Miller has carried over his character from the film – patriarch Walter Stratford – is certainly a step in the right direction, but we can say one thing: there have been worse ideas. It’s been a television staple to transform motion pictures into weekly TV series, but not every attempt actually makes it to the airwaves. Here’s a list of 15 such swings and misses, many…okay, most of which deserved to fail.

1. “The African Queen” (“The African Queen,” 1962 & 1977) – It seems only appropriate to start this list out with an attempt at transforming a classic film into a TV series. The first time around was in 1962, when James Coburn took on the role of Cap’n Charlie Allnot, while Glynis Johns played the Hepburn role of missionary Rosie Sayer, but although it aired as an episode of NBC’s “The Dick Powell Theater,” it never made it any further. Fifteen years later, CBS took a stab at it, with the leads played by Warren Oates and Mariette Hartley. No dice. If the actual movie ever makes it to DVD (can you believe it’s still unavailable?), perhaps one or both of these pilots will be included as part of the bonus material.

2. “Breakfast at Tiffany’s” (“Holly Golightly,” 1969) – It sounds nuts, right? Granted, if there was anyone in the late ’60s who was the TV equivalent of Audrey Hepburn, it was probably Stefanie Powers, but Hepburn’s performance was so iconic that it’s hard to even wrap your head around the idea of anyone else playing the role of Ms. Golightly. As it turns out, the original author of “Breakfast at Tiffany’s” – Truman Capote – didn’t like the movie, either, calling it “a mawkish valentine” to Hepburn, so he was even less ecstatic about the idea of a TV series. In an interview with Time Magazine, Capote predicted that the show would be even more “jerky” than the film and that he would not stand for the TV version “if they give me all the money in Christendom.” One doubts that his position on the matter had anything to do with the series not being picked up, but the end result no doubt pleased him, anyway.

3. “Diner” (“Diner,” 1983) – This one had a lot of potential, with the film’s writer/director, Barry Levinson, doing the same duties on the pilot. There was only one original cast member willing to return, however, but, hey, at least it was Paul Reiser (Modell). Plus, Mickey Rourke (Boogie) and Kevin Bacon (Fenwick) were traded out for Michael Madsen and James Spader, respectively, which ain’t half bad, really. In an interview with Venice Magazine, Levinson said, “We had a great cast, but CBS thought otherwise. They thought it wasn’t compatible with the current programming line-up they had.” The fools!

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