Category: TV (Page 176 of 595)

Top Chef Las Vegas: women dropping like flies

We’re three episodes into Bravo’s “Top Chef: Las Vegas,” and already it’s looking like this is going to be a race between Jennifer and like half a dozen guys. So far, everyone that’s been eliminated has been female, and a few of the next chefs to be cut are likely to be women as well, judging by recent history.

Last night the episode (which was a too-long 75 minutes) began with a quick fire challenge, as the contestants were greeted by host Padma Lakshmi and chef Mark Peel (who was recently on “Top Chef Masters”). The theme of the challenge was potatoes, and they were asked to create an “out of this world” potato dish in 45 minutes time.

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HBO officially greenlights Martin Scorcese and Terrance Winter’s “Boardwalk Empire”

Boardwalk

“Boardwalk Empire” is a new series created by Terrance Winter, a very talented writer who blossomed on “The Sopranos.” Steve Buscemi stars as Nucky Thompson, an Atlantic City magnate wheeling and dealing during Prohibition. Not only does the show tout Martin Scorcese as an executive producer, but the Academy Award-winning filmmaker also directed the pilot. Obviously, HBO has decided to greenlight the show.

Production is expected to begin in the fall in Gotham, with the preem targeted for next year.

“Boardwalk Empire” was created by “Sopranos” alum Terence Winter. The pilot seg was helmed by Scorsese, who will remain a hands-on exec producer on the series. Skein hails from Mark Wahlberg’s Closest to the Hole and Stephen Levinson’s Leverage production banners. Winter, Scorsese, Wahlberg, Levinson and Tim Van Patten are exec producers.

Co-stars include Michael Pitt, Kelly Macdonald, Michael Shannon, Shea Whigham, Dabney Coleman and Stephen Graham.

Along with David Simon’s “Treme,” season 2 of “Eastbound and Down,” and season 7 of “Curb Your Enthusiasm,” I plan on allowing HBO and “Boardwalk Empire” to renew my faith in scripted television. Hopefully the show succeeds as the heir apparent to “The Sopranos” and “The Wire.”

Hell’s Kitchen: Ramsay doesn’t like wishy washy

Last week on FOX’s “Hell’s Kitchen,” Gordon Ramsay eliminated Robert, his 500 pound pet project who did not get a fair shake due to health reasons the previous season. This week he let someone go who he didn’t see enough leadership qualities in. But more on that later (unless you are lazy and want to scroll down!). Anyway, the guys were making comments at the start of the episode about “Biggins” being gone.

Then Ramsay subjected the teams to his palate test, in which they are blindfolded and wear headphones that block out any conversation. One person from each team would square off against each other–Ariel vs. Van, then Suzanne vs. Dave, Sabrina vs. Kevin and finally Amanda vs. Andy. Andy was spouting off about what a great palate he has, and so was Suzanne, but these chefs always suck at this challenge, especially when they start talking trash. The best, and most shocking really, was when Kevin thought clams were spinach….say what??? Andy also called avocado “boiled coconut.” Ha! Anyway, the ladies won, and their reward was to have lunch at Opaque, a restaurant completely in the dark. Suzanne was trying to suck up to Ramsay, and it was becoming clearer that her teammates had zero respect for her.

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Smallville: Season 8

As the creators of “Smallville” prepared for Season 8, they were faced with a difficult question — how does the show move forward without Lex Luthor? Michael Rosenbaum left the series at the end of Season 7, and the Clark-Lex dynamic has always been the show’s backbone, so replacing Clark’s nemesis was a difficult task indeed. The creators compensated by adding Tess Mercer (Cassidy Freeman) as the new head of LuthorCorp, and she’s almost as devious and ruthless as her predecessor. The season also amps up the romance between Clark Kent (Tom Welling) and Lois Lane (Erica Durance) while flirting with the prospect that Clark will someday soon fulfill his destiny and become Superman. Lastly, Clark learns that there’s another Kryptonian on Earth — and it’s Doomsday. These storylines, combined with appearances by Lana Lang, Plastique, Winslow Schott, Zatanna and the Legion of Super Heroes make for a fast-paced 22 episodes with little filler. Fans of Lex Luthor will certainly miss his presence, but there’s enough in Season 8 to keep things moving, especially with the prospects that Rosenbaum is rumored to be returning as a guest star in Season 9. Special features include commentary tracks for two episodes and several unaired scenes. There are also two featurettes — one focuses on director Allison Mack while the other investigates the making of Doomsday.

Click to buy “Smallville: Season 8”

Reality stars as bona fide “stars”

New York

Since the advent of reality television took place in the mid-90s, I’ve been fascinated with what it’s done to the entertainment industry. I remember watching “The Real World: Seattle” as a young teenager and was transfixed by this fledgling genre blooming before my eyes. Looking back, I think I was most captivated by watching people older than myself placed in situations without a script. I probably thought this is what college was like. Granted, the early days of reality TV were much more true to life than the orchestrated trash America eats up these days. Nevertheless, regardless of what you’re doing, if you’re on TV long enough, you’re going to become recognized. But we’ve always treated this recognition differently. What defines “celebrity?” Are news anchors celebrities? Are food network hosts? Funny enough, I ended going to college at the same time as an individual from the cast of “Real World: Seattle.” A friend pointed this person out on campus and I was mildly interested. This was a reality star from a different era. The reality stars of today aren’t people from everyday life — we’ve turned them into celebrities.

But they are indeed now “stars” of the bustling media universe, with all the benefits — and baggage — that entails. And their celebrity viability has consequences for traditional performers, inasmuch as “The Bachelor’s” betrayals and Jon and Kate Gosselin’s marital woes regularly grace tabloids and magazine covers, with no line of demarcation between them and what we used to think of as “stars.”

Only now, because of the unquenchable demand for programming and recognizable “talent,” they aren’t being disposed of. Instead, they’re recycled, creating a permanent reality-TV class accustomed to living their lives on camera — the ever-ready-for-primetime players (and on a budget!).

Their ascension within celebrity circles can be easily chronicled simply by flipping through the pages of US Weekly and People. And while interest in these newly minted stars hasn’t dampened enthusiasm for actor gossip, the migration into spheres once reserved for performers should send shudders up the spine of anyone holding a SAG card.

Ricky Gervais and Stephen Merchant cleverly mocked the genre in season two of “Extras” and to me, that’s the most biting commentary I’ve seen on the topic. Still though, who are the people watching “Extras”? They’re an audience with taste — certainly a taste that is disintegrating in our society as reality programming increases each year. I’m not going to sit here and say that I don’t watch any of the shows. That would be a bogus claim. Fact is, most of us do watch them. I get a kick out of “I Love New York” and “Rock of Love,” only it stops at the humor. The individuals on these shows are society’s most entertaining fools. Are they celebrities? Of course they are. But they are fools because they wanted to be.

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