Category: TV (Page 105 of 595)

United States of Tara 2.1 – I Get Up, I Get Knocked Back Down Again

It may surprise you to see me kicking off a weekly look at Showtime’s “United States of Tara,” given that my DVD review of the show’s first season wasn’t exactly what you’d call glowing. If you can’t be bothered to click on the preceding link, allow me to summarize: I gave it a mere three stars out of a possible five, and the pilot alone left me in such a sour mood that it infiltrated my feelings about a great number of the subsequent episodes. Still, I plowed through the entire season – 12 episodes – and, by the end of the experience, I’d found that, although I still wasn’t necessarily a full-fledged “Tara” booster, I’d fallen for the storylines of the other characters (if not so much those of Tara and her alter-egos) enough to be intrigued about what Season 2 might hold.

Now, I’m not saying that the publicity department at Showtime read my review, but whether they did or didn’t, screener discs for the second season of “Tara” arrived in my mailbox last week…and since they’re here, thereby giving me the chance to watch and write about the episodes in advance of their air date, it’s too tempting an opportunity to resist. As such, I’m blogging about “United States of Tara: Season 2.”

So let’s get started, then, shall we?

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24 8.13: And if you don’t look now, then you’re gonna get Starbucked

Well, how about that: I get to use this title after all.

Some of you may recall that I wanted to use this title for an episode, any episode, and after Buffy iced Kevin and his psycho dirtbag friend in Hour 9, I figured that was my last chance, and Starbuck would go back to being the sniveling sissypants we’ve grown to loathe.

Fool.

I have to say, I did not see this coming. Of course, I feel like I should have, since her story line was beginning to run out of juice, but I never suspected that our small-time juvee felon would go so far over to the dark side. Let’s flash back to the moment where she’s tailed Kevin and dirtbag back to the lake. We thought she was unsure about what she wanted to do next. In retrospect, dirtbag is probably lucky that Buffy pulled the trigger.

What would be a neat touch is if we now caught a “Usual Suspects”-style glimpse of all of the strings she was pulling up to the moment where she strangled Jimmy James to death and stuffed him behind the paneling in Holding Room #2. (The stink will give her away eventually, yes?) Maybe there is security preventing people from entering the CTU tunnel, and Starbuck was the one that cleared Princess Jasmine’s entrance. Heck, maybe she remotely activated the EMP’s timer once the car came into range, since we’re still not sure of the weight-sensitive detonation theory espoused in last week’s comment section. Maybe she taught the snipers at the river how to jam the cell phone frequencies. But we’ll never see any of that, because of the show’s real-time format. Pity. We might learn all of those things – or none of them – but it won’t have that same punch as the ‘Verbal straightens out his foot’ shot. Damn it. (*takes drink, per “24” drinking game rules*)

I was about to say that CTU’s facial recognition software was going to play a part in identifying Starbuck as a terrorist sympathizer (if you can call them sympathetic), but something just hit me: ten bucks says she’s in that file of anti-IRK rebels that President Slumdog was supposed to hand over in the previous hour. We were led to believe CTU scanned through them all on the big screen, but perhaps not. We may not get our “Usual Suspects” moment, but there’s a good chance we’ll get our “No Way Out” moment, and soon. One thing’s for sure, and it is in stark contrast to my prediction of a noble death for poor Jenny: her story ends with Buffy pulling the trigger…but does she take out one of Bullz-Eye’s TV girlfriends (Chloe or Crazy Jackie) before she takes her last breath? You know my thoughts on Jackie’s life expectancy, so she’s the odds-on favorite. But there are times when I hate being right, and this is one of them.

24-Ep812_Sc1221_0202

“I’m sorry, maybe I wasn’t clear. When I said, ‘I’m really busy right now,’ I meant, ‘Bitch, I will cut you.'”

Lastly, I think we all owe Katee Sackhoff a formal apology for questioning her decision to take the role of Dana Walsh. She clearly knew something that we didn’t, and we should have given her the benefit of the doubt for making this her next role after “BSG.” In our defense, Ms. Sackhoff, you didn’t make it easy for us at first. Still, we said some things, and for that, we’re sorry.

Chloe, meanwhile, grows a pair so big she’ll need a wheelbarrow to carry them in, pulling a gun on an NSA engineer and telling him to step tha fuck off as she throws a Hail Mary in order to get coms up and save Jack. (Of course, Starbuck thought Chloe’s idea was a bad one, because she needed those servers down for as long as possible.) Bubba is now forever in her debt – her reply of “I’m not good with praise” would have produced a spit take, had I been drinking anything when she said it – which makes me wonder if Chloe is next in line to run CTU. She may still have that personality disorder, as Big Balls Bill Buchanan (RIP) once said, but she also has a good sense of right and wrong, and she knows that Jack is impervious to bullets…

…unless Fox cancels the show, a story that has been making the rounds lately due to the show’s increased budget and decreased ratings. Another rumor has the show relocating to NBC, and while they could use a show like “24,” I just don’t see a fit there. Maybe it’s a grudge fuck for Fox supposedly in talks to land Conan O’Brien. Either way, “24” will forever be a Fox show to me.

Speaking of Jack’s imperviousness, he and Buffy were in a shootout at the East River with a couple of red shirts that pulled a trick from Scott Smith’s book “The Ruins.” A character is on death’s door, but the vines leave him there to suffer, in order to force his girlfriend put him out of his misery. (Forget the movie – the book’s awesome. Brutal, but awesome.) Here, when one of the characters pulls what I call a Hudson (“Aliens” fans just nodded knowingly) and lies in the open, the snipers pull the brutally effective stunt of shooting Hudson repeatedly in order to flush their enemies out in an emotional rage. Both were exercises in mental torture, and both worked. Good thing that Jack and Buffy had a silent partner, one they didn’t even know about: Crazy Jackie, who comes out guns a-blazing in both the literal and euphemistic sense. Man, how did I not notice how, um, talented Jackie was last season? Damn things are just screaming at me now. And knowing that she will surely die before season’s end, I’m reminded of Cary Elwes’ great line in “The Princess Bride”: “‘Tis a shortage of perfect breasts in this world. It’d be a pity to damage yours.”

Can’t think of a better ‘out’ line than that. See you next week! Once again, I give you the song “Starbucked” by the UK band Bond. You want to know how forgotten this band is? Not even the last.fm page that’s hosting this track has the album title right. It’s Bang Out of Order, not Band Out of Order. And there are over 90 copies available for a mere penny on Amazon. Click here to buy!

Bond – Starbucked

Endgame

It’s the late 1980s in South Africa. The most important political prisoner of the 20th century, Nelson Mandela (a miscast Clarke Peters), is being readied for his release as brutal violence and unrest are reaching a boiling point. Realizing that civil war is very bad for its African interests, a powerful English gold trading firm sends a conscientious PR flack (Jonny Lee Miller) to set-up secret negotiations. Will Esterhuyse (William Hurt), a centrist Afrikaner academic, is dragooned into going into those negotiations to act as a spy for the brutal neo-fascist white supremacist apartheid regime. Eventually, however, he finds himself actually forging common ground and heroically comes clean to the leader of the ANC delegation, future South African President Thabo Mbeki (Chiwitel Ejiorfor).

Unfortunately, director Pete Travis (“Vantage Point“) tries to make what actually should be a rather traditional PBS production into an over-amped action thriller, despite the reality that the real “action” of this story amounts to several white guys and black guys sitting around talking. Travis’s disinterest in the actual content of the story, his irritating and pointless reliance on jarring editing and sound effects, and a hideous audio mix which often makes the dialogue impossible to understand without turning up the volume to painful levels, destroys the inherent drama of the story as well as strong performances from some great actors. It’s a crime because, “Invictus” notwithstanding, the story of how apartheid ended without the catastrophic bloodbath the world fully expected still demands to be told on screen.

Click to buy “Endgame”

Breaking Bad 3.1 – I Blame The Government

The first image that really catches our eye is that of some poor bastard hauling his dirty, grimy self across the ground. He looks, in a word, pitiful…and as we’ve just seen a truck driving along the dusty road and another man wandering about with seeming calm, we have to presume that the aforementioned gentleman on the ground has but a short amount of time left on this earth.

But, then, we start to get mixed signals when a second man is seen crawling in the dirt, then a third.

By the time the shot cuts to reveal a veritable legion of dirt crawlers, with the ominous score only serving to underline the palpable nervousness of the bystanders in the village (i.e. the ones sitting or standing rather than crawling), we have to ask: “What the hell’s going on here?”

A car pulls up. A man with silver skulls on the toes of his boots steps out. Make that two men. Are they twins?

Oh, but it’s too late to consider the genetic origins of these guys, because now they’ve started crawling. This is getting downright creepy…and that’s even before the group begins to rise to their feet and enter a highly disturbing candle-lit shrine, to which they add a sheet of paper.

It’s a Santa Muerte shrine. On the paper is a pencil sketch of Heisenberg. In short, these guys are praying that Walter White will be dead soon.

Season 3 is officially off to an awesome start. Welcome back, “Breaking Bad.”

Given the end of Season 2, it’s no surprise that the first thing tackled post-credits is the inevitable repercussions of the airplane crash. You probably spotted the guest appearance by Ashleigh Banfield, but the other newscasters are actually from Albuquerque’s NBC affiliate, KOB. It’s an easy segue back into where we left off last season, offering a look into how it’s affected the residents of the city…including, of course, one W. White, who’s busy burning money on his barbecue grill. If there’s any sight more horrifying than watching cash go up in smoke, it’s got to be Walt having second thoughts and, in the process, setting his robe on fire. It was a must-do, though: right about now, the money is really the only thing in Walt’s life that he can stop from going up smoke.

Certainly, his marriage is shot to hell, a fact underlined by Skyler’s inaugural appearance in Season 3, which takes place as she’s attempting to kickstart the divorce proceedings between herself and Walt. It’s a meeting borne of emotion rather than intellect, however, with Skyler desperately trying to ignore the attorney’s comments and suggestions until the cumulative effect of her protestations finally begin the process of collapsing her resolve. The tension between her and Walt, Jr., doesn’t help the situation any, and once her sister starts to get on her case, Skyler can’t deny it any more: she’s got to ask Walt outright what the hell he’s got going on in his world that he’s been too afraid to reveal to her.

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“Breaking Bad” returns to AMC for Season 3. Will you be there?

Well, I certainly will be, that’s for sure.

The writers of Bullz-Eye – and, by extension, Premium Hollywood – have never been afraid to throw their love behind television series that aren’t necessarily embraced by the general viewing public, and it’s no surprise that AMC’s “Breaking Bad” falls into that category. Certainly, it gets a great deal of love from the nation’s TV critics, but in fairness, it does have the sort of premise that doesn’t necessarily lend itself to mass consumption: a high school chemistry teacher with a pregnant wife and a teenage son with cerebral palsy is diagnosed with stage-three terminal lung cancer and, in order to provide for his family, decides to start making meth.

Bryan Cranston, previously known primarily for his work as Hal, the patriarch on “Malcolm in the Middle,” took the role of Walter White – the aforementioned meth-maker – and ran with it. Indeed, we’re pretty sure that the only times he has stopped running since the premiere of “Breaking Bad” have been to accept his back-to-back Emmy Awards for Outstanding Lead Actor in a Drama Series.

Although Cranston is the only member of the ensemble to win thus far, he’s not the only one to have been nominated. His co-star, Aaron Paul, pulled in his first nomination for Outstanding Supporting Actor in a Drama Series in 2009 for his work as Jesse Pinkman, Walt’s partner in crime, and it would not surprise us in the least if 2010 found Anna Gunn in the running for Outstanding Actress in a Drama Series. (Season 3 is, we have been reliably informed, somewhat Skyler-centric.)

Now, if you haven’t been following “Breaking Bad” but you’ve heard good things and have been wondering if there’s way you can possibly catch up in time to watch the premiere of Season 3 without feeling completely lost, you’re in luck: AMC has managed to successfully distill the first two seasons of the show into one reeeeeeeally intense six-minute video. It doesn’t mean you shouldn’t go back and watch Season 1 and Season 2 in their entirety when you have the chance, but this will definitely put you in a position to sit comfortably in front of the TV with the rest of us on Sunday night.

Now, as you may have seen elsewhere, Bullz-Eye was fortunate enough to visit the set of “Breaking Bad” in January, where we were provided with the opportunity to have lunch with series creator Vince Gilligan, then followed that up with dinner with Bryan Cranston and Aaron Paul. And prior to that, the Winter 2010 TCA Tour provided me with several other “Breaking Bad” opportunities: a one-on-one with Aaron, followed by a chat with Bob Odenkirk, the “Mr. Show” alumnus who now plays the series’ resident attorney, the ever-slimy Saul Goodman, and then wrapped things up by (quietly) participating in a roundtable interview with Cranston, Paul, Gunn, and Odenkirk.

Yes, we realize that’s a lot of information to take in before the premiere, but at least you can’t say we don’t provide you with a great deal of preparatory material…including this sneak preview of what you can expect on Sunday night:

Season 3 of “Breaking Bad” premieres on Sunday, March 21, at 10 PM EST/PST.

(Be sure to meet back here after the season premiere – and every episode thereafter, for that matter – to check out our blog!)

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