Category: TV Sci-Fi (Page 33 of 81)

Blu Tuesday: Battlestar Galactica, Fast & Furious and Green Lantern

After last week’s fantastic selection of Blu-ray titles, you’d think that we’d have to wait another month or two before getting anything even remotely as good, but for fans of sci-fi, you really can’t do much better than today’s offering. There are no less than six geek-worthy Blu-rays this week, as well as a few other major titles definitely worthy of a spot in your collection.

“Battlestar Galactica: The Complete Series” (Universal)

Okay, so I may have never actually watched “Battlestar Galactica” (save for the pilot/miniseries), but it’s one of those shows that I’ve been meaning to check out for quite awhile. And with the release of the complete series box set, what better time than now? This is the first time the show has been available on Blu-ray, and thanks to the fact that it’s actually shot in HD (though not broadcast that way, curiously enough) old and new fans alike can finally enjoy the show as it was meant to be seen. The included extras are mostly a retread of previously released bonus material, but Blu-ray owners do get a few exclusives, like picture-in-picture video and a pop-up encyclopedia. The series is housed in a sweet metallic cube that expands to reveal all four seasons and includes your very own frakkin’ toaster figurine. Even if you’re not a fan of the series, that’s pretty hard to resist.

“Fast & Furious” (Universal)

I don’t care how you may feel about the fourth installment of the popular car porn franchise, or even the series as a whole, because Universal has delivered yet another fine Blu-ray packed with just about everything you could hope for. Personally, I thought the movie was good mindless fund, but I know that a lot of people found it silly and contrived. Fair enough, but for those of you who did enjoy it, the double-disc effort includes a director commentary, stunt featurettes and even a cool Vin Diesel-directed short film that acts as a prequel to the movie. Of course, the real highlight is the Take Control feature, which offers an in-depth look at the film hosted by Justin Lin and Paul Walker. Though it’s only activated for the bigger sequences, it enables the filmmakers to go into further detail than the typical commentary track. Lin pauses, rewinds and fast-forwards his way through key moments, highlighting things with the help of storyboards and behind-the-scenes footage. Zack Snyder may have technically beaten everyone to the punch with a similar feature on the “Watchmen” Blu-ray, but it’s just good to see that Warner Bros. isn’t the only studio looking ahead. This is the future of the HD format.

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True Blood 2.6 – Tease ’em, Thrill ’em, Torture and Kill ’em

All right, kids, I’m back to blogging, though given the amount of responses Jamey got from his stint as my substitute, maybe he should be the one doing this on a regular basis. Or not. (I’d be quite glad to let him do it, but I know that – like myself – there are never enough hours in the day for him to accomplish the tasks he already has on his plate, so adding one more would just be cruel.) Fortunately, I’ve had time to play catch-up, so I know what I missed last week…which, as it turned out, was quite a lot.

We didn’t see much of Eric this week, but his scene with Lorena at the beginning of the episode was certainly a crucial one, setting up a lengthy flashback to Chicago in 1926, where Bill…oh, sorry, make that Guillaume…is tickling the ivories as Lorena tries to pick up a beautiful blonde who’s hanging on the arm of a complete boor. Fast-forward a bit, and things have gone horribly wrong for the two non-vampires in the equation. Isn’t that always the way? God damn, Bill was a nasty son of a bitch back in the ’20s. I have to say, though, that I’m still not a fan of those blood-laden sex scenes, so I just focused on the importance of the necklace. It’s clear that there’s still a bond between Lorena and Bill, and despite her actions toward him later in the episode, I still think that her feelings for him are going to come back into play and hose up Eric’s plans.

Jason seemed scared to death that maybe his relationship with Sarah might have been discerned by Rev. Steve, but when the Rev copped a ‘tude toward his wife, you could sense that Jason suddenly wasn’t nearly as upset about the previous night’s actions as he might’ve been…and when Steve started talking about the whole “Meet the Sun” procedure, Jason’s disgust at the concept was evident. So there you go: a perfect excuse for him to hook up with Sarah in the church. Not that she didn’t need some sympathy, after what she’d just witnessed…

The dynamic between Sookie and Hugo was pretty funny, and his discussion about his experiences as a human dating a vampire certainly provided Sookie with a few new things to think about. I laughed when she said that, in person, Sarah looks like vanilla pudding, but there was a lot of tension in the scenes with Sookie and Hugo in Steve’s office, with the constant sensation that Jason could bust in at any time and ruin things for them. He didn’t, of course, but then the tension only got ratcheted up further when it became evident that Sookie and Hugo were on a collision course with oblivion, particularly when talk of the lock-in started. I really didn’t think they’d end up being taken down to the basement. That’s what I get for thinking, I guess.

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The 2009 Emmy nominations are in…

Per TV.com…

Best Drama Series
Big Love
Breaking Bad
Damages
Dexter
House
Lost
Mad Men

Best Comedy Series

Entourage
Flight of the Conchords
How I Met Your Mother
The Office
30 Rock
Weeds
Family Guy

Lead Actor in a Drama Series
Simon Baker, The Mentalist
Bryan Cranston, Breaking Bad
Michael C. Hall, Dexter
Jon Hamm, Mad Men
Hugh Laurie, House
Gabriel Byrne, In Treatment

Lead Actress in a Drama Series

Kyra Sedgwick, The Closer
Glenn Close, Damages
Mariska Hargitay, Law & Order: Special Victims Unit
Sally Field, Brothers & Sisters
Elisabeth Moss, Mad Men
Holly Hunter, Saving Grace

Lead Comedy Actor

Jemaine Clement, Flight of the Conchords
Steve Carrell, The Office
Jim Parsons, The Big Bang Theory
Tony Shalhoub, Monk
Alec Baldwin, 30 Rock
Charlie Sheen, Two and a Half Men

Lead Comedy Actress
Julia Louis-Dreyfus, The New Adventures of Old Christine
Christina Applegate, Samantha Who?
Tina Fey, 30 Rock
Toni Collette, United States of Tara
Sarah Silverman, The Sarah Silverman Program
Mary-Louise Parker, Weeds

The biggest snubs? No “The Wire,” “True Blood” or “The Shield” for Best Drama…zero nominations in major categories for “Friday Night Lights” — especially Connie Britton, who should have cracked a weak field of Lead Actress in a Drama…”Battlestar Galactica” finishes its critically-acclaimed, five-year run with no major Emmy award nominations…at all…over the five seasons…ugh.

Click here to see the rest of the nominations.

True Blood 2.4 – Put On Your Wig, Woman!

I don’t want to start any blasphemous rumours, but those guys from the Fellowship of the Sun have a sick sense of humor, don’t they? Criminey, talk about playing on poor Jason’s worst nightmares! Of course, he recovered pretty quickly, offering up that militaristic monologue (its effectiveness aided in no small part by the score) behind him. Come the next morning, he’s smirking like nobody’s business, offering up great lines about how maybe Jesus was the first vampire, what with all the blood drinking going on. It’s a pretty heavy debate for breakfast, with the discussion about the first evil – was it Cain, or was it Eve? – but it all comes to an abrupt end when Jason gets called off to see the Rev. It’s nothing ominous, though: he just wants to take Jason on a vampire target-practice run. Afterwards, it’s back to the Rev’s homestead for Ribs a la Sexy Sarah. Whew, was there any better song than Sammy Kershaw’s “Louisiana Hot Sauce” to serve as the soundtrack for that display of culinary excellence? I don’t know what kind of career Anna Camp has in store for her as an actress, but I think we can count on a couple of good Maxim layouts in her immediate future, don’t you? Obviously, the other guys in the Fellowship are jealous that Jason appears to be on the verge of sliding into Sarah’s good graces…and, yes, that is a double entendre…and when she turns up in his bedroom in her nightie, there’s every reason to believe that something is going to happen between them.

Sam and Daphne are still skinny-dipping when we pop back in on them, but Sam’s also laying bare his feelings a bit as well. Everything looks like it’s sittin’ pretty between the two of them until she climbs out of the water and Sam spies those nasty claw marks on her back. Still, it’s been the kind of evening that’s made him rethink his plans to depart…or, at least, it’s served to delay them slightly. Sookie’s ego forces her to presume that it’s because of her that he’s decided to leave, resulting in a angry conversation between them. Unsurprisingly, things at the bar remain a little tense for the rest of the night, though it’s also in no small part because of the total lack of customers (the exception being a highly drunk Detective Andy), and the evening takes a surprising turn when Tara’s apparently-still-sober mama turns up to deliver a birthday present for her absent daughter. When he gets over to Sookie’s place, he has brief words with Maryann before Daphne turns up, and he and Madame Clawback start to smooch. They stop briefly, but before Sam can reveal his secret to Daphne, she claims she already knows what he is. Why do I have this feeling that they might not be on the same wavelength?

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Mystery Science Theater 3000: Volume XV

Do “Mystery Science Theater 3000” fans engage in fierce debates over who was the better ringleader – Joel or Mike? And if so, does it ever get ugly? A little bit of MST3K (as the cool cats refer to it) has always gone a long way for me. I’ve never been able to grasp how this gimmick lasted for as long as it did, since it requires 90-plus minutes of your time for each installment; while the concept of heckling bad movies is novel, you still have to sit through the bad movies. Often times the fare would be considered unwatchable if not for all the slings and arrows lodged in the direction of the movie screen. Of course I realize that’s the whole point of the thing, but if the gimmick isn’t working, as is the case about half the time with MST3K, it can be a torturous way to watch a bad movie.

The latest set from Shout Factory collects four more installments, from different eras of the series. Judging by these episodes, Mike would unquestionably win the proposed fan debate, as neither of the Joel offerings are anything to write home about. “The Robot vs. The Aztec Mummy” comes from very early in the series, and it’s just terrible. I swear I didn’t even laugh once. “The Girl in Lovers Lane” is somewhat better, but the difference is negligible. The third offering, “Zombie Nightmare,” is an absolute scream – everything that this show ever did well is encapsulated in their lambasting of this terrible ‘80s film featuring Adam West. The final entry is called “Racket Girls,” and while not quite the standout the previous title is, it’s still pretty good stuff, although you’ll be able to safely slip off to the bathroom from time to time, and likely not miss anything special. Regardless, MST3K has such a devoted following, I can’t imagine fans of this show will be satisfied until every single episode is available on DVD, and therefore my stick in the mud antics carry very little weight whereas this series is concerned.

Click to buy “Mystery Science Theater 3000 XV”

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