Category: TV Sci-Fi (Page 30 of 81)

A Chat with Aidan Turner, Russell Tovey, and Lenora Crichlow of “Being Human”

One of the most consistent pleasures of the TCA Press Tour for an Anglophile such as myself is the opportunity to get the scoop on the latest UK imports to arrive on BBC America. In 2007, I was introduced to “Jekyll” and “Torchwood,” and in 2008, I very quickly fell in love with “Gavin and Stacey” and “Primeval.” This time around, the picks to click were “The InBetweeners” and “Being Human,” and although I’ll be waiting a bit to offer up my conversation with the folks from the former, I’m running a bit late in posting my chat with the cast of the latter. “Being Human” actually made its BBC America debut when I was still in Pasadena, but now that I’m playing catch-up, I wanted to share with you the lovely courtyard conversation that I had with the show’s trio of stars: Aidan Turner, Russell Tovey, and Lenora Crichlow.

Join us now as we embark upon…

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Bullz-Eye’s TCA 2009 Summer Press Tour Wrap-Up: Cougars, Muppets, Vampires, and Gordon Ramsay, Too!

God bless the TCA Press Tour, where the television industry gives critics from throughout North America the opportunity to play with the folks who live and work in Hollywood. The tour allows us a remarkable amount of access to the stars, producers, directors, and writers of the various shows currently taking up residence on the various cable and broadcast networks. Yes, while I may spend 48 weeks out of the year feeling like a nobody, for those four weeks – two in the summer, two in the winter – which are taken up by the tour, I’m at least made to feel like I’m a somebody. (Really, though, I’m not anybody.)

This was the first time the summer tour had been held after Comic-Con rather than before, so there was a certain amount of grumbling about the fact that the fans were getting a certain amount of information that would’ve ordinarily gone to the critics first, but it must be said that the networks did a pretty good job of pacifying us. And, besides, aren’t the fans supposed to come first, anyway?

Although the content that I managed to accrue during the course of the tour will continue to come your way for quite some time to come, what you see before you is a summary of the highs and lows of the event, mixing stories you may have already read on Premium Hollywood with many that I simply haven’t had a chance to discuss yet. As ever, it was a heck of a good time, full of the kind of moments that leave me grateful that I managed to get that journalism degree from Averett College back in 1992, pleased as punch that Bullz-Eye and Premium Hollywood have given me the opportunity to cover the tour, and, most of all, that there are lot of great readers out there who seem to enjoy the tales I bring back from these strange TCA adventures that I’ve embarked upon.

Let’s get started, shall we?

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True Blood 2.9 – Though I be a dead man, I said yes and amen

Well, you know what the Smiths said: if it’s not love, then it’s the bomb that will bring us together. And so it was at the beginning of this week’s “True Blood,” as we saw Sookie suck the silver shrapnel right out of Eric, God love her…and, by the way, the phrase “suck the silver shrapnel” clearly needs to be popularized as a double entendre post-haste. (On a related note, I also anticipate quoting Sookie’s exclamation, “You big lying A-hole,” enough to bring it into the pop culture lexicon pretty quickly.) Eric’s delivery of the phrase “she was superb” to Bill was genius…as, for that matter, was his chicanery to get hooked into Sookie’s emotions. The intimate discussion between Sookie and Bill no doubt thrilled fans of Charlaine Harris’s original novels, as it confirmed that they were finally going to get what they’ve been waiting for: a pairing-up between Sookie and Eric. And is it me, or was that the most erotically charge scene of the season to date? Maybe it’s just because there was no blood being smeared this time around.

Jason was clearly suffering from a little post-traumatic stress, given the way he looked when he saw Luke’s dismembered hand. As a result, the discussion between Sookie and Jason wasn’t terribly surprising, but it was sweet and heartfelt, a tone we’ve not seen between the two of them in quite some time. You can’t blame Jason for slipping into depression over their lack of family, but kudos to Sookie for giving him a kick in the pants about growing up. I doubt if it’ll take, given his history, but it’s a start, anyway. By the way, only a sister could get away with telling a guy that he’s lazy rather than dumb and to say that she sometimes wants to stick his head in a bucket and kick it around the yard. Did you notice that she gave him shit, but he opted to avoid any insults, even in jest? Maybe he’s smarter than I’ve given him credit for.

Could Jessica and Hoyt be any cuter a couple? I loved that comment from Hoyt when he was doing verbal battle with his mother, smacking her down for only bothering to bring up his father when she doesn’t like something he’s doing. But, then, I loved pretty much that entire scene, particularly when he was listing off the various types of people she doesn’t like. (As someone who was raised in the South, I dare say that I’ve heard her excuse about how why she doesn’t like vampires – “it was the way I was brought up” – more than a few times in a different context.) I think it was always a given that the meet-and-greet at Merlotte’s between Jessica, Hoyt, and his mama was already going to go poorly, but who knew it would result in Mama being around for Maryanne’s explosive entrance into the place later that evening?

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True Blood 2.8 – Having Her On My Brain’s Like Getting Hit By A Train

First off, my apologies for the delay in getting this week’s blog onto the site. If you’ve been following my various posts on Premium Hollywood over the course of the past two weeks, then you know that I’ve been out in Pasadena for the Television Critics Association press tour. The festivities wrapped up on Saturday night, and I spent the majority of Sunday traveling home to Virginia, and when I got there, I must admit that seeing my wife and daughter again took precedent over watching “True Blood,” and even after my daughter went to bed, any desire to watch this week’s episode with my wife was conquered by an undeniable need to sleep. I’m still feeling way off my game, thanks to the wonders of jetlag, but I’ve finally had a chance to watch last night’s episode. My apologies, however, if things aren’t in-depth this time around as usual.

This was a Godric-heavy episode, the first we’ve ever had, and it was nice to see this mysterious character we’ve heard so much about become more fleshed out. Despite everyone giving us the impression that he was this old-school bad-ass of a vampire, it turns out that he’s actually more thoughtful than any of the vamps we’ve seen to date, having become highly interested in the possibilities of a vampire / human alliance. I always seem to be let down whenever I have high hopes for characters on this show, but it would be nice to think that he’s shaping up to be the Martin Luther King of his people. Between his ending of the battle in the church, giving Hugo a reprieve, and giving Lorena that smackdown at the party, he just spent the episode getting more and more awesome.

Jason had a lot of good material in this week’s episode, from his stupidity (I had to pause the TiVo until after I stopped laughing about his response when Sarah told him he was worse than Judas: “Why, what’d he do to you?”) to his attempt to bluff his way through the lockdown (“”I’m a cadet with the Light of Day Institute, I’m strapped”) to his smackdown of Reverend Steve (“I reckon I’ve been to Heaven: I’ve been inside your wife”), but let us not forget that he was also responsible for doling out one of the most awkward hugs in recent TV history. Kudos to Bill for taking it in the spirit in which it was intended, even if he couldn’t muster much post-hug enthusiasm. It looks like the Jason / Erik relationship is also burgeoning, so I’ll be curious to see where that goes in future episodes.

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TCA Tour: “Fringe”

Fox’s “Fringe” premiered last season to a ridiculous amount of buzz, thanks to the combination of J.J. Abrams, Alex Kurtzman, and Roberto Orci, a trio whose various credits (many of them shared) – “Alias,” “Lost,” “Mission: Impossible III,” “Transformers,” and the then-still-forthcoming “Star Trek” – were more than sufficient to get the sci-fi fanboys into a tizzy. Things may have started off a bit rocky, mostly due to a slight uncertainty about exactly what the hell was going on, but by the close of the season finale, when we found ourselves barely getting over that guest appearance by Leonard Nimoy before we found ourselves looking at a still-standing World Trade Center, we were already ready for Season 2 to begin.

“As we went along, I think we got a better handle on the balance of our characters and the plots and making sure that our plots were character-centric,” admitted executive producer Jeff Pinkner. “I think that we learned how to write for these actors, these characters over time, and I think we learned this in ‘Alias’ and ‘Lost.’ The shows that are really about the characters, the characters and the actors playing them start to meld a little bit more, and I think we’ve gotten better at that.”

Orci noted that one of the series’ biggest issue from the very beginning was figuring out the percentage of standalone episodes versus a larger serialization. “We’ve all read the research that says a regular viewer watches three episodes in a year, etcetera, etcetera, so you try to modulate,” he explained. “In the first season, we actually had to sort of plan around resetting the series once or twice and doing it around three- or four-week-long breaks. And that kind of exercise makes us, in Season Two, a little more flexible, a little bit more able to read the green. And I think, you know, the fact that we are closer than we were from New York is also helpful. We can all be up there a little bit more; we can communicate better with each other. I think we’re just a tighter ship this year.”

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