Category: TV Reality (Page 7 of 18)

A Chat with John Walsh (“America’s Most Wanted”)

And, now, for today’s “this’ll make you feel old” moment: on Saturday night, “America’s Most Wanted” will be celebrating the airing of its 1,000th episode. The series has been on the air for an astonishing 23 years, and when you consider the number of criminals that host John Walsh has – with the assistance of the show’s viewers – helped put behind bars in that amount of time, you have to hope that it will continue to run for at least as many more. I had the chance to chat with Mr. Walsh when he made an appearance at the January TCA Press Tour, and I quizzed him about the show’s origins, its longevity, and its ties to the TV movie based on his own real-life events (“Adam”), but given the heavy topics at hand, it seemed appropriate to ease into things with a slightly lighter topic.

Bullz-Eye: I wanted to start off by asking you about a couple of your pop-culture appearances outside of “America’s Most Wanted,” the first being your turn as a character in DC Comics’ “The Outsiders.”

John Walsh: It was a real honor. It actually was a real honor, and when I talked to the guys who draw and write “The Outsiders,” they went, “You know, we’d like to incorporate you into this, because you are the real-life Batman.” And I went, “What a compliment!” And they said, “Well, you were a successful businessman, and you’re kind of not a vigilante. You really want to try and change things.” I considered that a real compliment. I have a 15-year-old son who’s a terrific artist and a big fan of comic books. I had had the distinct pleasure of being the only guy ever written into the “Dick Tracy” comic strip, too, so I’d experienced it years before, but “The Outsiders” is kind of a cool comic book, and for an old guy like me… (Laughs) You know, it’s so funny, but of all the things…I mean, I’ve been honored in the White House Rose Garden by four different presidents, and that’s something that really touches your heart, but my son said to me, “Dad, you’ve been on ‘South Park’ and now you’re on the cover of ‘The Outsiders.’ Now you’re cool.”

BE: Did you manage to score any of the original artwork from your “Outsiders” appearance?

JW: I did! And I treasure it, because they really did it with some dignity. The segments were about the exploitation of runaways, of how bad guys use teenage runaways that may be running away from a terrible abusive home or sexual abuse, and they hit the streets and get exploited. And, you know, a lot of the Outsiders are kids who’ve been through Hell themselves and are trying to make a difference. So, yes, I have some of the original artwork, and I treasure it. It’s really kind of a gratifying thing.

BE: So how about that “South Park” appearance? (Laughs)

JW: “South Park” I loved. I loved the “South Park” guys, was a fan of the show, and didn’t know I was going to be on… (Laughs) …and was on the road somewhere and….I have another son who’d just graduated from college, and he said, “Dad, everybody at my college is talking about you being on ‘South Park.’ It’s all over school.” I thought it was funny. It’s really an irreverent look at society, and it was very cool. I’m a fan of that show.

BE: Did you send them a thank-you note?

JW: Oh, gosh. You know, I should. I actually should, because it was very funny. Very satirical, but very funny.

BE: Have you turned up anywhere else that’s really stuck out for you?

JW: You know, someone told me the other day that there’s a punk rock band called John Walsh, and that they’re not kind of the alternative punk. Their music is pretty edgy, and they’re kind of on the side of the right. Their punk music says, “Hey, there are heroes out there, and there are guys who are making a difference, but you can still be an alternative type of person and a punk rocker.” I never cease to be amazed by the younger culture in this country.

BE: How thrilled are you that the show has continued to thrive for as long as it has?

JW: I’m amazed, because we…now I’ve been told that we’re the 3rd longest running show in prime time history, behind “60 Minutes” and “48 Hours.” That’s a real compliment to the fans. And we’re still #1 in the most important demographics. I mean, I don’t kind myself: you’ve still got to be #1 in the 18-49 demo. It’s such a rewarding experience, because we’ve caught over 1,000 guys, and last week we caught the guy who murdered a 6-year-old girl and shot three other people on Thanksgiving. He’d been out there 5 weeks. I went down to south Florida to do the show, and he got caught 10 minutes after the show aired. It was fantastic. I’ve walked in those people’s shoes. I’m the father of a murdered child. I’m amazed that we’ve been able to stay on this long and that we’re so popular, but I thank the public. Now we’re worldwide, we’ve caught people in 35 countries, our website is huge and usually the second most popular TV website next to “American Idol”…usually, depending on the week. (Laughs) It’s such a gratifying experience, and I think it’s the public saying, “We don’t want to be vigilantes. We watch the show because we want to make a difference. Maybe we’ll see one of those creeps, or we’ll learn something, or we can help society.” Last year, we caught someone in China, we caught someone in India. Both countries extradited those creeps immediately. We’ve kind of been woven into the global culture now, and it’s a pretty gratifying thing, it really is. Especially for the father of a murdered child.

BE: That actually leads me to a question I’ve been curious about. When they made the movie “Adam,” about your son, were you very involved, or was it just something that came about because they were aware of your experience and wanted to bring it to the public consciousness?

JW: It was a wonderful woman named Linda Otto, who is now deceased, who brought the idea. She was an award-winning documentary film producer, and she’s the one who brought it to NBC. At that time, Grant Tinker was the president of NBC, and they were the #1 network. I’ve been told it was the most-watched TV movie of all time. It aired three times. She said to Grant Tinker, “We’re going to do it with dignity and integrity, and I’m going to involve the Walshes. I want to try and stay as close to what happened with the Walshes as possible.” And I thought they did a really good job, but the most incredible thing is that, with those three airings of “Adam,” it was the first TV show ever to show pictures of missing children…and they found sixty kids from those three airings! Most of them were non-custodial parental abductions, but they were kids that were missing for years, so I sort of learned the power of television from watching and being part of the movie “Adam.” I think NBC did a very dignified job of doing it, and Linda Otto sort of changed the way this country looks at missing children with a TV movie.

BE: To bring it full circle, was it “Adam” that led you – either directly or indirectly – to “America’s Most Wanted”?

JW: No, you know, it really was people internally at Fox. Rupert Murdoch had seen “Crimewatch UK” in England, which is done by the BBC and has been on for 40 years. When they approached me in 1987, I said “no” for six months. I didn’t know what Fox was… (Laughs) …and I didn’t know who Rupert Murdoch was, and I didn’t know who Barry Diller was. I didn’t want to be on television. I was trying to change laws, trying to recover from Adam’s terrible abduction, and…I was a businessman. I built deluxe hotels before Adam was murdered. So when they approached me…it wasn’t my idea…they said, “You know, you’ve spent so long trying to change laws and change the way this country looks at missing and exploited children. How would you like to host the first reality television program?” My first question – other than “who’s Rupert Murdoch?” and “what’s Fox?” – was, “What’s reality television?” Because America didn’t have reality television. So we were Fox’s first show. I did it because the first guy was a child killer that escaped from prison. He was our first capture. Three days after the show had aired, he was caught in Staten Island, New York. Guess what he was doing? He was running a shelter for the homeless. An escaped killer and rapist. (Shakes head) It’s been an incredible experience…but it was really Fox’s idea. They pursued me, and it’s been a wonderful partnership for 23 years.

Season 1 of “Steven Seagal: Lawman” prepares to wrap up

When I first heard that A&E was offering up a reality series which focused on Steven Seagal’s heretofore-unknown life as a Reserve Deputy Chief of the Sheriff’s Office in Jefferson Parish, LA, I thought, “Okay, this is either going to be really awesome or really terrible.” In the end, it flew right down the middle, proving to be so terrible that it was legitimately awesome, offering the opportunity to get rip-roaring drunk simply by taking a shot every time he references his movie career or anything relating to his knowledge of Zen or martial arts. Still, the first episode kicked ass in the ratings, and it’s become a staple of “The Soup,” with Joel McHale relishing the chance to incorporate a less-than-heartfelt plug for Seagal’s energy drink into the intro for that week’s clip, so I’m guessing that there’s a very real possibility that “Lawman” could well be back for a second season.

I’ve just gotten a clip of the first-season finale, so I thought I’d share it with you:

But, look, here’s the thing: as I read the summary for the first-season finale, it became clear to me just what a tightrope A&E must have to walk to promote this show as a serious reality series to the general public while still acknowledging to critics that they know how ridiculous the whole thing is. The description of the episode starts seriously enough…

The night starts off badly as Deputy Chief Steven Seagal and his team rush to the scene of a man killed in a drive-by. Minutes later they race to another shooting: a man found dead in his car. Two homicides in less than an hour puts the unit on high alert and when they catch four young men out late, Steven has some stern words, but he gets downright harsh the next night when he finds two of them carrying drugs.

…but dig this final line:

But Steven has to get back to Hollywood, it’s time to make his next movie.

Steven knew he’d get stuck taking the anger management class, but when your fellow officer eats the last doughnut…

Oh, well, clearly, a film like “Born to Raise Hell” is far more important that dealing with drive-by shootings and drugged-up punks, based on its IMDb description: “A hard core Interpol agent is assigned to an Eastern European task force to target gun trafficking and dope running throughout the Balkans. While investigating a Russian gun dealer, his team is caught in a bloody street war between a Gypsy gang and the Russians, leaving one task force member dead. Fueled with vengeance, he leads us on an action packed thrill ride while avenging his friend’s death.”

Steven Seagal: saving the world one straight-to-DVD action flick at a time.

Bullz-Eye’s TCA 2010 Winter Press Tour Wrap-Up: Simon Signs, Conan Conquers, and Patrick Stewart Just Plain Rules

The 2010 winter press tour of the Television Critics Association took place at the Langham Huntington Hotel and Spa from January 8th – 18th, which you probably already know from the various postings which were done during and have continued since my attendance at the event. It’s a regular tradition, however, that I do a wrap-up piece which summarizes my experiences during the tour, and since I invariably seem to get a positive response from those pieces, I always try to make it as entertaining a read as possible. Here’s hoping I’ve succeeded as well this time as I have in the past…but if I haven’t, I feel certain you’ll let me know.

Most enjoyable panel by a broadcast network: “Great Performances: Macbeth,” PBS.

I’ll freely admit that I was predisposed to enjoy the panel due to the fact that it featured the newly-knighted Sir Patrick Stewart, but I spoke to others afterwards who declared it to have been the best panel of the tour up to that point. Partial credit for the success goes to the critics in the audience, who consistently offered up intelligent questions about the subject matter at hand…and let me assure you that this is not always the case. Even on an occasion when an attempt at going in a unique direction fell flat, such as when one writer asked Stewart if he was familiar with FX’s “Sons of Anarchy” (it’s been called a Shakespearean saga on motorcycles), it led to the revelation that Ron Perlman has played an interesting place in Stewart’s life. “I was having dinner with Ron Perlman the day that I was offered Jean-Luc Picard in ‘Star Trek: The Next Generation,’” he said, ‘so I have always looked on Ron as being a lucky omen. So you mentioning his name today, I hope, means that the rest of the day is going to be brighter than it begin.” At the very least, Sir Patrick’s remarks during the panel brightened mine.

Most interactive panel by a cable network: “The Choir,” BBC America.

Gareth Malone is a man on a mission to bring music to those who may not think that they have an interest in it, creating choirs in various schools in England and helping the youth of today raise their voices in song. We soon discovered that this extended to television critics as well. “In England, everyone knows that when I enter a room, everyone’s going to sing,” Malone began ominously, “so I would like to invite you to leave your Apples and come up onto stage, and we’re going to have a little singsong.” The immediate reaction was less than enthusiastic, with at least one person piping up, “It’s against the bylaws!” Malone would not be denied, however. “It will be very brief,” he assured us. “I’ll be very, very, kind. I promise not to do opera. Honestly, it’s going to be very, very gentle. I promise. Risk it. There won’t be very much. Typists, abandon your typing!” In the end, he managed to get a couple of dozen of us up there…yes, I was among the huddled masses…to perform a not-as-bad-as-it-could’ve-been chorus of “Barbara Ann.” As there is neither an audio recording nor a YouTube clip to prove otherwise, you may feel free to believe that I personally sounded fantastic.

Best intro to a panel from a cable network: “Dance Your Ass Off,” Oxygen.

All I know about this show is what I’ve learned from watching clips on “The Soup,” but when a panel starts off by having its panelists literally dancing their way down the aisles and onto the stage, at the very least, it gets your attention.

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Breaking TCA News: Simon Cowell to leave “American Idol”

Fox’s executive panel at the TCA Press Tour was very late beginning this afternoon, but as Peter Rice (Chairman of Entertainment) and Kevin Reilly (President of Entertainment) took their seats, Rice assured the gathered group of television critics, “We have a good reason for keeping you waiting.”

He was right.

Minutes later, surprise guest Simon Cowell had stepped onto the stage, taken pen in hand, and officially signed the paperwork to bring his popular UK series, “The X Factor,” to Fox in 2011. He will serve as the show’s executive producer as well as a judge. There is, however, a down side to this development: it means that this will be Cowell’s final season as a judge on “American Idol.”

Prior to Cowell’s surprise arrival, Rice had acknowledged that Cowell’s future on Fox was directly connected to whether or not the network would pick up “The X Factor,” a series for which he has long established considerable passion.

“There has been a lot of speculation, partly because we didn’t have an an agreement,” said Cowell, after taking his seat. “We reached an agreement at about half past ten this morning.”

“More like half past eleven,” corrected Rice, with a laugh.

“I’ve always had a fantastic relationship with Fox,” Cowell continued. “We did talk about me staying on both shows, but then when we looked at the practicalities of that, it was just impossible. I made a commitment to staying on the show in the UK, and I didn’t think it was right for me to also do two shows in America. I can barely manage to do ‘American Idol’! We had a lot of discussions about it, a meeting with Peter in October, but it was done very gentlemanly, the whole thing.”

As far as Cowell’s departure from “American Idol,” he likens it to having a good player on a good football team: they work well together, but when the player retires, the team is still successful. In the end, it comes down to the fact that “American Idol” is not Cowell’s show, whereas “The X Factor” is.

“It’s still close to me,” he said, “and I made sure that ‘Idol’ would be protected. The show could last for ten or twenty more years. I’m confident that it will continue to be the #1 show, and everyone’s committed to keeping it that way.”

Rice described Cowell as “irreplaceable,” taking a pass on making any comment about who the network might be pursuing to fill his spot on the series while offering assurances that the network is fully aware of the necessity of maintaining the same level of energy for “American Idol.”

TCA Tour: Undercover Boss

During her comments in the executive session, CBS’s President of Entertainment, Nina Tassler, couldn’t say enough good things about the network’s new reality series, “Undercover Boss,” which they’re opting to premiere immediately after the Super Bowl. It’s an act that’s either a sign of unabashed confidence in the series or a total Hail Mary pass, but despite how apropos the latter might be for the timeslot, having seen the pilot episode, I can absolutely see why they would be confident. Tassler said that “everybody who is sitting and watching the Super Bowl, be you 8 or 80, can stay right there and enjoy the program,” and she’s on the money with that assessment: who can’t get behind the idea of a boss coming down from his or her ivory tower and mixing it up with the frontline employees in the company? Everyone can relate to that…which, as it happens, is exactly what its creator, Stephen Lambert, had in mind.

“I was very keen to do something in the world of the workplace,” he said. “There’s so many scripted shows that are set in the workplace, but not that many set in the real workplace in the reality space on network television, and it seemed to me that it’s very relatable. Anybody who has had a boss who has worked in the company will understand this show, and for the person in charge to be able to see what their workers, their employees, are really doing seemed like an exciting idea.

“This is a show where the boss is on a dual mission,” Lambert explained. “One, he wants to find out what’s really going on on the front line, things he can’t see when he’s back at headquarters. Second, he’s looking for the unsung heroes of the company, so he’s looking for people that deserve some kind of thanks, maybe a promotion. It’s the mixture of kind of comedy that comes from the boss trying to do the front-line jobs and the emotion of these people, these coworkers that he spends time or she spends time with having that recognition that can be extremely emotional, and that was the idea behind the show.”

The first boss to go undercover on the show is Larry O’Donnell III, the President and COO of Waste Management (you’ve no doubt seen their trucks cruising around your neighborhood at one point or another), and when you watch the episode, you’ll see him doing everything from picking up trash to cleaning out Porta-Potties. Now, if you’re wondering how undercover he really is, given that he clearly has a camera crew following him, all they know is that he’s just this guy who’s working these frontline jobs…and, to hear him tell it, they got used to the camera’s presence pretty quickly.

“When I first went into this and I actually talked to our senior leadership team, I thought the most difficult part was going to be for me to be able to maintain my undercover status where the employees didn’t figure out who I was,” he said. “There were some managers along the way that recognized me, and I was able to get them off to the side and tell them to go home or stay in their office. You know, people ignored the cameras within about…it seemed like certainly within the first half hour. It was like they weren’t even there.”

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