Category: TV Dramas (Page 70 of 235)

TCA Tour: “Dollhouse” set visit

Last year, I had a chance to visit the “Dollhouse” set, and it was absolutely breathtaking. This year, I went to visit it again, and the effect was the same. I just wish I liked the show as much as I like the Dollhouse itself. But, hey, maybe that’ll change when I finally get a chance to sit down and watch the Season 1 set in its entirety…particularly the bonus 13th episode, “Epitaph One,” which the show’s creator, Joss Whedon, describes as “an incredibly strange sort of bookend to the show.”

When we first arrived on the set, the actors were still shooting elsewhere on the Fox lot, so Whedon held court before the assembled throng of critics (some of whom may or may not have actually been bowing before him) and spoke to the second season of “Dollhouse” all by his lonesome, which he described as “the biggest surprise of my career.”

“What can I say?” asked Whedon. “I really didn’t expect to be sitting here again for a while. This has been like skiing in a cartoon where you go up the mountain and down the mountain and up and down. Right now, we are pretty high up on it because we realized that we were actually going to have to work for a living this summer.”

Okay, I’m sure the Whedon-ites will want to know every last word that Joss had to say, but for the sake of those who – like myself – still have good intentions of playing catch-up before Season 2 begins, I’ll do you the favor of waiting ’til post-jump to offer up his comments.

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TCA Tour: “NCIS: Los Angeles” set visit

I’m a big fan of CBS’s “NCIS,” but I’ll freely admit that I didn’t get in on the ground floor. I didn’t find my way into the series until the second season of the show was released onto DVD, but once I started working my way through the set, I found that it was almost impossible to stop. Ever since then, I’ve been making it a point of watching the show…though, of course, I’m far from the only one at this point. Back then, it was still kind of an under-the-radar series, but, really, how far under the radar can a show possibly fly when the USA Network is running three back-to-back episodes every weeknight?

This heightened off-network profile, combined with the remarkable accomplishment of having its new episodes grow in popularity with each subsequent season, is no doubt why CBS has decided that the time is finally right to gift the show’s fans with a spin-off: “NCIS: Los Angeles.” It’s probably also why the new series has no less than three instantly recognizable faces – Chris O’Donnell, LL Cool J, and Oscar winner Linda Hunt – within its cast.

It’s gotta be tough to break out from a series like “NCIS,” where the fans are about as die-hard as they come, but at least the cast is aware of their responsibilities.

“My biggest concern, and I think for most of us, is to please the current ‘NCIS’ fans first and foremost, because they’re very loyal fans and a huge following,” said O’Donnell. “And, you know, if new people tune into the show, that’s great, but I feel more pressure to live up to their expectations than I do maybe to the network or the studio expectations, to be honest with you. I was overwhelmed how many people were watching the show. It was a similar reaction to when I went on ‘Grey’s Anatomy,’ and I would go through the carpool line, and every mom wanted to know what was happening in the show. Everywhere I’ve gone this summer, you know, it’s just…I’m overwhelmed. People that I don’t even think watch TV are coming up to me. ‘What’s going to happen? I love her. I love him.’ It’s amazing. You look at the numbers there, and everyone says, ‘Well, his TV numbers are pulling back, and not as many people are watching network TV.’ I’ve got to tell you, so many people are watching ‘NCIS.’ It’s amazing.”

“I think the main thing for us is just approaching it with humility and being clear that nothing is guaranteed and that our job is to do the best work that we can,” said Mr. Cool J. “We depend on Shane (Brennan, the show’s executive producer) to bring the best stories to the table, and then we will try to bring those stories to life in a great way. And I think that that, for us, is the main focus. Obviously, we want to maintain the current ‘NCIS’ fan base and all of those people that are joining the show. We don’t want to, you know, make them have an allergic reaction to what we’re doing on screen. But I think it’s just about having fun. You know, the pressure part of it…I don’t think anyone here is being arrogant. We’re not making any guarantees or predictions for the playoffs. We’re cool. We just want to do a great show, and we hope that you guys like it. That’s the real thing.”

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TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

TCA Tour: “Three Rivers” set visit

Hey, everybody, Alex O’Loughlin’s back!

Oh, how I’ve missed Alex O’Loughlin. I can’t even begin to tell you how much abuse I had to deal with during his days on “Moonlight,” all because I thought the pilot for that series was just okay. My dissenting opinions immediately made my article “B.S.,” according to some readers, and I was subsequently forced to endure all manner of commentaries about how gorgeous O’Loughlin was, even though I kept assuring them that I’d probably be more interested in revisiting the series if they’d be willing to praise other aspects of the show that didn’t involve his hotness quotient. The irony…? When I reported how, after the show was canceled, CBS Entertainment President Nina Tassler admitted that “the response to ‘Moonlight’ was actually more actor-centric,” I was buried in responses from readers who seemed shocked and offended that she would say something so patently ridiculous.

Well, for what it’s worth, Tassler did at least want to keep O’Loughlin within the CBS family, and she’s gotten her wish by handing him a plum part in the network’s new medical drama, “Three Rivers” (yes, it takes place in Pittsburgh), where he’ll be working within an ensemble which includes Katherine Moennig (“The L Word”), Daniel Henney (“X-Men Origins: Wolverine”), Justina Machado (“Six Feet Under”), Christopher J. Hanke, and…Alfre Woodard?

Yep: Ms. Woodard came aboard the series mere days ago, so recently that, when O’Loughlin responded to his first question in the on-set press conference for the TCA members, she did a double-take.

“Let me just say how freaked I am to hear you talk like an Aussie,” she said. “I’m, like, ‘What is he doing faking over here?’ He’s such a believable Pittsburgh boy!”

If you haven’t heard about “Three Rivers” yet, it’s being described by the network as “a medical drama that goes inside the emotionally complex lives of organ donors, the recipients and the surgeons at the preeminent transplant hospital in the country where every moment counts.” We’re being forewarned, however, that “dealing with donor families in their darkest hour and managing the fears and concerns of apprehensive recipients takes much more than just a sharp scalpel.” Pardon me for a moment while I groan at that line, but kudos must go to the series for taking their subject seriously enough to work directly with the organization Donate Life, a national movement to inspire Americans to register as an organ-and-tissue donor.

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TCA Tour: The CW Executive Session

Dawn Ostroff, President of Entertainment for The CW, just took the stage for her executive session, during which time she had these things to say:

* After a year which found some pretty impressive increases in the number of young women viewers (77 percent on Mondays, 26 percent on Tuesdays), they’re going to try and build on that momentum and make their schedule more cohesive. They’re viewing themselves less as a network and more as a magazine, where people come to see what’s going on in the world. That perhaps would explain why I always feel so horribly out of touch whenever I tune in.

* The CW has stepped away from sitcoms at the moment because they can’t seem to find any which are “loud enough or noisy enough to get the attention that we get from our drama and reality shows.” In fact, they didn’t have a single sitcom in the running this season.

* Why the move of “Smallville” to Friday nights? “We felt it was the best way to open up the night,” she said, since Fridays had previously been more of a standalone night for the network. Is this the last season for the show? “I hope it isn’t. Zod is going to be the big villain this season, and Clark has to save the world, or we’re all going to be kneeling before Zod.” She says the cast and producers are excited, and she has high hopes that the show will stay on the air for awhile.

* What about seeing Michael Rosenbaum return as Lex Luthor, since he’s still talked about constantly? “I don’t know if we really had a conversation with Michael, but I think the talk was to keep the character alive and make his presence felt.” She I don’t know if (a return) will happen this season.”

* Similarly, the hope is that “Supernatural” will also continue. “Eric Kripke has done a great job creatively, and the show’s gotten better every year.”

* What does she say to a 35-year-old guy who wants to know what he can find on the network? Her response was to reel off most of The CW’s lineup and suggest that guys watch almost all of them, even “America’s Next Top Model,” even if they don’t necessarily want to admit it. But with that said, she also defended their decision to be specific about the demographic they’re courting…which is good, because, wow, talk about a total cop-out of an answer. (A 35-year-old guy can find something to watch anywhere if he doesn’t want to admit that he watches it!)

* The much-hyped “Gossip Girl” spin-off that never got off the group has now officially been given the status of “not likely.”

* “Body Politic,” the pilot which took a look at Washington politics through the eyes of up-and-coming staffers, is officially dead.

* How about a “90210” crossover? “Technically, we could do that,” she said, “because both shows are shot in L.A. I think down the road, after ‘Melrose’ gets up and running, we would consider that. It would be a big event for us.”

* As far as Mischa Barton’s health, the only real concern was that she was ready for production…and she was. “We’re happy that she’s better,” said Ostroff, “and what went on in her personal life is her business.” A question about the fact that she looks heavier in current photos than she did in the original presentation we saw for “The Beautiful Life,” asked in the context about whether re-shoots would be required, was met simply with assurances that “she looks great.”

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