Category: TV Dramas (Page 121 of 235)

The Shield 7.12 – Possible Kill Screen

If there’s one conclusion to “The Shield” I never thought possible, it was Vic Mackey receiving a Get Out of Jail Free card for all the crimes he’s committed in the past. Death? Sure. Jail? Why not? Heck, I’d even expect Vic to run away to Mexico before the feds ever agreed to give him full immunity, and after the events of this week’s episode, I still don’t think that’s how it’ll end. Of course, I have to start at the beginning first, as so much happened tonight that it felt epic compared to most weeks.

After Shane and Mara’s last robbery failed to yield the kind of cash they were hoping for, the fugitive couple has hit a dead end. Mara physically can’t take anymore, and she’s not doing so well mentally either after killing two people in an attempt to save Shane from a robbery gone wrong. With her shoulder busted and her pregnancy in its final stages, she begs Shane to throw in the towel and take her home. Shane isn’t doing so hot (he might have a big of drug problem and he nearly kills Tina when she tries to bring him in), but he isn’t about to give up any time soon. Unfortunately, I don’t think Shane has much of a choice. The presidential motorcade that will allow them to make their escape is less than 24 hours away, but with Mara hurt and no car to get around, it’s only a matter of time before Shane either gets arrested or killed.

Sure, they’ve got Corrine working to find them a new mode of transportation (which Vic agrees to take care of), but when the meet is compromised when Vic smells a trap, it pretty much guarantees that Shane and Mara are screwed. It also means that Corrine has to be arrested and thrown in jail to give Vic the impression that she wasn’t in on the set-up, and now, all Vic can think about is saving his annoying traitor of a wife. Luckily, Olivia has managed to secure Vic a job at ICE, as well as full immunity as long as he is able to successfully take down Beltran and his drug ring. When he discovers that the deal is only for him, however, and not Ronnie as well, he quickly turns it down.

That is, until he hears about Corrine’s arrest, at which point he promptly goes back to make the deal. As part of receiving immunity, Vic must confess to every crime he wishes to be protected from, and before he’s even finished with his first statement (the murder of Terry Crowley), Olivia is appalled. Her boss couldn’t have put it any better when he says, “He’s our bastard now.” It was an award-worthy performance by Michael Chiklis for sure, but the look on Claudette’s face when she arrives to find out that Vic has just been exonerated of every bad thing he ever did was absolutely priceless. Claudette takes her anger out on Dutch by firing him, only to realize that it’s the lupus that’s making her act that way. I think it was a given that Claudette would no longer be sitting in the captain’s chair by the end of the series finale, but this more or less confirms that she’ll be gone, and Dutch, most likely, will take her place.

As for Vic, well, he’s put himself in quite the predicament. Not only has he just screwed over Ronnie (who deserves this about as much as Lem getting a grenade dropped in his lap), but Olivia as well, who must now live with the fact that she set a guilty man free, and even set him up with a sweet three-year gig that brings in just over $60,000 a year. I’d hate to think that Vic doesn’t have some kind of contingency plan for Ronnie, but who knows at this point? One thing’s for sure: when Vic finds out about Corrine’s betrayal, it isn’t going to be pretty. That is, unless Ronnie (or God help him, Dutch) decides to strike back at Vic first. Should be an interesting season finale.

Prison Break 4.11: “Quiet Riot”

With the news last week that “Prison Break” was having its filming schedule extended by two episodes, the Hollywood Reporter speculated that these episodes could be used to give the series an appropriate ending. I’ve been saying for the past two seasons that it was probably time to wrap the show up, and if this speculation is true, it’s good to hear that Fox is allowing the creators to end the series on their terms, instead of having the rug pulled out from underneath them.

After all, based on tonight’s episode, the writers still have a few tricks up their sleeves. The scene where Michael, Lincoln, Mahone and Sucre had to break into the Scylla vault without making a sound was pressure-packed throughout, and I especially enjoyed Michael’s MacGyver-esque decision to build a suspended ladder to get past the room’s security system. This was easily the best part of the episode and it really took the show back to its Fox River roots.

“What? Oh, the wall looks great, fellas. I’m just going to get back to my game of ‘World of Warcraft.’ I’m about to level up.”

Prior to the break-in, we were treated to a scene where Gretchen was mysteriously dressed up as a Catholic schoolgirl. If I were the General, and I received that picture on my phone, my first question would have been – who the F took the picture? Clearly, someone (T-Bag) was in the room to take the picture, which means Gretchen is probably up to no good. Instead, the General went to the room, amping up the creepiness of the relationship to a completely different level. It turns out that the General is the father of Gretchen’s daughter, and that’s why he let her go. Woo-hoo.

Meanwhile, T-Bag keeps trying to get Trish Ann to take off her jacket. You’d think that a FBI agent might read into his intentions a little more and maybe it would occur to her that he might be on to her, but apparently Trish Ann isn’t the sharpest tool in the shed. She and Don walk into an obvious trap sprung by Feng, and given his demeanor, they are (seemingly) a long shot to see another day.

The episode ends with Michael (unknowingly?) setting off a Scylla alarm and the General racing down to the vault to stop him. So we’ve got Michael in the Scylla room, Don and Trish Ann tied up in an abandoned house, T-Bag and Gretchen waiting to ambush the gang once they do get Scylla and $125 million loaded up into a truck. I wonder how this is all going to end.

Heroes 3.9 – It’s Coming…But Is It Something Good? (Could Be! Who Knows?)

Aaaaaaaand we’re back in the present again. But was it worth the trip?

Well, as goofy as they were, I have to admit that I enjoyed the breeziness of the segments with Hiro and Ando, though to do so required me to set aside my uncertainty about what the hell had happened to Hiro in the first place. I mean, we’ve seen Brother Voodoo make with the mind wipe maneuver, but based on the way Hiro was screaming, I figured Papa Petrelli was all but ripping his brain to shreds, and when he announced that he thought that he was 10 years old, my presumption was that Papa had wiped out everything he’d known prior to that age. But given Ando’s conviction that he can trigger Hiro’s memories to return, I guess we’re supposed to presume that Papa now has the ability to inflict hysterical post-traumatic amnesia…? Well, fair enough, then. It’s not like it’s the most ridiculous conceit I’ve had to buy into with this series. The scenes in the bowling alley were silly fun, and as a geek of the highest order, Hiro’s rant about the changes in comic books was very much of the “it’s funny ’cause it’s true” variety for me.

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“Prison Break” possibly not long for this world…?

The Hollywood Reporter reveals that the folks over at Fox’s “Prison Break” just got notice that their filming schedule has been extended by two more episodes.

In her report, writer Nellie Andreeva can offer little more than speculation, but her suggestions are that these episodes could be anything ranging from a special event a la the upcoming “24” two-hour prequel to the filming of additional material for the next season’s DVD package. The most realistic premise, however, is that the show is being given the opportunity to wrap up its four-year run in a respectful manner…which is something that far too few series get to do nowadays. If that is the case, then kudos to Fox for allowing “Prison Break” to go out with some semblance of dignity.

NBC reportedly wipes off “Lipstick,” lays waste to “Enemy”

According to James Hibberd, NBC has given up the ghost on Christian Slater’s schizophrenic spy drama, “My Own Worst Enemy,” and their Brooke-Shields-starring estrogen-fest, “Lipstick Jungle.”

Cancelled? Looks like I picked the right day to start drinking again.”

The loss of the latter is not entirely surprising, given that it couldn’t seem to find a terribly strong fan base no matter where the network placed it on its schedule. As for the departure of the former, however, it begs at least two very important questions:

1) Why does NBC insist on premiering shows in the post-“Heroes” timeslot and, when they don’t succeed there, refuse to try them out in any other timeslot? They did it to “Journeyman,” and they did it to “Studio 60.” (Granted, “Studio 60” was eventually aired elsewhere, but not until after it had already gotten its walking papers.)

2) How much money must NBC have invested in “Knight Rider” to keep that dog of a series afloat but kick “My Own Worst Enemy” to the curb?

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