Category: TV Comedies (Page 77 of 154)

TCA Tour, Jan. 2009: “Eastbound and Down”

Danny McBride had a hell of a 2008, what with scene-stealing roles in “Pineapple Express,” “Tropic Thunder,” and…well, okay, maybe “Drillbit Taylor” wasn’t everything it could’ve been. But, still, the guy’s definitely on a roll, and although 2009 was already shaping up to be a good year for McBride, thanks to his co-starring role in Will Ferrell’s take on Sid & Marty Krofft’s “Land of the Lost,” he can now also claim ownership of a lead role in an HBO series.

HBO’s Sue Naegle was able to sum up the premise of “Eastbound and Down” in a single well-constructed sentence: the hilariously tragic story of Kenny Powers, a former major league pitcher whose bad-boy ways have him down and out and teaching phys ed. at his old middle school in North Carolina. As a man who’s spent his entire life within a 30-minute drive of the Tarheel State (though this is probably the first time I’ve ever referred to it as the Tarheel State), I admit to a certain affinity for the premise, particularly after hearing McBride talk about his reasons for doing the series.

“These guys both grew up in North Carolina,” McBride said, referring to his collaborators Jody Hill and
Ben Best, “and I grew up in Virginia, and we all met at film school down in North Carolina School of the Arts. We weren’t really happy with the way the South was portrayed in a lot of film and television. It seemed like it kind of stopped at the ‘Hee-Haw’ kind of deal, which is overalls and Billy Bob, so we kind of wanted to find new things to make fun of in the South.”

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TCA Tour, Jan. 2009: “Will Ferrell: You’re Welcome, America. A Final Night with George W. Bush”

No-one goes into a panel with Will Ferrell…not even one being done via satellite…with an expectation that it’s going to be a serious affair. But when he turns up wearing a woolen winter hat and a pair of New Year’s Eve glasses shaped like the number 2009, it’s fair to say that you can throw seriousness completely out the window.

“First of all, these are actually prescription glasses,” Ferrell assured us. “I’m not trying to be funny. It happens to be 2009, so that’s great. I also had head surgery, so that’s why I have this hat on, too.”

Sure, Will. Sure.

Ferrell and his longtime collaborator, Adam McKay, had turned up to discuss Ferrell’s new one-man show, “You’re Welcome, America: A Final Night with George W. Bush,” which will be getting a live airing on HBO on March 14th. Ferrell hadn’t really been called upon to do his Bush impression very much since departing from “Saturday Night Live,” but he thought the show would be a fun way to send off George W.

Ferrell and McKay reminisced about the origins and evolution of Ferrell’s impression, which began as a mere walk-on in a Clinton sketch. “It was before we kind of even knew who he was,” said McKay, “and Will basically just played him as a frat guy drinking beer, high-fiving.”

“Darrell Hammond was always going to play Gore,” said Ferrell, “and then Lorne Michaels had asked me if I wanted to play Bush. I thought, ‘Yeah, this will be fun. I’ll play him for a couple of months. He probably won’t win.’ And then he eventually won. He just kept kind of gaining momentum in terms of his comedic persona. He went from the 90 percent popularity to…it’s the longest sustained drop in popularity in Presidential history. Obviously, there’s been an incredible combination of some insane news events that he’s had to deal with and, obviously, some poor decisions on his part, along with his type of personality and the fact that he kind of can’t speak properly. That makes for a wonderful kind of comedic stew…and I like to use the word ‘stew’ whenever I can.”

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TCA Tour, Jan. 2009: “How’s Your News?”

MTV’s “How’s Your News?” would seem to be a real tightrope-walk of a series. On one hand, it’s about a group of people with disabilities who have put together a news team…and if that sounds like the makings of a really good documentary, you’re right: the show sprang forth from the film of the same name. On the other hand, it’s produced by Matt Stone and Trey Parker of “South Park” fame, and once you’ve heard that, you immediately find yourself waiting for the other shoe to drop, figuring that, sooner or later, they’re gonna make fun of these people.

Except they don’t.

We were shown clips from the show, with the news team visiting various locations and interviews celebrities; their enthusiasm was downright contagious throughout the footage, and any concerns we might’ve had about these folks being treated inappropriately were quickly dismissed by their parents, who gushed about how much their kids are getting out of the experience. So, yes, it’s funny, but it’s also sweet and touching. I still think MTV is just about the worst possible place for the series, since I just can’t imagine the network’s typical demographic doing anything but mocking what they’re seeing on the screen, but, hey, it might actually get me to watch MTV for a change.

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TCA Tour, Jan. 2009: Fox newsflash

Kevin Reilly, president of Fox Entertainment, just came onstage and announced:

* The scheduling process for “Dollhouse” was considered very seriously, and the thought is that moving “Sarah Connor” to Fridays as a lead-in makes a good combo; additionally, there’s a solid promotional platform the night before, with “Bones” being moved to Thursday nights. Long story short, they’re committed to 13 episodes, and they’ll see how it’ll play out.

* He confirmed conclusively that “Prison Break” will end after this season, but that “they’re gonna finish strong.” There are four episodes and are contemplating doing a few more, but no formal decision has been made on that. “We didn’t give it the hook,” he said. “It’s just played out.”

* He described “Fringe” as “a keeper,” though he also referred to it as “a bear, creatively, because it’s so ambitious,” and doesn’t really expect it to take off just because it’ll be airing after “American Idol.”

* “Moment of Truth” has a season’s worth of episodes – 24, he reckons – sitting on the shelf, and “we’ll come back to it at some point,” but “we had other options, and we had other things that we wanted to put on more immediately. We have it as a tool when we want to go for it.”

* The idea of doing a show about a high school glee club (“Glee”) was one that came about predominantly because of one reason: it was created by Ryan Murphy, of “Nip/Tuck” fame.

* He hopes to have Paula Abdul stay with “American Idol” for the long haul.

* He described NBC as “the crazy ex-wife I can’t get away from,” but gave them credit for signing up Jay Leno and described it as “a smart, strategic move for a troubled place.”

* “Bones” works everywhere they put it and has only been growing, thanks to its base. If it does what they hope it will do for them on Thursday, however, they’ll lock it down there.

* He smirked that “Do Not Disturb,” if nothing else, made a lot of lists this year, and that they’re mostly sticking with their animated sitcoms, though they’re ordering five half-hour pilots and will see whether or not one of them will end up on the fall schedule. “It doesn’t make sense to order comedy for the sake of comedy,” he said. “Even if I have a show that we love, if we don’t think it can be protected on the fall schedule, we won’t put it on there.”

TCA Tour, Jan. 2009: “Krod Mandoon and the Flaming Sword of Fire”

Give Comedy Central credit: “Krod Mandoon and the Flaming Sword of Fire” is the most ambitious comedy ever to appear on the network…and if we’re really lucky, it will become so popular that American keyboards will finally earn the right to possess an umlaut key. As a music critic, I struggled for years with my inability to properly type the names of Husker Du and Motley Crue, but, by God, isn’t it time we finally got easy access to that little horizontal colon?

When I initially heard about the show, my first thought was, “Jesus, I hope this is going to be funnier than, say, ‘Meet the Spartans.'” Little did I realize at the time that Sean Maguire, the man playing Krod Mandoon, was actually in “Meet the Spartans.” When I heard that tidbit, I really started getting worried…but, then, I learned that the show’s villain, Chancellor Dongalor, was to be played by Matt Lucas of “Little Britain.” Suddenly, I was legitimately excited, which speaks volumes about how much faith I put in Lucas’s work. But, additionally, they showed us the trailer for the series, and it was pretty funny. Granted, I haven’t seen an entire episode yet, so this may well prove to be a case where all the best bits are in the trailer, but the production values for the show are fantastic. The whole thing was shot on location in Budapest, Hungary, and it feels about as epic as a comedy series can; indeed, it feels less like a Comedy Central series and more like a BBC production…and given what an Anglophile I am, that’s high praise, indeed.

Creator Peter Knight lays the blame for the series on his steady diet of “Conan the Barbarian” comics over the course of his adolescence, claiming that he merely blended that love with his own insecurities and a modern male outlook, but executive producer Brad Johnson elaborated on the evolution of the show a bit more.

“Peter had this idea, and it would be impossible to pitch anywhere, so he wrote it as a spec, which is always, I think, the best thing to do if you want to get through the process and really get a pure voice initially on something that’s this out of the ordinary,” said Johnson. “When I read (the spec) initially, I loved the world, but what we added was a layer of…we kind of put a contemporary post-feminist modern male in a ‘Conan the Barbarian’ character. It was a chance to really comment on modern society using this backdrop, and also to use magic and sorcery and things you couldn’t use in normal storytelling. It just opened up the world for us to invent some characters and actually comment on modern society a little better.”

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