Category: TV Comedies (Page 78 of 154)

TCA Tour, Jan. 2009: “Important Things with Demetri Martin”

If you watch “The Daily Show with Jon Stewart” on a regular basis, then you’ve probably seen Demetri Martin doing his recurring feature, “Trendspotting,” or possibly “Professional Important News with Demetri Martin.” Maybe you’ve seen his Comedy Central stand-up special. Perhaps you remember him as the keytar player in the first-season finale of “Flight of the Conchords,” or from his role as a music video producer in “The Rocker.” If your local cable company provides you with a network that actually shows music videos, then perhaps you spotted him in the video for Fountains of Wayne’s “Someone to Love.”

Or if you’re a Britpop fan, then perhaps you caught him in the video for Travis’s “Selfish Jean.”

Recognize him now…? If so, then you’ve probably just had a flashback to some routine or other and had a good laugh (as if the videos themselves aren’t worth a chortle or two themselves), but you should go ahead and prepare yourself for a lot more laughter when Martin’s new Comedy Central sketch comedy series, “Important Things with Demetri Martin,” premieres on February 25th.

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TCA Tour, Jan. 2009: “The Penguins of Madagascar”

Although I have a wonderful daughter, I would not begin to claim that she’s quite ready to embark on a regular schedule of seeing movies in the theater. She’s getting there, having successfully sat through both “The Simpsons Movie” and “Kung Fu Panda,” but she really burned me when we had to get up 15 minutes into “Horton Hears a Who” (she was big on Horton, but not so much on the Whos), and, unfortunately for her, it’s the latter experience that I tend remember when it comes to considering taking her out for an afternoon at the picture show. As a result, I’m not really up on my “Madagascar” mythos…well, except to know that David Medsker disliked the second movie so much that he gave his screener DVD to to my daughter just to get it the hell out of his house. But what can I tell you? The kid and I watched it, and maybe it’s just because I hadn’t seen the first one and had nothing with which to compare it, but I kind of enjoyed it.

I’m guessing, therefore, that I will also probably enjoy the new Nickelodeon spin-off series, “The Penguins of Madagascar,” since it seems to maintain the same general kind of humor as the films.

Jeffrey Katzenberg was proud enough of the series to turn up and introduce it personally, though he quickly made it clear that his only interest was to praise the show and the franchise which spawned it, because when he was asked if the show was perhaps a sign that TV and the movie industry were becoming more closely intertwined, he merely blinked and began, “So the reason why I’m so excited about ‘The Penguins’ TV series…”

Katzenberg quickly laughed, but his eventual answer wasn’t terribly illuminating. “‘Madagascar 2’ was the Number 1 film released in the last quarter of 2008,” he said. “It’s done outstanding business here and around the rest of the world, and I think we’re just excited about being able to broaden the franchise and move these beloved characters, these core characters of the penguins, onto Nickelodeon. I don’t think it changes our distribution opportunity.”

Boring, Jeffrey, boring.

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TCA Tour, Jan. 2009: “Z Rock”

I admit it: I didn’t give “Z Rock” nearly as much love during the summer 2008 TCA tour as I should have.

There are a lot of ad-libbed or loosely-scripted comedy series around nowadays (or, at least, more than there used to be), but this is definitely one that’s close to my heart, given its premise of a hard rock band who makes ends meet by working as a kids’ party band by day. Music-related jokes are all over the place, as you’d imagine, but the show makes room for cameo appearances by famous rockers like Dee Snider, Sebastian Bach, and Dave Navarro (who raises his hand at one point and asks, “Who here has banged Carmen Electra?”) as well as comedians like Gilbert Gottfried and Dave Attell; similarly, both John Popper and Joan Rivers play themselves, doing so repeatedly throughout the first season.

Now that Season 2 of “Z Rock” is on the horizon, IFC has wisely decided to try and maintain the show’s momentum by bringing the trio – David Z, Paulie Z, and Joey Cassata – to the TCA Press Tour, along with Mr. Popper and Lynn Koplitz, who plays Dina on the show.

One thing that a lot of people don’t realize about Z Rock is that they’re actually a real band called ZO2. This isn’t 100% autobiographical, but they’re still out there writing, recording, and performing music, and they really did do the kids’ band circuit in their day…though there’s very little chance that they’ll be doing it again anytime soon.

“Only if we had to,” said Paulie. “If we were desperate. And that’s obviously the point of the show. It’s, like, we did it because we had to. It was the best-paying gig we can get at the most flexibility time-wise, so, yeah, if everything else fell through, we would go back.”

“They’ve talked to me about this before, and I think it’s a huge mistake,” said Popper. “Because you’re creating an audience about 10 years from now, 20 years from now, then you’re sort of seeding the next generation.”

“What we did was at the parties, we were slipping ZO2 CD’s under their beds,” Paulie explained. “Like, the three-year-old kids. So we’re hoping in, 15 years, they’ll be, like, ‘What’s this?’”

“By the reunion tour, they’ll be coming out,” said David, confidently.

The cast loved the opportunity to work with their guest stars, but they were particularly honored by the presence of Joan Rivers.

“Joan’s amazing,” said Paulie. “Everyone knows she’s talented, but when she came on, it was, like, we knew we were getting someone who was just a professional, but she was so down to earth. I think that, for us, is what made it even better. We fed off of her jokes and stuff like that. But then, in between the takes, she was, like, ‘Come over and just talk to us,’ and she would be able to do like a fart joke, and we would be like, ‘What? Joan Rivers…?’”

“A lot has to be said for the guest stars that we have and the co-stars,” said David, “because we weren’t actors, we were musicians. So it’s easy to play off of people when they’re so good at it, and they’re so good at your craft, it looks like we know what we’re doing, and because they’re so funny, we kind of just play off of what they said and we’ll react to what they said and kind of throw in a line here and there.”

But if you’re not a music fan and therefore figure you won’t find the show funny, Paulie thinks you’d better think again. “It’s not just for rock and roll people,” he assured us. “I mean, obviously it’s a music show, but you don’t have to be an actor to watch ‘Entourage’ and enjoy that show. It’s like, yes, obviously musicians love it because they say, ‘I know what they’re going through.’ But if you really just think about it, it’s for anybody who struggles to do something in their life who has a dream. If you have a dream to be an astronaut, you have a dream to be whatever it is, you’re going to have to sacrifice things, and there’s always that temptation of ‘I can go the safe route or I can starve.’”

“It’s like Rocky in the ‘Rocky’ movies,” said David. “You see him start from nothing and struggle. So we say we’re the Rocky of rock and roll.”

To close, I’m offering up my first back-and-forth exchange of the tour, since – as you may recall from previous tours – I try desperately not to break any rules of the TCA, and they very much frown on the old copy-and-paste. Sometimes, however, there’s just not a better way to show how a particular moment from a panel went down…like, for instance, when one of the critics asked the guys who would win in a throw-down between Z Rock, Flight of the Conchords, and the Jonas Brothers.

Paulie Z: Us, Jonas Brothers and the Conchords?
John Popper: Is the Jonas Brothers’ security there? I think I could take them. They’re pretty small.
Paulie Z: Do they have weaponry, or is it just music?
Critic: Hand-to-hand combat.
David Z: I have a ring like the Jonas Brothers’, but it means a very different thing.
John Popper: Always take out the bass player first, because he has the biggest thing to swing with, so if you take the bass player down…
David Z: We’re not talking about my, uh…
Paulie Z: Don’t forget, guys, we grew up in Brooklyn, New York. All right. So you know what I mean? I think the only band we probably couldn’t take would being like Lemmy. Motorhead would probably kick our butts.
John Popper: On behalf of Blues Traveler, we’ll throw down at any time.
Paulie Z: We’ll take you down. You crazy?
Joey Cassata: You have a bum leg. We’ll kick you…
Paulie Z: What are you talking about? I’ll take your cane away and you’re down.
John Popper: We’ll settle this outside, you guys.
Paulie Z: There’s going to be a big fight after the panel, by the way, if anyone wants to watch.

The second season of “Z Rock” premieres later in 2009 on IFC, but no specific date for the premiere has been announced as of yet.

TCA Tour, Jan. 2009: “Bollywood Hero”

With all due respect to the star of “Corky Romano,” it would in no way surprise me if you were to react with shock at the news that Chris Kattan is going to be doing a rather intelligent comedy miniseries for the Independent Film Channel. And to be fair, my impressions of “Bollywood Hero,” the miniseries in questions, are based solely on a trailer that was made solely for promotional purposes and that they haven’t actually started filming “Bollywood Hero” yet. But from that trailer and the description of the concept, I have to admit that I’m really, really looking forward to seeing the final product…eventually.

The concept, since I’m sure you now wondering about it, is thus: fed up with Hollywood’s inability to recognize that he is leading-man material, Chris Kattan decides to prove his acting mettle in Bollywood, India. The problem, however, is that he really has no idea what he’s getting into.

“It’s a fish-out-of-water show,” says Kattan. “It’s human-based. It’s grounded. It’s about real people, but it’s obviously going to be funny. It’s not a slapstick sitcom kind of a show, and that’s what appealed to me the most. It was…it’s like a ‘Curb (Your Enthusiasm),’ I would say. It has a great story, as opposed to a lot of television now. It has strong cast and situations, but this has a strong cast as well as a great storyline to it. And IFC has been great about letting it be protected. A lot of network television…nothing against them, obviously, but there’s always a lot of voices that don’t necessarily protect what we want to do, how we want to have fun and have a great time.”

So what made Kattan decide that he was up to the challenge of playing an exaggerated version of himself? Actually, the idea is one that’s appealed to him for quite some time.

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TCA Tour, Jan. 2009: “Make ‘Em Laugh: The Funny Business of America”

Dying is easy, and comedy is hard, but if you really want hard, try putting together a six-hour documentary about comedy in motion pictures and on television without having someone complain about what’s been left out. Can’t be done…and hasn’t been done, if I’m to be perfectly honest. There’s just too much comedy out there. But with that said, PBS’s effort, “Make ‘Em Laugh: The Funny Business of Comedy,” is a damned good attempt at accomplishing the feat, and more importantly, the show’s executive producer, Michael Kantor, is fully willing to concede the impossibility of covering everything.

“Max Welk, who was one of our consultants, is maybe 90 years old, kept saying the two funniest people he ever saw were Jack Benny, who could walk on stage and say nothing and an audience would laugh, and Wheeler and Woosley,” said Kantor. “Jeff Abraham lobbied for the Ritz Brothers. So it was very difficult. Rather than tell the kind of…not standard story, but natural story of, okay, here were the different studios that sprang up and we’ll march chronologically through the silent film era, we decided that a comedy series needs to be surprising and the audience, the viewer, would enjoy it more if they were a little taken aback by the next story, perhaps Paul Lynde following Redd Foxx. It’s surprising, ‘Well, where are we going?’ So we tried to hue to the framework that way rather than comparing, you know, Charley Chase with Harold Lloyd with Buster Keaton. I almost interviewed Rudy Ray Moore, who lived — just died, actually — lived in Vegas. He created Dolemite. And I kept thinking, ‘God, this is an amazing story. It deserves its own AMERICAN MASTER special.’ But it kind of didn’t fit into the six different episodes we created.”

As for the narrator of “Make ‘Em Laugh,” Amy Sedaris made a point of noting that Buddy Hackett didn’t end up making the final cut, either. (There is, however, a quick cut to a shot of Jerri Blank, from “Strangers with Candy,” which made her happy.) Kantor seemed apologetic about the omission, but he explained, “The goal was, once, with a team of consultants, we’d figured out that these six categories or archetypes or – call them what you want — genres that reflected different aspects of American culture were the ones we were sticking with, we wanted to tell the best story we could. And that’s why poor Buddy Hackett didn’t make it.”

Kantor said it was also an issue when it came to trying to figure out what classic clips would fit into the proceedings without feeling shoehorned in.

“There were a couple of sitcoms that we really wanted to include, but we just didn’t have time for,” he said. “One was ‘The Odd Couple.’ We reference it in passing. You see someone talk about it and yet it seemed to so clearly speak to a moment in time where divorces were happening in America and yet we couldn’t give it as much weight, as maybe if we had 72 minutes in an hour, we would have wanted. And Richard Pryor had the ill-fated ‘Richard Pryor Show,’ he only did four of five episodes, and he does this great speech where he’s a black President,” said Kantor. “And it felt like, ‘Boy, wouldn’t that be interesting to sneak in?’ Robin Williams is standing in the back. But that wasn’t for cost or any other reason. It was just the arc of the Richard Pryor story; it didn’t hold. My job as a documentary filmmaker is how to tell the best overall story. Maybe like a baseball manager: you might have a great hitter, but he doesn’t fit in perfectly, so you’ve got to trade him.”

Despite Buddy’s omission, Sedaris enjoyed working on the special and acknowledged that it proved to be an educational experience for her.

“I was never a big Charlie Chaplin fan – I liked Buster Keaton – and it made me appreciate him a little bit more,” she said. “Phyllis Diller, I loved. She made her own clothes, dragged her kids along with her. She really magnified the fact she was unattractive, and I love that. And Mae West. I was never a big fan of Mae West, but I didn’t realize she wrote all that stuff, and I didn’t know about all the problems that she had. And that made me appreciate her. And Jonathan Winters, I love that whole section because he…it seemed like he had a mental disorder and yet embraced it, because his humor came from his characters, and that’s what I always find funny: the characters.”

“Make ‘Em Laugh: The Funny Business of America” begins airing on January 14th and continues on Jan. 21 and 28.

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