Category: TV Comedies (Page 68 of 154)

Silverman balks at Comedy Central’s budget cuts

The economic downturn is widespread. It’s even having an effect in the world of Sarah Silverman.

The show’s executive producers — Silverman, Dan Sterling and Rob Schrab — have threatened to quit after the cable network told them the budget for their series would be slashed by more than 20%.

At the center of the holdup is the proposed budget for Season 3. Citing cuts imposed on the network by parent company MTV Networks, Comedy Central had proposed that the trio bring back the Writers Guild of America Award-nominated show at about $850,000 an episode, sources said, down from the $1.1 million an episode for the show’s second season.

In broadcast, single-camera comedies are produced for about $1.5 million-$2 million an episode, and the budget for any series normally climbs from year to year.

Concerned they won’t be able to maintain the integrity of the show at the discounted price, Silverman, on behalf of the three executive producers, informed the network late last week that they can’t proceed with a third season. The move reportedly sent shock waves through Comedy Central’s executive offices, with top brass jumping into action to find a budget compromise that would keep the flagship live-action series on the air.

As of Friday night, the situation remained at a standstill. Both sides continued their back-and-forth during the weekend.

A 20% budget cut would be hard for anyone to swallow, but times are tough across the country. Everyone is having to do more (or at least the same) with less manpower, and Hollywood is no different. Let’s hope that they can come to some resolution that both sides can live with.

Paul Rudd, Mac, and McDonalds dance contest

My guess is that few, if any of us, remember the movie “Mac and Me.” A movie staring an alien that is separated from his family, searches for them, evades the government and dances in a McDonald’s, all with the aid of a child in a wheelchair (think “ET” but without being able to ride a bike). A post on Filmdrunk shows a clip from “Conan” where Paul Rudd plays a scene from “Mac and Me” instead of one from his movie “Role Models.” It has apparently been a rolling joke on the show, with Paul Rudd going straight to this scene from “Mac and Me,” forgoing the promotion of the film in which he’s starring.

As a way to further jog your memory, here is a behind the scenes clip with the painted one himself, Ronald McDonald, who introduces the movie:

With all the shameless self-promotion done in the name of the golden arches, I’ve come up with a formula for “Mac and Me.” It goes something like this: Ronald McDonald + “Mac and Me” + McDonald’s dance party in “Mac and Me” = the greatest product placement movie in history.

Gives new meaning to the phrase Mac attack.

Sneak Peek: “Harry Potter & the Half-Blood Prince”

When Warner Bros. announced that they would be pushing the release of “Harry Potter & the Half-Blood Prince” from Fall 2008 to Summer 2009, many fans were understandably angry. After all, it’s not cool to hold back a finished film just because you hope to make more money – especially one as highly-anticipated as this. For some reason, though, that hasn’t stopped the “Harry Potter” marketing team from unleashing a constant stream of new clips and trailers, and their latest web featurette should definitely appease the masses until the first official trailer hits in a few months.

Though featurette is essentially just a series of interviews with the cast and crew discussing how unbelievably awesome the new movie is going to be, there are actually quite a lot of never-before-seen clips including a first look at Ron in Quidditch gear (a welcome sight considering that particular subplot that was axed from “Order of the Phoenix”), the Weasley Twins in their joke shop, and the infamous Love Potion hard at work. Put on your wizard’s hats, pull out your wands, and check out the video below.


CW renews six shows

Good news for fans of several CW shows.

The CW network has picked up six series to return in the fall: “Gossip Girl,” “One Tree Hill, “90210,” the Thursday combo of “Smallville” and “Supernatural” and the reality hit “America’s Next Top Model,” which has been green-lighted for its 13th and 14th seasons.

The ninth-season renewal for “Smallville” came after producing studio Warner Bros TV was able to secure a new deal with star Tom Welling.

The last couple seasons of “Supernatural” have been great, and “Smallville” has been really strong this year as well, so I’m happy to see that both will be returning for another season. The same goes for “Gossip Girl,” which is a guilty pleasure.

There are a few other CW shows that are still in limbo…

Awaiting a decision regarding its fate is freshman drama “Privileged,” which has developed a strong fan base but has been a modest ratings performer.

Renewal chances are slim at best for “Reaper,” whose second season begins Tuesday, and for the CW’s only two remaining comedy series, “The Game” and “Everybody Hates Chris,” since the network has abandoned the genre.

I gave up on “Privileged” after a couple of episodes because the two daughters were pretty annoying. The show’s star — Joanna Garcia — is charming, so I’m not surprised that the show has developed a strong fan base. “Reaper” isn’t getting much help from its network, but it still needs to perform well in its second season to have a shot at renewal.

“Leverage” finishes strong

I wrote back in early January that “Leverage” seemed to be getting better, and then Will Harris had a chance to spend 10 minutes interviewing Christian Kane (who plays Elliot Spencer on the show), just before the two-part season finale aired.

After watching the finale, I think it’s safe to say that the show finished strong. The two-parter focuses on Nathan Ford (Timothy Hutton) and his obsession with taking down the head of the insurance company (that he used to work for) that failed to pay a claim that might have saved his son’s life. We meet Nathan’s ex-wife, Maggie (Kari Matchett), and Nathan’s rival at the insurance company, Sterling (Mark Sheppard), makes for a good foil.

Sure, the gang relies on a house-of-cards type progression to get through most of their jobs, but if you don’t spend too much time thinking about how ridiculous some of these plot points are, the show can be quite enjoyable. (I especially like the budding romance between Parker and Hardison.)

The series definitely has an “Ocean’s Eleven” and “Hustle” (BBC) feel to it, though I think that it would work better as the occasional two-hour movie than it does as a television series. (However, I do applaud TNT for limiting the season to 13 episodes — I would be frightened to see what kind of filler we’d get if it ran 22+ episodes.) TNT already greenlit a second season, so new viewers can dive in without fear that it will be canceled.

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