Category: TV Comedies (Page 51 of 154)

TCA Tour, Day 2: “The InBetweeners”

If your name is Will, you wear glasses, and you occasionally had a rough time of it in high school when it came to fitting in, then you will likely find that it’s quite easy to enjoy the new BBC America sitcom, “The InBetweeners.”

Actually, I guess that’s a pretty tiny demographic, so let’s try this: if the idea of an amalgam of “Freaks and Geeks” and “American Pie” delivered in a British accent fills you with joy, then, boy, do Iain Morris and Damon Beesley have a show for you.

Their best-known American credits…okay, fair enough, it’s really their only one…are as the writers of a couple of “Flight of the Conchords” episodes, but with “The InBetweeners,” they’ve put together a raunchy look at teenage life that, at least based on the episodes I’ve seen, is a bit like “Skins” without all the depressing bits…which is to say that the teenagers here are committing the sort of debauchery that you’d like to think that your own teenagers wouldn’t indulge in, even if you’re pretty sure they do, anyway.

“It’s not in any way, I think, really heavy,” said Joe Thomas, who plays Simon on the show. “I suppose it’s heavy in the sense that it’s sort of about inadequacy and expectations not being met and teenager years being sort of perpetually disappointing to a degree you wouldn’t even have thought possible given the last disappointment. But ‘Skins’ has, like, death in it and big themes, whereas we have…”

At this, Morris interrupted his star. “The best example is probably that, in the first series, you might see Joe’s naked bottom. In the second, you’ll see his penis in a wet sock. That’s how we moved it on. That’s how we’ve tried to develop the show and try and just get those themes going through. Of humiliating Joe Thomas.”

“Yeah,” confirmed Thomas, “that’s one of the themes.”

Regarding comparisons to the work of Judd Apatow, Morris is more than happy to consider his work part of the tradition of comedy humiliation. “It’s those things like ‘American Pie’ and ‘Animal House’ and ‘Swingers’ and things that were sort of character stays of men in a way that had humorous content. And in one of the episodes, the last episode, there’s a sort of homage to ‘Freaks and Geeks,’ by which I mean a joke we stole wholeheartedly. Do mention it to Judd if you see him.”

Now, there’s one thing for Americans to keep in mind (as if we’d ever forget): our television standards are more stringent than those of the Brits. This necessitates certain changes in various episodes that air on BBC America, and you can bet that “The InBetweeners” is a series which will require a bit of tweaking.

“We actually do bleep certain words,” said Garth Ancier, President of BBC Worldwide America, then backpedaled slightly and clarified, “We don’t bleep them. We do audio deletes, which is actually a different way of dealing with it. But we do do audio deletes on certain words that start with ‘F,’ and we do pixilate occasional nudity and things like that. Look, we have to live within the U.S. system. These are shows that are airing on free over-the-air television in the UK on E4 and Channel 4, but the U.S. audience is a little tamer, and so we have to calibrate where it should be, and we do. We do it with ‘Skins,’ too.”

“Sounds like bad news for Joe Thomas bottom fans,” said Morris.

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TCA Tour, Day 2: “The Jeff Dunham Show”

I can still remember the complete wave of confusion that washed over me a year or two ago when a friend of mine asked me if I’d seen Jeff Dunham’s DVDs, “Arguing with Myself” and “Spark of Insanity.” Not because *I* didn’t know who the guy was, but because I couldn’t quite work out how the friend who was asking me knew about him. As far as I knew, he was just this comedian with a purple puppet named Peanut, a guy who’d been working the stand-up circuit for years. To this day, I have no idea exactly what changed and when he suddenly became so huge that my daughter’s sitter was enough of a fan to have his DVDs, but, hey, more power to him.

After the success of his most recent special, “A Very Special Christmas,” which earned more than 6.6 million viewers and was Comedy Central’s most watched telecast ever, it’s no surprise that the network decided to transition Dunham into a weekly series, and since he’s become a household name, why not go with the most obvious title?

Welcome, then, to “The Jeff Dunham Show.”

Give the guy credit: he knows the path he’s taken to get here, he’s thrilled that he’s made it, and he’s not afraid to mock how long it took.

“As I drove here today,” Dunham began, “I realized I was going past the comedy club here in Pasadena called The Ice House, and it was there at The Ice House in 1990 that I did my ninth audition for ‘The Tonight Show’ and was booked to do ‘The Tonight Show with Johnny Carson’ for the first of four times. And if I had known standing there in that parking lot in 1990 that I would be here at this time doing this for Comedy Central, I would have thought, ‘You know what? That just took too fucking long.'”

Of course, Dunham immediately broke out one of his little friends, and who better to present to a bunch of grumpy TV critics than Walter? I try desperately not to offer up actual transcripts of the panels, but given the necessary back-and-forth with a ventriloquist’s act, I’m guessing I’ll be allowed some leeway here…

Walter: Who the hell is the group?
Jeff Dunham: We talked about that earlier today, you know who it is.
Walter: No, I kind of forgot.
Jeff Dunham: Okay, I wrote it down for you.
Walter: Oh, good. Okay. Let’s see, the TV Critics Association Cable Press Tour. That’s it?
Jeff Dunham: That’s it.
Walter: I think our career has peaked. You know, I was thinking to myself just the other day, we’ve had specials on Comedy Central, we’ve opened for the President, but we’ve never done a show for the TV freakin critics. Are you being paid for this gig cash? It is none of that barter crap, is it? We’re not going to get like a year’s subscription to TV Guide for God sake, are we? This is just sad. Let me get this straight: so their job is to get up in the morning, turn on the TV, stuff their pie holes, and then trash the new shows.
Jeff Dunham: I guess.
Walter: This is genius. I want this job. “What’s your dad’s job?” “He tells the world that your dad’s show sucks.” Fantastic.

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TCA Jump-Ahead: “Curb Your Enthusiasm”

It occurs to me that, although I’m trying my best to cover the TCA tour in a chronological manner, there are some panels that you’d like to know about more quickly than I might otherwise get to them. As such, I’m instituting a new category called the TCA Jump-Ahead.

First up: “Curb Your Enthusiasm.”

It’s kind of a running joke in the entertainment industry about how every season of “Curb” should be considered the last season of “Curb” until Larry David says otherwise…and, generally, Larry David is glad to tell you that he’s done, he has no more ideas, and he can’t be bothered to try and think of any. Thankfully, David announced last year that he would indeed be moving forward with a seventh season of the cringe-worthy comedy (and I mean that in the best possible way), and since then, there have been multiple rumblings about how various members of the cast of “Seinfeld” would be popping up. In the “Curb” panel yesterday, David finally provided some context to exactly how they’d be appearing.

“For years, I’ve been asked about a ‘Seinfeld’ reunion, as has Jerry and the other cast members,” explained David, “and I would always say, ‘No, there’s no reunion. There’s not going to be a reunion show. We would never do that. It’s a lame idea.’ And then I thought, ‘But it might be very funny to do that on ‘Curb.’ And I kept thinking about the idea. I started to think of different scenarios and how we could pull this off. I called Jerry, and Jerry was game. And I said, ‘Well, I’ll call the others,’ and I did. And we did it. So we’re doing a ‘Seinfeld’ reunion show on ‘Curb.’ We’re going to see writing. We’ll see aspects of the read-through, parts of rehearsals. You’ll see the show being filmed. And you’ll see it on TV.

What will you see? You won’t see the entire show; you’ll see parts of the show. You will get an idea of what happened 11 years later. And within the show, it will be incorporated into regular ‘Curb’ episodes. So the cast members will be playing themselves on ‘Curb’ while all this is going on. You’re not going to see a ‘Seinfeld’ show from beginning to end, but you will see parts of the show.”

And will there be any reference to Michael Richards’ sordid post-“Seinfeld” problems?

“It’s possible.”

The reunion is scattered through the season, and by David’s admittedly questionable recollection, the cast will be on five shows, though they won’t all be on the five shows. (“Jerry’s on five shows, I think,” he said. “The others will be on at least four. Maybe one or two of the others will be on five. I’m not sure.”) The season finale will be about the reunion show and will possibly be an hour long, though David admits that he hasn’t finished editing it yet and can’t say for sure.

There’s just one thing, though: anyone who’s been watching “Curb” for the previous six seasons has to figure that the odds look good for Larry – the TV Larry, that is – to somehow screw up this reunion.

“He might,” said David. “Do you need a staff job for next season? My guy might consider wrecking something like that, yeah. We’ll see what happens. My guy could very well wreck it. I’m not saying he did…”

Want a few more tidbits about the upcoming season…?

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TCA Tour, Day 2: “Glenn Martin, DDS”

Last month, I had a chat with Kevin Nealon in conjunction with his most recent gig for TBS (he’s the standing host of their funniest-commercials specials), and during the conversation, he dropped a little bit of info about his upcoming stop-motion animated Nick at Nite series, “Glenn Martin, DDS”:

“It’s about a family who’s traveling around the country in an RV called the Molar Express. I play Glenn Martin, DDS, and I’m working my practice out of the RV. My wife is played by Catherine O’Hara, and we have a couple of kids. It’s a dysfunctional family, and it’s along the same lines of ‘Family Guy’ and ‘The Simpsons.’ We go to different parts of the country each week and get into a bunch of trouble. It’s stop-motion animation, and they really did a good job with it. I was really impressed with the results.”

It’s a good thing I was able to get Kevin’s comments on the show during our conversation, however, as the TCA panel dedicated to the series was very much under the control of the show’s executive producer, the one and only Michael Eisner. The show was introduced to the crowd by Cyma Zarghami, President of Nickelodeon and MTV Networks Kids and Family, and we would soon know why she was smirking when she asked Eisner, “Michael, do you want to say something before we start?” Worse, most of the things he had to say really didn’t serve to illuminate us very much about the show…or, at least, no more so than Kevin already had last month.

We did, however, learn at least one new thing: “Glenn Martin, DDS” will have a laugh track.

Co-creator Eric Fogel acknowledged that it was something they had experimented with a little bit before finally deciding to go with it, but “we all just really enjoyed the experience with the laugh track. Somehow it seemed like it elevated the experience, made the characters feel more real in a way.”

“It’s kind of tongue in cheek, too,” said Nealon, “because you know there’s not a live audience watching it. I think it goes with the whole feel of the show.”

“I like to imagine that there’s actually an audience of clay puppets out there laughing at the show,” added Fogel.

Here’s the trailer for the series:

I miss the old days of stop-motion animation just enough to be curious about the series on general principle, and while Kevin Nealon might not be my favorite “Weekend Update” anchor, I do think he’s a funny guy. In other words, I’ll be tuning in when “Glenn Martin, DDS” premieres on Nick at Nite on August 17th.

TCA Update: HBO Executive Session

The HBO executive session with Michael Lombardo (President, Programming Group and West Coast Operations) and Richard Plelpler (Co-President) just wrapped up, and here were the highlights:

* Before Plepler and Lombardo took the stage, we were treated to the trailer for the network’s new 10-hour miniseries, “The Pacific,” produced by Tom Hanks, Steven Spielberg, and Gary Goetzman. Let’s just go ahead and give the Emmy now, shall we?

* “True Blood,” “Hung,” and “Entourage” will all be coming back for new seasons next summer.

* Conversations are underway to potentially bring back “The No. 1 Ladies’ Detective Agency.”

* Neither was willing to offer up any information about how Evan Rachel Wood would look as the vampire queen at the end of the second season of “True Blood,” for fear that they would suffer some horrible fate at the hand of Alan Ball. They did, however, assure us that surprises are in store, and that it totally delivers.

* “Little Britain USA” is not coming back, but they’re talking about bringing creators Matt Lucas and David Walliams back for some specials. It’s still in the development stage, but the intent is to come back with a whole new cast of characters and a whole new approach to their television appearance. In short, they will be back on HBO, though whether it will be at the end of next year or later remains to be seen.

* Season 2 of “Eastbound and Down” will begin shooting it sometime at the end of winter or the beginning of spring, and it will air next year.

* David Simon’s new series, “Treme,” will be on the air next April, fingers crossed. The current intention is for “The Pacific” to premiere mid-March, and, at the end of its run, ‘”Treme” will begin.

* The pilot just wrapped for Martin Scorcese’s “Boardwalk Empire,” and they are anxiously awaiting a cut from Marty so that the series can receive a green light. Provided it’s as good as they’re presuming it will be…and, thus far, “everything we’ve seen is fantastic, big, everything we hoped it could be”…their fingers are crossed that a pick-up is imminent.

* As for Season 3 of “Flight of the Conchords,” the official word is, “When they’re ready, we’re ready.”

* They have begun receiving episodes for Season 2 of “The Life & Times of Tim,” and they describe them as “funnier than the first,” but they haven’t yet figured out where they want schedule the show. They do, however, have an upcoming series that could fit the bill nicely…

* They’ve ordered an animated show from Ricky Gervais and Stephen Merchant, based on their long-running series of podcasts. I’m saying it right here: the time is right for Karl Pilkington mania to grip the States!

* Although the histrionics of Jerry Rice probably didn’t help things any, the big reason that the Bengals are the focus of this season of “Hard Knocks” rather than the Cowboys is that the network wanted to open up a new team to the audience and show a different organization and the habits and attitude of that team.

* Season 4 of “Big Love” is scheduled to kick off in January.

* Season 3 of “In Treatment” is something they’re trying to put together, but given that the show was adapted from an Israeli series that only ran for two seasons, they’d have to create all-new scripts for a third season. Still, it’s a good sign that Gabriel Byrne is “very interested” in returning.

* And, lastly, they are forever trying to figure out a way to extend the length of Bill Maher’s seasons, in order to give him more time on the air. Whether that’s a good thing or not, you be the judge.

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