Category: TV Anime (Page 2 of 9)

Blu Tuesday: Dragon Ball Z Kai, Invictus and Valentine’s Day

Anyone who’s become a frequent reader of my weekly Blu-ray column knows that to even call it a weekly column is a bit of a joke. Nevertheless, instead of making excuses as to why I haven’t written a post in awhile, let’s just jump right into it as there are several titles worth talking about, including Clint Eastwood’s latest and the Blu-ray debut of an anime classic.

“Dragon Ball Z Kai: Season One” (Funimation)

Funimation has certainly had its share of ups and downs when it comes to the “Dragon Ball Z” franchise. They were practically lynched by fans for releasing digitally remastered versions that cropped the image, and then were praised for bringing the Dragon Boxes (previously only available in Japan) to America. Now, they’re receiving some flak for the release of “Dragon Ball Z Kai,” a reinvention of the series that hews closer to Akira Toriyama’s original manga. Loyalists have claimed that this new version isn’t really “Dragon Ball Z,” and while they’re definitely exaggerating in their assessment, they’re not totally wrong, either. “Dragon Ball Z Kai” isn’t the “DBZ” you grew up with, but rather a meaner, leaner adaptation that does away with all the pointless subplots in order to keep the story moving. Those who have complained that the anime is bloated will love this new approach, and it doesn’t hurt that the series looks absolutely gorgeous in high definition. It’s not perfect, mind you, but between the cleaned-up prints and the revitalized animation, this is the “Dragon Ball Z” I wish I had watched from the start. The fact that only 13 episodes have been included on the two-disc set is a bit annoying (especially when nine of those appear on the first disc), but perhaps there’s some method in the madness.

“Invictus” (Warner Bros.)

When it was announced that Clint Eastwood would be teaming up with longtime collaborator Morgan Freeman for a biopic about South African president Nelson Mandela, I don’t think anyone expected a movie about rugby. But that’s exactly what we got, and though we didn’t learn nearly as much about the man as we would have liked, “Invictus” did do a good job of conveying the influence that Mandela had in uniting the country’s races. While the movie pales in comparison to some of Eastwood’s other work, it is a better-than-average sports drama with some fine performances from its two leads. Warner’s Blu-ray release capitalizes on their involvement with a behind-the-scenes look at how Freeman and Matt Damon transformed into their respective real-life subjects, as well as the difficulties of filming the rugby scenes. Various cast and crew members also contribute to an excellent picture-in-picture video track that makes watching the film a second time incredibly worthwhile.

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Soul Eater: Part One

It would be easy to discount “Soul Eater” as just another quirky shonen for the kiddies, but despite the show’s decidedly immature sense of humor, there’s a lot more to the anime than silly pratfalls and goofy faces. Set at the Death Weapon Meister Academy in Death City, the series follows three teams of students as they battle supernatural forces in an attempt to collect the souls of 99 evil beings and one witch, thus making them powerful enough to become one of the Grim Reaper’s personal Death Scythes. Each team consists of a Meister and a Weapon, and while Maka and Soul (who transforms into a razor-sharp blade during battle) could be considered the main protagonists, they’re also joined by friends like Black Star and Tsubaki, as well as Grim Reaper’s son, Death the Kid. It’s a concept that could have easily fallen victim to a monster-of-the-week formula, but thankfully, it has an overarching story that holds your interest beyond just the fight sequences. The show does take some time to get going (it spends four episodes introducing its large cast of characters), but once all the niceties are out of the way, “Soul Eater” moves at such a brisk pace that you’ll be left wanting more. It’s still mostly targeted towards the teenage set, but thanks to some Tim Burton-esque aesthetics (think “A Nightmare Before Christmas”), there’s no reason you won’t enjoy it as well.

Click to buy “Soul Eater: Part One”

Evangelion: 1.01 – You Are (Not) Alone

One of my first experiences with anime was Hideaki Anno’s beloved 1995 series, “Neon Genesis Evangelion,” which was so good that it ruined just about every anime for me after that. It’s been more than ten years since I last saw “Evangelion” in its entirety, so when Funimation announced that they’d be bringing Anno’s four part re-imagining of the series stateside, I couldn’t wait to watch it all over again. Though much of the buzz surrounding the “Rebuild of Evangelion” tetralogy is due to the addition of new content, the first installment is a fairly straightforward retelling of the first six episodes where 14-year-old Shinji Ikari is recruited by a government organization called NERV to pilot a giant cyborg and fight back against an army of mysterious beings known only as Angels. With the exception of a few minor changes in the story, however, the only thing that’s really different compared to the original series is the animation. The entire film has even been given a digital polish (and the results are astounding), while some scenes have been re-rendered in CG. It’s still the “Evangelion” you know and love, only with a much-deserved upgrade.

Click to buy “Evangelion: 1.01 – You Are (Not) Alone”

Chills win as the “Paranormal” phenomenon grows

paranormal activity

It was a weekend of surprises at the box office. The most pleasant for those of us who prefer a chill up the spine to a gag reflex was the outstanding performance of “Paranormal Activity,” which handily defeated the dismemberment sweepstakes of “Saw VI” despite being in over a thousand fewer theaters than its horrific competitor.

As documented by Carl DiOrio of The Hollywood Reporter and the bean counters of Box Office Mojo, Paramount’s extremely wise ultra-ultra-ultra-low-budget paranormal pick-up earned an estimated $22 million as it expanded to 1,945 screens this week with a outstanding per screen average of $11,321. That’s compared to an estimated $14.8 million for the latest “Saw” entry (two more are still scheduled, including the inevitable 3-D installment) with a per screen average of $4,875, less than half of its spooky competitor.

The irony in all this is that, now that critics have had to paid their shekels to see the unscreened “Saw VI,” not only has it gotten better reviews than the last few entries — which is, of course, not the same thing as getting good reviews — it turns out to have at least an attempt at political content with a plot that involves both the sub-prime mortgage and health care debacles.

Seems to me that Lions Gate really had nothing to lose by screening this for critics and the political angle might have generated a bit more interest. “‘Sicko‘ for real sickos! ‘Capitalism: A Hate Story’! says Geekboy Moonraker of ‘Ain’t it Bloody Disgusting'” might have at least captured a bit more attention. Though, reading Owen Gleiberman‘s highly negative review, it’s interesting to note that both “Zombieland” and “Saw VI” do call attention to our nation’s obesity epidemic.

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David Mamet taking on a new “Anne Frank” film

Disney has acquired the rights to do a new version of The Diary of Anne Frank, this time to be written and directed by David Mamet. I know the temptation here is to start making dumb (but possibly funny) jokes about F-words being thrown into this latest version of the frequently filmed accidental classic and classroom perennial. However, this is not the first time Mamet has dealt with family-friendly material. His 1999 G-rated version of Terence Rattigan’s “The Winslow Boy” was a genuine treat and was also drawn from real, though far happier, events.

By the way, via IMDb, I count nine previous versions of the Anne Frank diary itself (not including numerous productions expanding on what was in the actual diary) mostly made for television. There was also an anime version in 1995.

Considering Frank’s legendary postive view of mankind, a post of mine from last year responding to an op-ed by Mamet might be of some interest here.

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