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Yet another Friday night movie news dump

Really not that much to say, except…

* Summit has acquired the North American rights to distribute “The Ghost Writer,” a political thriller starring Ewan McGregor and Pierce Brosnan. And why is this the top item? The director is Roman Polanski. Wait for this film to benefit from a lot of free publicity generated by people who think it’s wrong to see any movie in which someone involved with it once did a very bad thing. If you follow that rule, you’ll miss a lot of movies.

* Not too surprisingly, that report I mentioned on Wednesday that James Cameron‘s next movie is going to be an outer space redo or homage or what have you of The Seven Samurai was all wet. Instead, quoth the Playlist, he’s producing, but not directing, a remake of the not-so-great (at least as far as I can remember it) sixties sci-fi hit, “Fantastic Voyage.” It could work and will probably be at least a little bit fun in 3-D.

fantastic-voyage-rm-eng

* Speaking of Cameron, it’s a bit weighted towards the geek press at this moment, but reviews have been leaking all over the place for “Avatar” and, guess what, the critics seem to think there’s something to the hype. At the very least the film is guaranteed to get a bunch of technical nominations and probably win them. Throw some Oscars into the marketing mix of James Cameron’s latest, and a genuinely gigantic hit with massive legs could brewing.

How long before the inevitable backlash? Well, Michael Phillips‘ review encompasses both frontlash and backlash. Putting on her critic hat, Anne Thompson writes a prose poem. She says all us cinephiles are going to have to see it multiple times. Well, I’m sure some of us will disagree there. Contrarians, skeptics, and extra-tough critics, start your engines.

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Trailers: French spoken here

Three very cool trailers you won’t be seeing at the multiplex this weekend.

As you might imagine, this one features some tasteful, yet incredibly sexy, sixties style female nudity. You have been warned/attracted. It’s also Jean-Luc Godard’s idea of a musical.

If that last trailers interests you, check out my Bullz-Eye review of Costa-Gavris’s “Z.”

http://www.youtube.com/watch?v=zOyEj2SKVCQ

RIP Lou Jacobi

Another more recognized than well known character actor has departed the planet with the passing of the apparently born-middle-aged Lou Jacobi at the age of 95. In a town full of Jewish actors and behind-the-camera talent, Jacobi and the late Ned Glass, who was as skinny as Jacobi was chubby and who made a recent cameo appearance here, were mid-century Hollywood’s central casting Jews, male division.

Appropriately enough, he began his career in the Broadway cast of “The Diary of Anne Frank” and appeared in George Stevens’ 1959 film version. From then on, he played an endless string of both fathers and uncles who were explicitly Jewish or, as they say in film classes, “coded” as Jewish, in innumerable TV and film roles. The one major exception was his role as the worldly wise bartender, Moustache, in Billy Wilder’s “Irma la Douce.” Still, within or without his usual niche, he was as reliable as comedic clockwork as you’ll see in these two rather amazing scenes.

First, a sketch from Woody Allen’s utterly loose 1972 non-adaptation of Dr. David Reuben’s huge and now ultra-dated bestseller, “Everything You Ever Wanted to Know About Sex *But We’re Afraid to Ask.” The book was originally seen as the height of sexual rationality but quickly became passe in more enlightened quarters with, among other issues, its assumption that homosexuality was a disease. (At the time, Gore Vidal commented that Reuben was “not a man of science but a moderately swinging rabbi.”) The question behind this scene reflects those attitudes but, right up until it goes soft right at the last second, it’s mostly pure comedy greatness with Jacobi’s utterly sympathetic portrayal of a garden variety hetero transvestite who gets in just little over his head.

And here is a scene penned by another great seriocomic writer of the alienated Jewish variety, cartoonist-turned playwright Jules Feiffer. In a scene from 1971’s “Little Murders,” Jacobi is a bombastic judge who has a thing or fifteen to say about being asked by Elliot Gould and Marcia Rodd to remove any mention of God from a wedding ceremony.

Jacobi was someone I already missed seeing, and though he was no spring chicken, it’s sad to see him go. Edward Copeland has more.

The Biggest Loser: It pays to have friends

Last night on NBC’s “The Biggest Loser,” it was clear that having friends in this game is just as important as whether or not you lose weight. But more on that in a bit.

First, they began by showing the blue team coming back in from elimination, and everyone on the black team was utterly surprised that they had sent Coach Mo home instead of Tracy. The blue team was collectively defending itself and it didn’t seem like they had a good answer, other than maybe Tracy had brainwashed them all. They all stood by their decision. Okay, we’re going to start giving them the benefit of the doubt here…maybe they gave Coach Mo what he wished for and let Tracy hang around so they could eliminate her at a better time.

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The Biggest Loser: fighting to stay on campus

On NBC’s “The Biggest Loser” last night, the episode began with everyone (well mostly Shay) telling Tracy they didn’t trust her anymore. Tracy had told Shay she wouldn’t call her name to represent the orange team at the weigh in, but she went back on her word. Shay just wanted Tracy to admit that, but Tracy kept back-pedaling, making Shay and everyone in the house dislike her even more. Then, in a show of karma, Tracy met with Dr. H., who told her that she still could not participate in any workouts, not even walking, because of her strange muscle disorder that was causing her danger to her kidneys. Yikes. This had her teammate Coach Mo worried to say the least. Then trainer Bob Harper was telling a bunch of them that they should all fight to stay on campus, and not sacrifice for others the way the red team did last week.

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