Category: TCA Blog 2009 (Page 16 of 19)

TCA Tour, Jan. 2009: “Jesse James is a Dead Man”

Here’s this tour’s first acknowledgment of my inherent un-hip-ness: I had no clue who Jesse James was until the panel for his new Spike series, “Jesse James is a Dead Man.” At first, I tried to convince myself that I was wrong, that maybe I still am hip and nobody else knows who he is, either, but when I heard that he’d also been added to the line-up of the sophomore season of “Celebrity Apprentice,” it became clear that I’m definitely uncool. And to think that my reputation could’ve been salvaged if only I’d watched “Monster Garage,” the Discovery Channel series which he hosted…

Just in case you, too, are oblivious to who Mr. James is, allow me offer up this photo:

What you can’t see from the photo, however, is just how much damage has been done to this man since beginning work on this series. According to Spike TV’s Kevin Kay, James will be facing a new challenge each week that could potentially kill him, which sounds like the kind of programming that makes insurance agents run screaming. “We’ve only shot half the season so far, (and) Jesse’s already broken two ribs, his elbow, and was literally on fire,” said Kay. “It makes you wonder what Jesse will
do for a season finale if in fact he makes it that far.”

“If there’s not some danger involved with something that I want to do, then it’s kind of not fun,” said James. “If it’s really easy and safe and seems like a great idea and sensible, then to me, that’s kind of boring. Life is only a one-lap race, so I want to do everything on that one lap just to see what it’s like.”

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TCA Tour, Jan. 2009: Fox newsflash

Kevin Reilly, president of Fox Entertainment, just came onstage and announced:

* The scheduling process for “Dollhouse” was considered very seriously, and the thought is that moving “Sarah Connor” to Fridays as a lead-in makes a good combo; additionally, there’s a solid promotional platform the night before, with “Bones” being moved to Thursday nights. Long story short, they’re committed to 13 episodes, and they’ll see how it’ll play out.

* He confirmed conclusively that “Prison Break” will end after this season, but that “they’re gonna finish strong.” There are four episodes and are contemplating doing a few more, but no formal decision has been made on that. “We didn’t give it the hook,” he said. “It’s just played out.”

* He described “Fringe” as “a keeper,” though he also referred to it as “a bear, creatively, because it’s so ambitious,” and doesn’t really expect it to take off just because it’ll be airing after “American Idol.”

* “Moment of Truth” has a season’s worth of episodes – 24, he reckons – sitting on the shelf, and “we’ll come back to it at some point,” but “we had other options, and we had other things that we wanted to put on more immediately. We have it as a tool when we want to go for it.”

* The idea of doing a show about a high school glee club (“Glee”) was one that came about predominantly because of one reason: it was created by Ryan Murphy, of “Nip/Tuck” fame.

* He hopes to have Paula Abdul stay with “American Idol” for the long haul.

* He described NBC as “the crazy ex-wife I can’t get away from,” but gave them credit for signing up Jay Leno and described it as “a smart, strategic move for a troubled place.”

* “Bones” works everywhere they put it and has only been growing, thanks to its base. If it does what they hope it will do for them on Thursday, however, they’ll lock it down there.

* He smirked that “Do Not Disturb,” if nothing else, made a lot of lists this year, and that they’re mostly sticking with their animated sitcoms, though they’re ordering five half-hour pilots and will see whether or not one of them will end up on the fall schedule. “It doesn’t make sense to order comedy for the sake of comedy,” he said. “Even if I have a show that we love, if we don’t think it can be protected on the fall schedule, we won’t put it on there.”

TCA Tour, Jan. 2009: “Krod Mandoon and the Flaming Sword of Fire”

Give Comedy Central credit: “Krod Mandoon and the Flaming Sword of Fire” is the most ambitious comedy ever to appear on the network…and if we’re really lucky, it will become so popular that American keyboards will finally earn the right to possess an umlaut key. As a music critic, I struggled for years with my inability to properly type the names of Husker Du and Motley Crue, but, by God, isn’t it time we finally got easy access to that little horizontal colon?

When I initially heard about the show, my first thought was, “Jesus, I hope this is going to be funnier than, say, ‘Meet the Spartans.'” Little did I realize at the time that Sean Maguire, the man playing Krod Mandoon, was actually in “Meet the Spartans.” When I heard that tidbit, I really started getting worried…but, then, I learned that the show’s villain, Chancellor Dongalor, was to be played by Matt Lucas of “Little Britain.” Suddenly, I was legitimately excited, which speaks volumes about how much faith I put in Lucas’s work. But, additionally, they showed us the trailer for the series, and it was pretty funny. Granted, I haven’t seen an entire episode yet, so this may well prove to be a case where all the best bits are in the trailer, but the production values for the show are fantastic. The whole thing was shot on location in Budapest, Hungary, and it feels about as epic as a comedy series can; indeed, it feels less like a Comedy Central series and more like a BBC production…and given what an Anglophile I am, that’s high praise, indeed.

Creator Peter Knight lays the blame for the series on his steady diet of “Conan the Barbarian” comics over the course of his adolescence, claiming that he merely blended that love with his own insecurities and a modern male outlook, but executive producer Brad Johnson elaborated on the evolution of the show a bit more.

“Peter had this idea, and it would be impossible to pitch anywhere, so he wrote it as a spec, which is always, I think, the best thing to do if you want to get through the process and really get a pure voice initially on something that’s this out of the ordinary,” said Johnson. “When I read (the spec) initially, I loved the world, but what we added was a layer of…we kind of put a contemporary post-feminist modern male in a ‘Conan the Barbarian’ character. It was a chance to really comment on modern society using this backdrop, and also to use magic and sorcery and things you couldn’t use in normal storytelling. It just opened up the world for us to invent some characters and actually comment on modern society a little better.”

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TCA Tour, Jan. 2009: “Important Things with Demetri Martin”

If you watch “The Daily Show with Jon Stewart” on a regular basis, then you’ve probably seen Demetri Martin doing his recurring feature, “Trendspotting,” or possibly “Professional Important News with Demetri Martin.” Maybe you’ve seen his Comedy Central stand-up special. Perhaps you remember him as the keytar player in the first-season finale of “Flight of the Conchords,” or from his role as a music video producer in “The Rocker.” If your local cable company provides you with a network that actually shows music videos, then perhaps you spotted him in the video for Fountains of Wayne’s “Someone to Love.”

Or if you’re a Britpop fan, then perhaps you caught him in the video for Travis’s “Selfish Jean.”

Recognize him now…? If so, then you’ve probably just had a flashback to some routine or other and had a good laugh (as if the videos themselves aren’t worth a chortle or two themselves), but you should go ahead and prepare yourself for a lot more laughter when Martin’s new Comedy Central sketch comedy series, “Important Things with Demetri Martin,” premieres on February 25th.

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