Category: News (Page 212 of 401)

“Watchmen” week

Get ready for the most anticipated movie event of 2009.

Bullz-Eye’s Ross Ruediger has an excellent preview of the film after his set visit from last year.

An unquestionable highlight of the set visit was getting to stand smack in the middle of Karnak, the enormous Egyptian-themed palace that serves as the setting for the film’s climax. Painstakingly constructed to appear nearly identical to how it’s shown in the comic, the set was roughly the size of a gymnasium, with marble floors, an elaborate staircase, a lengthy dining room table and giant, awe-inspiring pillars and statues. (They were actually made of Styrofoam, but you’d never know it by looking at them.) Standing in the middle of it all, it was so easy to picture the core characters of the novel squabbling amongst themselves as they do in one of the scenes set in that massive room. On the flip side of Karnak, was the slightly smaller yet equally impressive Owl Chamber, Nite Owl’s underground lair. If Karnak was sleek and expansive, this set was the opposite: intimate and cluttered. Much to my delight, I was allowed to wander around and just poke around the laboratory as if it were my own. It was here that I first saw the now-infamous picture of the movie’s original superheroes, the Minutemen, behind glass in a case amongst the rest of the little details. Being in the Owl Chamber actually felt like leaving the set altogether and finding myself transported to an actual superhero lair. The attention that had been paid to “getting it right” was mind-boggling, and it was as if I’d stepped directly into the book itself. Now if only the Owl Ship could actually fly…

ScreenCrave has an exclusive interview with Jackie Earle Haley who plays Rorschach.

The reviews are already coming in at Rotten Tomatoes.

ABC cancels “Life On Mars”

Another good show bites the dust.

Granted, I wouldn’t put “Life On Mars” on the same level as last season’s time-traveling seriees, “Journeyman,” but “Life On Mars” has (had) a stellar cast — Harvey Keitel, Jason O’Mara, Gretchen Mol, Michael Imperioli — and a great premise. It debuted to strong ratings (8.2) but in recent weeks, ratings fell to the 3.0-3.7 range, which simply aren’t good enough to justify the expensive cast and production. (Coincidentally, “Journeyman” had similar ratings at the end of its run.)

The show will complete its 17-episode freshman-season order with an episode written as a series finale, wrapping the loose story ends, explaining how Tyler was transported back in time and perhaps bringing him back to his own time.

The show was a remake of a popular U.K. series that ran just 16 episodes (as planned). U.S. networks tend to try to bleed a hit for all its worth instead of getting in and getting out. Sometimes it works (“The Office”) and in the case of “Life On Mars,” sometimes it doesn’t. It turns out that the U.S. version will run one more episode than the U.K. version, so let’s hope that the creators have ample time to wrap things up. It looks like they do.

If Patrick Warburton’s going to Hell, he’s taking a lot of viewers with him

Bullz-Eye was fortunate enough to score an opportunity to speak with Patrick Warburton on the occasion of his CBS series, “Rules of Engagement,” returning to its 9:30 timeslot within the network’s Monday night comedy line-up.

We did not, however, limit ourselves to discussing that particular show.

In addition to conversations about Warburton’s roles on “NewsRadio,” “The Venture Brothers,” in “Get Smart” and “The Emperor’s New Groove,” and, of course, as the title character of the live-action TV version of “The Tick,” we also asked him about his long-running role on “Family Guy” as Joe, the paraplegic cop whose wife, Bonnie, finally gave birth.

“You know, my mother actually thinks my soul is in peril for being on that show, and after I watched last Sunday’s episode, I thought, ‘Geez, maybe she’s right. Joe’s getting his diaper changed…and I am going to hell for being on this show.’ You know my rationalization is that it is just absurd, crazy humor, and…what the fuck. It is a deplorable show. It’s horrible.”

Well, it’s all a matter of opinion.

Check out the rest of Bullz-Eye’s chat with Patrick Warburton by clicking here…or, of course, by clicking the big graphic below:

Silverman balks at Comedy Central’s budget cuts

The economic downturn is widespread. It’s even having an effect in the world of Sarah Silverman.

The show’s executive producers — Silverman, Dan Sterling and Rob Schrab — have threatened to quit after the cable network told them the budget for their series would be slashed by more than 20%.

At the center of the holdup is the proposed budget for Season 3. Citing cuts imposed on the network by parent company MTV Networks, Comedy Central had proposed that the trio bring back the Writers Guild of America Award-nominated show at about $850,000 an episode, sources said, down from the $1.1 million an episode for the show’s second season.

In broadcast, single-camera comedies are produced for about $1.5 million-$2 million an episode, and the budget for any series normally climbs from year to year.

Concerned they won’t be able to maintain the integrity of the show at the discounted price, Silverman, on behalf of the three executive producers, informed the network late last week that they can’t proceed with a third season. The move reportedly sent shock waves through Comedy Central’s executive offices, with top brass jumping into action to find a budget compromise that would keep the flagship live-action series on the air.

As of Friday night, the situation remained at a standstill. Both sides continued their back-and-forth during the weekend.

A 20% budget cut would be hard for anyone to swallow, but times are tough across the country. Everyone is having to do more (or at least the same) with less manpower, and Hollywood is no different. Let’s hope that they can come to some resolution that both sides can live with.

EW answers 8 lingering questions about the Oscars

EW.com asks and answers eight lingering (and burning) questions about the 2009 Oscars, including why Phillip Seymour Hoffman was wearing a stocking cap on a 75-degree, Southern California day.

Other interesting questions…

What was the motivation behind having five former winners introduce this year’s nominees in each of the acting categories?

Where was Jack Nicholson?

Was Beyoncé lip-synching during the musicals medley?

Who is Sato Masuzawa, the woman Sean Penn called his ”best friend” in his acceptance speech?

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