Category: News (Page 162 of 401)

Gearing up

As I recall, not a whole lot of work really got done on the first day of school, but as people trickle back in from vacations, film festivals and the like, things are starting to happen.

Nicolas Cage* THR blogger/reporter Borys Kits has been keeping busy over the long weekend. He reports that Nicolas Cage will be starring in an action/revenge film, and another action/revenge film, with cars and in 3-D, entitled “Drive Angry.” Don’t take the car, Nick, you’ll kill yourself!!!!! (It’s a reference to an old commercial that you may not be in the right age/geographic group to get, but Mr. Cage most certainly is.) Kits also reports that Steven Soderbergh will be entering the action game with martial artist Gina Carano. As if that’s not enough, Kits also has a news story posted on a new documentary about Stanley Ann Dunham, Barack Obama’s late mother who figured prominently in today’s ever-so-controversial “work hard and stay in school” speech, to be directed by acclaimed Los Angeles-based indie filmmaker, Charles Burnett (“Killer of Sheep”). I actually have some very slight personal connections with the group behind this film, so this one has my extra attention.

* Fans of Shinya Tsukamoto’s “Tetsuo” series should maybe brace for a disappointment.

* Anne Thompson summarizes the Telluride Film Festival in the time of recession. BTW, she has some very kind words for Nicolas Cage’s performance in Werner Herzog’s unauthorized Abel Ferrara homage (or something), “Bad Lieutenant: Port of Call New Orleans.” After debacles like “The Wicker Man” (my nominee for worst remake of all time with one of the worst lead performances by a major star), Cage badly needs to at least give a well-regarded performance or two. He’s a hugely talented performer — anyone remember “Leaving Las Vegas”? — but they all run the risk of sort of falling into themselves.

* I don’t know how to work this in tastefully. Let’s face it, most of what I talk about here is trivia — and then real life enters the picture and it’s hard to know what to say or do. Anyhow, critic/cinephile blogger Noel Vera has more thoughts, and some affecting links, on the lives of 28 year-old Canadian-Filipino critic Alexis A. Tioseco and his partner, film journalist Nika Bohinc. Both of them were killed last week when they apparently surprised a burglar in their Manila home.

Holdovers nail Labor Day audiences

final_destination4_7

Sorry, I couldn’t not use the image above, since it graphically demonstrates what happens when the studios release a trio of unexciting-to-detested entries into a Labor Day market full of strong, and strongly violent, competition. It starts with this week’s b.o. winner. It might not be anything resembling a critical darling, but “The Final Destination” boasts the power of gimmicky horror added to the additional gimmick of 3-D, offering some pretty easy to sell ghoulish fun to audiences, who bought it to tune of an estimated $15.4 million over the long weekend.

Brad Pitt contemplates his masterpiece.And this year’s cinephile sensation is also a hit with audiences. “Inglourious Basterds” held beautifully in its third weekend and only came in a few points below its “Final” competition with an estimated $15.1 million. Word of mouth, or tweet, or whatever is obviously working in the long-awaited WWII-flick’s favor — as may be the fact that every film geek in the world is probably going to see it at least twice, if not thrice.

Variety‘s Pamela McClintock also reports that “Basterds” actually won the day on Sunday. She also mentions that with a domestic “cume” of $95.2 million, the wartime fantasia is now Tarantino’s second biggest earner after “Pulp Fiction,” which made just below $108 million back in 1994. Adjusted for inflation, that number may still be hard — though not impossible — to beat. Not adjusted for inflation is looking easier all the time to me. When you consider the near absolute certainty of at least two or three Oscar nominations (quite possibly several more at this point), I’m not sure when this thing stops earning signficant money. Also, THR reports “Basterds” topping the international charts in a slow overseas weekend.

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ABC: What’s New for Fall 2009

V (Tues., Nov. 3 @ 8:00 PM, ABC)

The competition: “NCIS” (CBS) “The Biggest Loser” (NBC), “Hell’s Kitchen” (Fox), “90210” (The CW)

Starring: Elizabeth Mitchell, Morris Chestnut, Joel Gretsch, Lourdes Benedicto, Logan Huffman, Laura Vandervoort, Morena Baccarin, Scott Wolf
Producers: Scott Peters (“The 4400,” “The Outer Limits”), Jeffrey Bell (“Day Break,” “Alias”), Steve Pearlman (“Reunion,” “Related”), and Jace Hall (“The Jace Hall Show”)
Network’s Description: A re-imagining of the 1980’s miniseries about the world’s first encounter with an alien race. Simultaneously appearing over every major city in the world, the Visitors (or V’s) promote a message of peace. Through their generous offer to share advanced technology, the V’s build a following that may actually hide a more malevolent agenda, one that twists a very deep component of human nature: devotion. While the world quickly becomes fascinated with the V’s and their link to wonders just beyond the reach of human understanding, FBI Counter Terrorist Agent Erica Evans discovers a secret hidden beneath the skin of every V – a secret that may threaten the lives of everyone close to her. Yet for her teenage son, Tyler, the V’s are his ticket to something big and hopeful — a new chance for mankind to unite in common goals. To Chad Decker, a career-hungry news anchor, his exclusive interview with Anna, the leader of the V’s, is crucial to his dominating the airwaves. Also unsure about the Visitors is Father Jack, a priest questioning his faith in the wake of the Visitors’ arrival. Seeking answers outside the church, Father Jack discovers there are other dissidents who believe the Visitors are not who they say they are, including Ryan Nichols, who is faced with his own life-altering decision when the V’s show up. Never has there been more at stake — it truly is the dawning of a new day.
The Buzz: Like “Eastwick,” there’s a certain instinct to ask, “Why do we need to revisit a 20-year-old property?” In the case of “V,” though, most of those who remember the show fondly will probably nod their heads and consider that, yes, special effects technology has evolved to a point where a concept like this one deserves to reap the benefits. And although the purists will no doubt grimace and claim that it won’t be the same without original creator Kenneth Johnson working behind the scenes, they need look no farther than “Battlestar Galactica” to have a good reason to consider the possibilities for a new “V.”
Pilot Highlight: Personally, I dug the showdown between Anna and Chad when he refuses to offer an interview consisting solely of softball questions and she informs him that either it’ll be all queries that paint the Visitors in a positive light or the interview will be canceled, but the episode’s tie-ins to terrorism were damned intriguing.
Bottom Line: There’ll clearly be a “we’ve seen this” reaction from the generation who grew up with “Independence Day,” but it’s already clear that this is not your parents’ “V.” It may not prove to have any more legs than ABC’s last stab at alien infiltration (“Invasion”), but it’s going to come down to whether or not the viewers who come in for the curiosity factor, thinking, “Hey, I liked the old show, I wonder how the new one will be,” are going to given enough to sell them right off the bat.

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CBS: What’s New for Fall 2009

Accidentally On Purpose (Mon., Sept. 21 @ 8:30 PM, CBS)

The competition: “Dancing with the Stars” (ABC) “Heroes” (NBC), “House” (Fox), “One Tree Hill” (The CW)

Starring: Jenna Elfman, Grant Show, Jon Foster, Ashley Jensen, Lennon Parham, Nicolas Wright
Producers: Gail Berman (“Buffy the Vampire Slayer,” “Angel”), Gene Stein (“Less Than Perfect”), and Claudia Lonow (“The War at Home”)
Network’s Description: Billie is a single woman who finds herself “accidentally” pregnant after a one-night stand with a much younger guy, and decides to keep the baby… and the guy. A newspaper film critic, Billie is barely surviving a humiliating breakup with her charming boss, James, who’s still trying to resume their relationship. Suddenly expecting a child with her “boy toy,” Zack, Billie and Zack make an arrangement: to live together platonically. Billie’s party girl best friend Olivia, and Abby, her conventional, younger married sister, eagerly look forward to the new addition and offer their own brands of advice and encouragement. But when Zack and his freeloading friends, including Davis, start to turn her place into a frat house, Billie isn’t sure if she’s living with a boyfriend, a roommate, or if she just has another child to raise.
The Buzz: Elfman’s been trying to mount her post-“Dharma and Greg” comeback for some time now (2006’s “Courting Alex” only lasted 13 episodes), but CBS’s decision to place the comedy in the midst of its Monday night line-up – and between “How I Met Your Mother” and “Two and a Half Men,” no less – shows their confidence in it. Or is that desperation?
Pilot Highlight: Billie’s walk of shame after what, at the time, appears to be a one-night stand.
Bottom Line: The young man / older woman dynamic obviously has potential for comedy, but this is a painfully pedestrian affair, one which feels like it never would’ve been made if Elfman hadn’t been attached.

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