Category: News (Page 158 of 401)

If you don’t watch the premiere of “Community” tonight on NBC…

…then you’ll be missing the best new show of the fall season.

You may recall from my Fall TV Preview that I said of the pilot for “Community,” “When I watched it, I was convinced that I was watching the funniest sitcom of the new season. I was not wrong.” Now, granted, I was predisposed to like the series before I’d even put the screener of the pilot into the DVD player – I’m a fan of Joel McHale’s work (I’ve got a TiVo season pass for “The Soup”) and Chevy Chase’s work in virtually every film that he made during the ’70s and ’80s (though, to be honest, the only film he’s done since then that I still enjoy revisiting is “Memoirs of an Invisible Man”) – but it certainly didn’t hurt seeing “Daily Show” correspondent John Oliver turn up in a meaty guest role within the first few minutes, and it didn’t take long for me to fall for the ensemble as a whole.

Here’s a rundown of the characters:

* Jeff (McHale), a fast-talkin’ lawyer whose degree has been revoked
* Pierce (Chase), a man whose life experience has brought him infinite wisdom
* Abed (Danny Pudi), a pop culture junkie
* Britta (Gillian Jacobs), a 28-year-old dropout with something to prove
* Troy (Donald Glover, a former high school football star trying to find his way
* Shirley (Yvette Nicole Brown), a sassy middle-aged divorcée
* Annie (Alison Brie), a high-strung perfectionist
* Señor Chang (Ken Jeong), a slightly unhinged Spanish professor

When I arrived at the TCA summer press tour, I was a man on a mission: to interview as many members of the cast of “Community” as I possibly could, so that I might do my damndest to get people to watch the series. Not that it necessarily needs my help, given the incredible promotional push that the network is putting behind the show, but, still, it’s been a long time since I’ve seen a sitcom that’s this funny and has this strong an ensemble from the word “go” (seriously, I think I’d have to go back to “NewsRadio”), and I wanted to do whatever I could to get the word out. In the end, I ended up chatting with five of show’s regulars during the tour (McHale, Pudi, Brown, Glover, and Jeong), catching up with two more by phone after making back (Jacobs and Brie).

Sadly, Chevy Chase was surrounded by hordes of my peers through his time at the tour, and attempts to secure a phoner with him prior to the run date of this piece were unsuccessful. We’re keeping our fingers crossed that we’ll be able to talk to Chevy sometime in the near future…and, y’know, don’t be afraid to drop NBC an E-mail and ask them to try and make it happen for us…but in the meantime, click here (or on the above graphic), then sit back and enjoy these conversations with the rest of the cast.

When you finish, I’ll be very surprised if you don’t run straight to your TiVo and order yourself up a season pass for “Community.” It’s that good. I swear. And if you don’t believe me, here’s proof:

Finally, check out Chopard, one of the most recognized watch and jewelry brands in the world.

RIP Henry Gibson

I was going to cover some of the usual folderol I cover here today, but, sadly, we have another passing to note with the death at 73 of Henry Gibson from cancer.

Gibson — whose stage name derives from an early character he did with roommate Jon Voight — was a personal favorite of mine. Not a large man, he was the kind of actor who might have one or two scenes in a movie, but was pretty much guaranteed to bring something detailed and memorable to his usually hilarious scenes; a relatively recent case in point was his great turn as the befuddled shocked clergyman towards the end of “Wedding Crashers.” He’s also familar to fans of “Boston Legal” as one of the show’s recurring judges.

With his eccentric but unassuming air, he gained his greatest fame as a cast member on “Rowan & Martin’s Laugh-In,” a faster paced, but more shtick-laden late sixties/early seventies forerunner of SNL. His signature bit involved him reciting absurd, vaguely counter-cultural, poetry in his ultra deadpan style while holding a giant flower and bowing with exaggerated politeness at the end. (He was famously spoofed on the show by John Wayne, who brought his own unique socio-political sensibilities to his verse.)

Numerous movie and TV roles followed, including probably the closest Henry Gibson ever got to a leading film role, cast brilliantly against type as a controlling and hypocritical country music patriarch in Robert Altman’s masterpiece, “Nashville.” Later, he’d play out-and-out villains, but usually in more comical contexts. Fans of eighties comedies have a special affection for his commanding role as the patriarch of a very strange family who loom in Tom Hanks‘s fevered imagination in Joe Dante’s comedy horror homage, “The ‘Burbs.” He was also the head neo-Nazi in “The Blues Brothers.”

All in all, the loss of Gibson at the relatively young age of 73 is a sad one and hit me personally a bit harder than expected. I’ve loved Gibson’s work since childhood and, whether he was playing a Napoleonic villain or a gentle preacher totally out of his depth, there was an abiding soulful quality to his work that made him all the more funny. Truly original performers like him are few and far between.

****

My friend, Zayne, has a very nice remembrance of Mr. Gibson at More a Legend than a Blog, and Edward Copeland shares my appreciation of his work as country music legend Haven Hamilton.

There’s less of him than I’d like on YouTube, but I did find a few fine moments of Gibson, which you can check out after the flip.

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Basterds in Israel

I’ve been referring to the controversies swirling around “Inglourious Basterds” since this post from nearly one month back. And if you really want to dig in to all the pro-and-con back among the cinephile crowd, I refer you to the endlessly lengthy, endlessly intriguing discussions conducted by Dennis Cozzalio and Jim Emerson among others. And now, there’s more.

In fact, Dennis scooped me slightly on the video below without even watching it — correctly guessing that it would be worthwhile. It brings home, in a very direct way, the whole issue of whether or not Tarantino’s flirtations with black comedy and playful way with history is appropriate in light of the Holocaust. A big chunk of Israel’s population are descended from European refugees and survivors of Nazi persecution. Some of them actually are those refugees and survivors. If they can take this movie, the rest of us should have no problem.

This 34 minute video is literally shaky. (The person who posted it on Vimeo confessed to typing with one hand and holding the camera with the other.) But it’s riveting and entertaining stuff with, naturally, spoilers galore. Featured are Quentin Tarantino, polylingual newborn international star Christoph Waltz, and Tarantino’s longtime producer, Lawrence Bender. Guess who does most of the talking.

Quentin Tarantino press conference, Tel Aviv, Sept. 15 2009 from cinemascopian.com on Vimeo.

Big time, huge, mighty h/t to David Hudson of The Auteurs Daily for posting this on his amazing Twitter feed.

From Toronto to Hogsmeade, Metropolis, and the vid store

Colin Firth and Matthew Goode in "A Single Man"

Wake up. It’s been a busy day in movie world.

* Plenty of festival happenings up are in the offing up in Toronto, the most high profile of which is the famously award-savvy Weinstein Company’s pick, for a reported $1-2 million, of “A Single Man.” This is a sort of film that would be strictly art-house fare, and low profile art-house fare at that, if it weren’t also potential Oscar fare. From fashion designer-turned director Tom Ford, it’s a drama about a college professor (Colin Firth) dealing with the death of his lover over the course of a single day in 1960s Los Angeles. The film also stars Julianne Moore and Matthew Goode (Adrian Veidt in “Watchmen“) and is based on a novel by Christopher Isherwood, the openly gay mid-century English-born writer whose stories about Wiemar-era Berlin eventually became “I Am a Camera” by playwright John van Druten, which eventually became the movie and stage musicals, “Cabaret.” Variety has the details along with more about the activity surrounding a number of other new movies.

The most interesting of these to me is “Harry Brown,” which stars Michael Caine in a film that’s going to be plugged, probably inaccurately, as the Brit “Gran Torino.” I’ve always liked Caine’s movie work, but he became something of a personal hero of mine while I was researching a Bullz-Eye look back at his career not so long ago. If you’ve never seen the original version of “Get Carter,” it’s important to know Caine is capable of being at least twice as tough as Mr. Eastwood or just about anyone else this side of Lee Marvin. That’s largely because he’s an extremely disciplined film actor and also probably partly because his pre-stardom life was, really and truly, no picnic. The man’s known grinding poverty, serious action in the Korean War, and the down and dirty truth of crime in his native London. His acting only gets better as such relatively recent films as “The Quiet American” and “Children of Men” proves. This one really has my attention.

Alan Rickman exerts his control over Daniel Radcliffe and Rupert Grint* The new head of DC Entertainment, Diane Nelson, made her rep partly as the manager of the Harry Potter “brand” for Warner Brothers. No word on whether and/or how much she was involved, but Warners is annoucing a deal with the Universal Orlando Resort for a Harry Potter theme park. Nikki Finke has the press release and videos showing the basic layout (it’s essentially Hogsmeade, the town adjacent to Hogwarts from the books and movies), as well as plugs from Daniel Radcliffe, Rupert Grint, and Emma Watson.

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“The Jay Leno Show” premiere kills in the ratings

Leno

Can a late night talk show work at 10 PM? That was the question NBC executives were asking themselves when they picked up “The Jay Leno Show,” the veteran comedian’s newest venture into television. “The Jay Leno Show” would esentially test people’s willingness to choose a network comedy during a time slot historically reserved for dramas. Though it’s too early to celebrate a resounding success, the show’s premiere certainly exceeded expectations.

According to Nielsen preliminary estimates, “Jay Leno,” whose premiere night guest was Jerry Seinfeld, averaged a 5.1 rating/13 share in adults 18-49 and 17.7 million viewers overall during the 10 o’clock hour. This is a larger audience than any episode of an NBC series from last season, and the best overall for NBC in the timeslot since the 2008 Summer Olympic Games.

A big premiere rating was expected, but it will probably take a few weeks to see where the show’s number settles, or what kind of a local news lead-in it provides for the network’s affiliates. The 5.1 rating is a bit above industry expectations for the premiere and is about three times what NBC has said it could do on an annual basis to generate a profit.

This is all very impressive, but one has to consider the large audience tuning in to see what would happen with Kanye West. Still, drawing 17.7 million viewers for any TV premiere should be huge news, so it’s curious to note how quiet NBC is being about it. Remember, they did claim Conan was the new “King of Late Night” when they handed him “The Tonight Show.” If Leno keeps these numbers up, they’ll have to eat their words. Conan will be fine, but it’s a bittersweet predicament.

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