Category: News (Page 143 of 401)

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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Well, it’s about time: “Boondock Saints II” hits screens on Oct. 30th

When I talked to Sean Patrick Flanery in 2008 in conjunction with the release of “The Young Indiana Jones Chronicles” on DVD, I made a point of asking him about the long-rumored sequel to his classic cult film, “Boondock Saints.” This was his teasing response:

“Well, the rumor is…well, I’m not officially supposed to say anything, because Sony doesn’t…they want to make their own announcement, so I’ll let them. But, uh, I think just me saying that they’re going to be making an announcement kinda gives you your answer!”

So it did. And now, a year and a half after that conversation, we’re finally going to see “Boondock Saints II: All Saints Day” hit theaters in limited release on October 30th.

But, hey, why wait? Here are the first five minutes of the film to whet your appetite:

Have a Happy Halloween with “Hammer Glamour”

Are you one of those film buffs who believes that Hammer equals Horror? I’m almost a little embarrassed to admit it, but for the longest time, I didn’t know the first thing about Hammer Films, let alone their reputation amongst horror film aficionados. I was one of those kids who lived and died by the classic six-pack of Universal monster movies – “Dracula” (1931), “Frankenstein” (1931), “The Mummy” (1932), “The Invisible Man” (1933), “The Wolf Man” (1941), and “The Creature from the Black Lagoon” (1954) – and any and all of the sequels they inspired. In fact, it wasn’t until 2005 that I really got an education into the world of Hammer, courtesy of a set released, ironically, by Universal: “The Hammer Horror Series.” It’s part of Universal’s so-called “Franchise Collection,” and although it’s certainly not a comprehensive set, it does include several films which give you a feel for the Hammer style of horror, including “Brides of Dracula,” “Curse of the Werewolf,” their 1962 version of “Phantom of the Opera,” “Paranoiac,” “Kiss of the Vampire,” “Nightmare,” “Night Creatures,” and “Evil of Frankenstein.”

There’s something about Hammer, though, that would’ve brought me to their back catalog of films long ago if only I’d been aware of it: they were really, really good at combining their horror with incredibly hot women. And if you doubt this to be true, then may I assure you that there is ample evidence of this fact…emphasis on the ample…in “Hammer Glamour: Classic Images from the Archive of Hammer Films.” Given that scary movies were the studio’s stock and trade in their glory days, it’s probably not coincidental that Titan Books decided to wait until right around Halloween to release this glossy tome, but rest assured that the photos contained within – and on the cover, as you can see below – are the sort which can be appreciated all year round.

Author Marcus Hearn was given the opportunity to delve deep into the Hammer vaults, and, boy, did he make the most of it. “The deeper we dug in Hammer’s archive, and the other picture libraries we visited, the more hidden gems we uncovered,” he said, in an interview with Titan. “Glamour photography was one of the most important elements of any Hammer publicity campaign, so there was no shortage of pictures to choose from. Unfortunately, they hadn’t always been stored with the greatest care, so the extensive restoration was by far the most time-consuming part of assembling the book.”

The team of restorers did good work, to be certain, but so did Hearn, who interviewed as many of the Hammer actresses as possible and, beyond that, has compiled solid biographies for each. And even those of you who aren’t familiar with Hammer’s history will likely still recognize several of the names within the book, including Ursula Andress (“Dr. No”), Nastassja Kinski (“Tess,” “Cat People”), Joanna Lumley (“Absolutely Fabulous”), and Raquel Welch (“Fantastic Voyage,” “One Million Years B.C.,” and, of course, “Myra Breckinridge”).

Not only is “Hammer Glamour” great to look at, but odds are that it’ll leave you wanting to head to Netflix and check out the body of work that these women accumulated for the studio. And if part of the reason for doing so is because you want to check out their actual bodies in the process…well, I think they’d probably understand. After all, you don’t think they were wearing those bodices because they were comfortable, do you?

In closing, to whet your appetite and tempt you further into picking up the book (which you can do by clicking here), here’s an extremely well-done collection of clips of some of the studio’s stable of actresses…and set to Kate Bush’s “Hammer Horror,” no less:

Hit and run

I’m a busy guy tonight, so let’s see how brief I can manage to be tonight with bits and pieces of movie news…

Ricky Gervais in * Ricky Gervais will be hosting the Golden Globes. I’m usually a one-award-show-yearly kind of a guy (and guess which show it is) but the fates and cool hosts like Gervais and Neal Patrick Harris are forcing me to actually watch more of the things.

* This post by Nikki Finke doesn’t really add much of anything new that I could see to a very good two week old L.A. Weekly piece about “coming out” PR specialist Howard Bragman, but it does underline the big changes that are surely coming in terms of how Hollywood, and the world, treats gay people.

* The Coen Brothers first ever real western — a new version of the not terribly critically or cinephile acclaimed 1969 John Wayne Oscar-winner, “True Grit” — may have a pretty high flying cast: Matt Damon and Josh Brolin are “in talks” to play bad guy and foil to Jeff Bridges’ Rooster Cogburn. Presumably Brolin is stepping into the role played by Robert Duvall, who was not quite famous a couple of years prior to “The Godfather,” while Damon will be playing the character first performed by my older sister’s all-time crush, singer-guitarist temporarily turned actor and TV variety host, Glen Campbell.

* A movie theater that serves samosas — that’s what I call movie going living, American Bollywood style.

Okay, that was pretty quick. Why can’t I do this every time?

RIP Lou Jacobi

Another more recognized than well known character actor has departed the planet with the passing of the apparently born-middle-aged Lou Jacobi at the age of 95. In a town full of Jewish actors and behind-the-camera talent, Jacobi and the late Ned Glass, who was as skinny as Jacobi was chubby and who made a recent cameo appearance here, were mid-century Hollywood’s central casting Jews, male division.

Appropriately enough, he began his career in the Broadway cast of “The Diary of Anne Frank” and appeared in George Stevens’ 1959 film version. From then on, he played an endless string of both fathers and uncles who were explicitly Jewish or, as they say in film classes, “coded” as Jewish, in innumerable TV and film roles. The one major exception was his role as the worldly wise bartender, Moustache, in Billy Wilder’s “Irma la Douce.” Still, within or without his usual niche, he was as reliable as comedic clockwork as you’ll see in these two rather amazing scenes.

First, a sketch from Woody Allen’s utterly loose 1972 non-adaptation of Dr. David Reuben’s huge and now ultra-dated bestseller, “Everything You Ever Wanted to Know About Sex *But We’re Afraid to Ask.” The book was originally seen as the height of sexual rationality but quickly became passe in more enlightened quarters with, among other issues, its assumption that homosexuality was a disease. (At the time, Gore Vidal commented that Reuben was “not a man of science but a moderately swinging rabbi.”) The question behind this scene reflects those attitudes but, right up until it goes soft right at the last second, it’s mostly pure comedy greatness with Jacobi’s utterly sympathetic portrayal of a garden variety hetero transvestite who gets in just little over his head.

And here is a scene penned by another great seriocomic writer of the alienated Jewish variety, cartoonist-turned playwright Jules Feiffer. In a scene from 1971’s “Little Murders,” Jacobi is a bombastic judge who has a thing or fifteen to say about being asked by Elliot Gould and Marcia Rodd to remove any mention of God from a wedding ceremony.

Jacobi was someone I already missed seeing, and though he was no spring chicken, it’s sad to see him go. Edward Copeland has more.

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