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TCA Tour: Live from (the same state as) the Golden Globes!

Since I’m currently sitting in southern California with a bunch of TV critics and watching the Golden Globes, it seems a little ridiculous for me to do anything other than live blog the thing…well, the TV portion, anyway. I wouldn’t dare take away anything from Mr. Westal’s coverage of the film portion. With that said, however, I can’t exactly ignore the show’s host, Ricky Gervais, so I’m definitely planning to give him a shout-out whenever he offers up a great line.

I’ve never done this before, so be gentle with me…

8:01 PM: Gervais suggests that most people probably know him as the guy from the original British “Office,” then shakes his head and says, “No, you don’t, do you?” The highlight comes when Gervais suggests that “quality, not quantity” makes his version of “The Office” the better one, which results in Steve Carell’s mouthing of “I will break you” to Gervais.

8:02 PM: “I’m not used to these sort of viewing figures. Then again, neither is NBC.”

8:03 PM: “Actors: they’re just better than ordinary people, aren’t they?” Hugh Laurie seems amused by Gervais’s remarks about he plays a doctor on television better than a real physician would, while Kiefer Sutherland is perhaps less so by the suggestion that some of the fights on “24” aren’t scripted.

8:04 PM: “Let’s get on with it before NBC replaces me with Jay Leno.”

Best Performance by an Actress in a Television Series – Musical or Comedy: Toni Collette, “United States of Tara.” Although I’m a little surprised that Tina Fey didn’t take home the award, I acknowledged in my nominations piece that I figured a lot of people might favor Collette. I guess it was an easy pick. It just wasn’t mine. I still think it’s John Corbett and the kids who are the real stars of that show.

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series, or Motion Picture Made for Television: John Lithgow, “Dexter.” I still haven’t seen his performance yet, and yet I still picked it. That’s how strong the buzz was. Glad to see it paid off.

8:29 PM: “We’ve seen some worthy winners…aaaaaaand we’ve seen some not so worthy winners.”

8:30 PM: After observing that one can’t officially buy a Golden Globe Award, Gervais concedes that he’s probably never going to be allowed to do the show again.

Best Performance by an Actor in a Television Series – Drama: Michael C. Hall, “Dexter.” I think that, at three (TV) awards in a row, you can officially begin to suggest that Showtime is dominating the proceedings. Given the acclaim that this season has received, I’m not surprised that Hall beat out my pick (Hugh Laurie), and once you’ve factored in the fact that he’s battling back from lymphoma, who could complain, really?

Best Performance by an Actress in a Television Series – Drama: Julianna Marguiles, “The Good Wife.” Holy crap! My dark horse pick took home the win! What an awesome line from Julianna about CBS keeping the faith by continuing to air quality drama at 10 PM. I announced to my fellow critics that I’d gotten this pick right, and I was accused of being Nostradamus. Somebody cue up “We Are The Champions,” please. I’d like to enjoy this victory as long as possible.

8:43 PM: Gervais bashes Paul McCartney by claiming that he shared a flight with the former Beatle, with Gervais in first class and Macca in coach because he’s “saving money.” After receiving several boos for his trouble, Gervais assures the crowd, “Uh, I think he’s still doing all right!”

Best Mini-Series or Motion Picture Made for Television: “Grey Gardens.” No complaints. I picked “Taking Chance” for this category, but I picked Drew Barrymore for her performance in the film, so I can hardly argue with this selection.

8:59 PM: Gervais decries the boozing, brawling Irish stereotype, then introduces Colin Farrell. (Farrell admits, “When I heard Ricky Gervais was gonna be introducing me, I said, ‘Oh, balls…'”)

9:09 PM: When Helen Mirren said, “Life,” then paused, I was really hoping she was going to follow it by saying, “Don’t talk to me about life.” But she didn’t.

Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television: Kevin Bacon, “Taking Chance.” Same situation as above. I wanted to see Chiwetel Ejiofor take it home for “Endgame,” but given how much I loved “Taking Chance,” I’ve no complaints.

Best Performance by an Actress in a Mini-Series or Motion Picture Made for Television: Drew Barrymore, “Grey Gardens.” Exxxxxxxcellent. Someone here just referred to the performance as “her first acting award,” and there’s a certain amount of truth to that, as she offered up more in “Grey Gardens” than most people would’ve expected that she had in her. You know, I’ve watched “Fast Times at Ridgemont High” a lot of times, but that reference to “Jeff Spicoli’s girlfriend” flew right over my head. Anyone…?

9:22 PM: Gervais notes how actors want to be ever-changing and constantly moving, then says, “Please welcome Rachel from ‘Friends’ and that bloke from ‘300.’”

Best Performance by an Actor in a Television Series – Musical or Comedy: Alec Baldwin, “30 Rock.” You can never go wrong with Alec Baldwin, I guess. But I still wanted Steve Carell to win it, if only to hear what Gervais had to say about it.

9:36 PM: God love Zachary Levi and Amy Poehler, but…really? Those were the best jokes you could provide for the stars of two of NBC’s best shows? The network needs all the help it can get!

Best Television Series – Drama: “Mad Men.” This is a category where there were no losers, but with that said, I really couldn’t imagine any other series than this one taking home the win. Look at the beard on Jon Hamm..and the breasts on Christina Hendricks! I couldn’t believe the music kicked in so quickly on Matthew Weiner, but as someone here said, it’s a basic-cable network. That doesn’t buy you much time, no matter how much acclaim your show gets.

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series, or Motion Picture Made for Television: Chloe Sevigny, “Big Love.” The only thing more upsetting than her win is her dress. I kid. Well, about the win, anyway. (I love Rose Byrne, but after seeing her today at the TCA panel for “Damages,” I was beginning to wonder if she was even capable of smiling anymore.) Seriously, though, that dress is horrid.

9:48 PM: Gervais sips from what is almost certainly a glass of real lager, then struggles to get a laugh from his “Catwoman” joke…which is probably almost as much of a struggle as it took to get Halle Berry into that dress she’s wearing.

9:57 PM: Am I the only one who was just creeped out by DeNiro’s bit about Scorcese having sex with film?

10:00 PM: Great clipfest for Scorcese. Methinks it might be time to go order a copy of “The King of Comedy” from Amazon.

10:12 PM: The lager’s back, as Gervais admits, “I’ve had a couple, I’m not gonna lie to you.” He then blames the alcohol for anyone he might’ve offended, after which he quickly offers up the most incredible introduction of the night: “I like a drink as much as the next man…unless the next man is Mel Gibson.” And just like that, Ricky Gervais is officially the best host of the Golden Globes EVER.

10:16 PM: James Cameron wins for “Avatar,” and Dileep Rao’s Golden Globes party suddenly gets kicked up a notch. I only mention this because he went to that party instead of having dinner with me. You got lucky, Rao!

Best Television Series – Musical or Comedy: “Glee.” That’s going to be one happy set when I go visit it tomorrow. Nice shout-out from Ryan Murphy to Miss Barbra Streisand and the show’s “fake sexy teen cast,” as well as the dedication to everyone who ever got a wedgie in high school. Aw, that’s so sweet of you to include me, Ryan…

Well, that’s it for the TV awards, but I have to hang in there to see if Ricky Gervais has anything else left to say…or anyone else does, for that matter. Like, say, the governor of California…

10:34 PM: Damn, even Schwarzenegger can’t resist getting in a jab at NBC!

10:35 PM: Gervais really must be scared of Mickey Rourke if the best he can offer up is, “I haven’t gotten a bad word to say about him, mostly because he’s got arms as big as my legs.”

10:42 PM: I hope the kazillion ads they’ve shown for “Parenthood’ actually earn the show some viewers. I really liked the pilot. I can’t say the same for “The Marriage Ref,” partially because they haven’t produced a screener for us yet, but mostly because of my feud with Jerry Seinfeld. But that’s a story for another time.

10:52 PM: Do you get the impression that, were it not for Chrysler, we might’ve been stuck listening to the Golden Globes on the radio?

10:55 PM: What? Straight into Julia Roberts and Best Motion Picture – Drama without a last appearance from Gervias? Gyp! Oh, well, at least “Avatar” won. Congrats again, Mr. Rao. I just hope that party was worth it…

10:59 PM: Ah, there we go. “If I had one wish, it would be for peace on earth. No, wait, can I change that? It would be for everyone to watch ‘The Ricky Gervais Show,’ on HBO on Feb. 19th.” Way to end on a plug, sir.

So there you go: my first-ever live blog. I hope it made for at least a semi-entertaining read, and stay tuned for Bob Westal’s movie portion of the proceedings, coming soon!

TCA Tour: The Ricky Gervais Show

If you’ve never listened to the podcast that Ricky Gervais does with his writing partner, Stephen Merchant, then you’ve been missing out on one of the funniest things that’s available for download. Part of it comes, obviously, because of the well-established quick wits of the aforementioned two gentlemen, but the show’s X-factor, if you will, comes from the third man in the recording studio: Karl Pilkington. Although he’s still pretty much a non-entity in the States, you can count on him achieving – at the very least – full-fledged cult status when HBO debuts their new animated series, “The Ricky Gervais Show,” which, despite its title, easily features Pilkington as heavily as Gervais.

There’s no real way to make sense of the way Pilkington’s mind works; we can but marvel at the way he perceives the world and the comments that he makes about it. Here are five moments from the panel which demonstrate what I’m talking about:

1. When asked about Pilkington’s absence from the panel, Gervais explained, “He’s on his way to Rio, I think, to do a documentary called ‘Seven Wonders,’ which we have arranged. We send him around the world to see what he thinks of the seven wonders, and he’s not impressed so far. He thinks the pyramids are overrated. I said, ‘Why?’ He said, ‘It’s a bad design. It’s a bad design.’ He said, ‘The lounge is going to be huge, but the bedroom is going to be tiny.'”

2. “Some of the things that Karl has come up with are incredible,” said Gervais. “I mean, he thought Anne Frank was just avoiding paying rent.”

3. “His serious understanding of evolution,” said Merchant, “is that…he went, ‘Yeah, I know evolution. It starts germ, fish, mermaid, man.'” Said Gervais, “I was trying to get the rudimentaries of evolution to him, and I was explaining to him that we are closer to chimps than chimps are to the gorillas. He was going, ‘No, we are not.’ I go, ‘No. We are.’ I said, ‘We are 98.6 percent genetically identical to a chimpanzee.’ I said, ‘That’s 1.4 percent difference between us and a chimp.’ And he went, ‘That’s got to be the ass.’”

4. “I call him every day, three or four times a day, just to find out what he’s doing,” revealed Gervais. “I called him the other day, and I said, ‘What are you doing?’ And he went, ‘Just walking in the park.’ I went, ‘All right.’ We went, ‘Oh.’ I said, ‘What?’ He said, ‘A worm just fell from the sky.’ And I went, ‘What do you mean?’ He went, ‘He just fell out of the sky.’ I said, ‘Well, a bird probably dropped it.’ And he went, ‘Oh, yeah, there is a bird.’”

5. “We did one podcast,” said Gervais, “I think it was in December 2006, and I said, ‘What was the highlight of the year? Looking back at this year, what will stand out for you?’” And he said, ‘Probably that time I saw a grub eating a biscuit.’ I go, ‘What do you mean?’ He went, ‘Well, I was eating a biscuit. I put the rest on the windowsill. I looked around, and there was a grub eating it.’ I went, ‘Why is that an event?’ He went, ‘I never thought I would see that that year. It made me think, ‘We couldn’t be more different, us and the grub, but we both like a biscuit.'”

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So, guess what’s topping the box office this weekend

Sam Worthington and Zoe Saldana in Yes, the holiday weekend is barely half-way over and tonight’s Golden Globes could alter things slightly. Nevertheless, the Box Office Mojo’s weekend estimates are out and, don’t even bother to wait for it, Fox’s “Avatar” was once again the box office leader with a solid $41.3 million estimated take and a still very low drop of only 17.9% on its fifth go-round. Domestically, “Avatar” is already the #3 all-time moneymaker with a total of $491,767,000. Worldwide it has defeated, “The Return of the King” and is now #2 at just over $1.6 billion, just a couple billion shy of another movie you might have an opinion about, “Titanic.” James Cameron might have to buy an additional Malibu estate for his self-esteem to live in.

Just to keep us from falling completely asleep, however, there were some new members of the top 3 this week. The post apocalyptic actioner with a spiritual tint, Warner Brothers’ “The Book of Eli,” performed as per the expectations I described last time and has a current weekend estimate of roughly $31.6 million. That will definitely be happy news not only for star Denzel Washington but for directors Allen and Albert Hughes, whose last film, “From Hell” was not a box office success despite the presence of another big star, Johnny Depp. (Indeed, one of that film’s producers left the film business and has gone on to become one of the most powerful and annoying members of the left hand side of blogosphere, but that’s a story for another time and place.)

Denzel Washington in

As for the #3 spot…it’s not really a weekend if I don’t make an completely wrong predictive comment — when will I learn to keep my trap shut? Anyhow, the marketing strategy turning a critically dissed piece of Oscar bait into a film aimed at female tweens and teenagers has paid off with a very decent estimated third place showing of just over $17 million for “The Lovely Bones” and Paramount/Dreamworks. The film has been out in limited release for several weeks, but went into over 2,500 theaters and apparently the timing was correct.

A brand new wide release, “The Spy Next Door,” a frankly lame looking vehicle for Jackie Chan, did fairly unimpressive business for a wide release film on its opening weekend despite . It came in the #6 spot with an estimated $9.7 million for Lionsgate, which might be enough if the film’s budget is low enough. In other “cudda been worse” news, it’s 0% on the Tomatometer on Friday has blossomed to 9% with four critics failing to dislike it.

Michael Cera in Finally, the vampire role-reversal flick a la Monty Python’s “Bicycle Repairman” sketch, “Daybreakers,” which did rather well last week, suffered a huge 67% drop in its second time out, going from a $15 million last week to about $5 million this week. And, because I’m a nice guy, I’ll keep the word on “Youth in Revolt” to myself.

More “Powers” talk with FX’s John Landgraf

You may remember that, back in August, I spoke with John Landgraf, FX’s President and General Manager of FX, to get the latest update on the network’s attempts to transition Brian Michael Bendis’s “Powers” from comic book to the small screen. At the time, he could only reconfirm that it was in development, adding, “We’ve seen a draft of the script, we’ve given the notes on it, and we’re waiting on another draft.”

So what’s the latest update? Is “Powers” dead at FX?

It is not.

“We have a new writer who came in and who’s working with Brian Bendis,” Landgraf confirmed. “He’s a really, really good writer who got really excited about the project. He came in, and they pitched us a new take. Because part of what you’re trying to do with ‘Powers’…and I think I said this to you when I talked to you before…is that you have a great property, a really robust property, but it has to be adapted to become a weekly television series. So you’re asking yourself the question, ‘What stays and what goes?’ For example, the Retro Girl murder story: should that whole story be told in the pilot, or do we introduce it and tell it later? But the new writer and Brian have got a good take on it. They came in about two months ago and pitched what they were doing, and it was great.”

Unfortunately, you may have noticed the same thing I did: Landgraf’s pointed avoidance of revealing the name of this “really, really good writer.” Alas, he’s unable to reveal said writer’s name at present, but he assured me that, when he’s able to do, he’ll be in touch. Yeah, I know, that’s what they all say, but since he remembered our discussion from August, I’m keeping my fingers crossed that my continued enthusiasm will result in getting the information, so watch this space!

TCA Tour: The Vampire Diaries

What is it about the pilot episodes for vampire series that leave me generally indifferent to them? I’m a sci-fi and fantasy guy from way back, so you’d think it’d be like shooting fish in a barrel for a show about the undead to win me over, but I was underwhelmed when I first screened CBS’s “Moonlight,” and although the feeling wasn’t quite as intense, the sensations were definitely similar after I checked out The CW’s “The Vampire Diaries.” More surprising, however, was that my wife – a dyed-in-the-wool fan of both “Twilight” and “True Blood” – felt the same way I did. I had been resigned to the fact that we’d be adding it to the TiVo queue no matter what my opinion of the series might be, but, no, it didn’t earn much more than a shrug from her, either. It’s clear that neither of us are arbiters of taste for the nation as a whole, however, as the show recently took home the award for Best New Drama categories at the People’s Choice Awards.

Hey, fair enough: I gave “Moonlight” a second chance when it came to DVD, and I’ll do the same with “The Vampire Diaries.” When it comes to TV, I’m always ready, willing, and sometimes even hoping to be proven wrong.

Given that I have no particular frame of reference to the goings-on in the show, I’m having to kind of guess what information that emerged during the course of the show’s latest TCA panel is of particular interest to fans, so here’s hoping that you’ll appreciate some of these facts:

Are we going on see the cork being pulled from the church basement bottle, as it were?

“Oh, you mean the tomb?” asked Kevin Williamson, the show’s executive producer. “Well, you know, quite possibly, yes. I mean, that’s the fun of the back nine (episodes). Yes, Damon has an agenda. He’s going to save Katherine. He’s going to do everything possible he can to get to her. And so, yeah, that tomb is still in play.”

When are you going to explore more into the teacher? Is he a Van Helsing-type, or is he a vampire? Because there’s definitely something with him.

“Yes, there’s definitely something with him,” agreed Williamson. “We’re going to have fun. He just sort of has blown onto the scene, and we haven’t had a chance yet to sort of explore his background and stuff, but in the upcoming episodes, we’re actually going to learn more about him. We’re going to see some of what his past was like and what brought him to Mystic Falls, and we’re going to see what his little agenda is…because, you know, everyone’s got a little agenda.”

“We’re going to meet his wife in flashbacks, played by Mia Kirshner,” revealed Julie Plec, Williamson’s fellow executive producer.

Is Vicki really dead?

“Vicki is dead,” confirmed Williamson. “I’m so sorry. She’s gone. However, she will live in spirit and stuff, and it’s going to take a long time for Jeremy and Matt and his family to truly get over Vicki and maybe possibly start learning the truth about what happened to Vicki. That’s something, I think, Jeremy is going to struggle with. Of course, we now have Matt’s mother coming to town, so Vicki will still be talked about, but, unfortunately, Vicki left us. She was our very first vampire casualty.”

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