Category: Movies (Page 82 of 498)

RIP Peter Yates

A fine British director who worked both here and in the UK, Peter Yates’ films varied between smart, sensitive comedy-dramas like “Breaking Away” and “The Dresser” and hard edged crime and action films like “Bullit,” “The Friends of Eddie Coyle,” as well as the TV series “Secret Agent.” To mark his passing, we’ll salute him with a couple of key scenes from his best known movies. Starting with an endlessly copied scene that made for a lot of new gigs for movie stunt drivers.

Bonus clips are after the flip.

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Weekend box office: “True Grit” tops slow weekend

There’s really not all that much to say about the box office this weekend other than that it was down a worrisome 29% over last year, so I’ll keep things brief as we peruse the Box Office Mojo weekend chart together. No huge surprises, though fans of westerns have a reason to celebrate.

Jeff Bridges and Matt Damon in

As seemed likely back on Thursday night, the Coen Brothers “True Grit” edged out the star-laden filmed deal, “Little Fockers,” earning an estimate $15 million for Paramount as opposed to $13.7 for the Universal comedy. That makes for a total of roughly $110 million in three weeks for the western as opposed to $123 for “Fockers.” However, considering that the budget for “True Grit” was more than 60% lower and with a probable buoyant life on DVD, I think it may be the likely profitability winner over the long haul. In any case, this is good news for the Coen’s fans, which includes myself, as it means that they’ll have greater latitude to do something really weird next time, if that’s what they feel like doing.

Nicolas Cage contemplates the eternal box office void in This week’s unloved new releases managed to avoid complete disaster. The lackluster and horribly reviewed action-horror flick, “Season of the Witch,” underperformed even modest expectations that it might hit $12 million. However, it managed to earn double-digits for Relativity Media, newcomers to the releasing game, and didn’t come in too shy of the lowered mark. The Nicolas Cage/Ron Perlman swash-chiller earned what may be approximately $10.7 million in third place.

Released in only 1,400 theaters or so, the musical drama for country fans, “Country Strong,” managed to earn a reasonable per-screen average of $5,126 for an estimated total of $7.3 million in 7th place. It follows “Tron: Legacy” and the sleeper-esque “Black Swan.”

Oscar contenders “The Fighter” from Paramount and “The King’s Speech” from the Weinstein Company remain strong several weeks into their release. The two films, about very different personal battles, made estimates of $7 million and $6.8 million in 7th and 8th place, respectively.

Colin Firth & Helana Bonham Carter contemplate a sticky wicket in

A bootleg soft-shoe for a Sunday morning

You can always grab my attention with a musical, good, bad, or indifferent. Phil Hall, dug up an interesting case in this week’s entry in his always interesting column The Bootleg Files. “Where’s Charley” starred Ray Bolger, best known by far as the Scarecrow from 1939’s “Wizard of Oz,” starring in a film version of the Broadway musical that had revived his career from a post-Oz rut. The stage play had been a very successful vehicle and the movie was a hit but, according to Hall, the widow of songwriting great Frank Loesser, performer Jo Sullivan, disliked the movie so much she somehow managed to singlehandedly suppress it for all these years.

The sequence featuring the show’s break-out hit, “Once in Love with Amy,” goes on very long and during the later portions you may find yourself recalling Pee-Wee Herman as Bolger gets a bit too silly. With all that, this excerpt — which comes from a badly faded print — shows a nice piece of work. Bolger had real grace enough to get over the fact that he was 48 and playing an Oxford student.

In my experience about 95% of “lost” movies turn out to be disappointments and this looks too stagy and twee. So what? I think it’s high time we were allowed to see it for ourselves, complete with that score by Loesser. You can hear Jo Sullivan talk about her late husband’s work, which included such classic scores as “Guys and Dolls” and “How to Succeed in Business Without Really Trying” on this Fresh Air interview.

“The House I Live In,” for the victims in Tucson

I like to run this World War II ear short subject, written by Albert Maltz and starring a young Francis Albert Sinatra on patriotic holidays for reasons that should be obvious. Regardless of the motivations of what happened earlier today (Saturday), it seems like a good time to remember what is best about who we are.

For some thoughtful perspective on what happened today, you might want to read what James Fallows wrote.

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