Category: Movies (Page 317 of 498)

A lull, of sorts

You can feel it. After more than a week of Hollywood flacks being in overdrive announcing every comic book-derived, science fiction, fantasy, and horror project they’ve got, things have suddenly gone a little languid as we enter something like the late summer doldrums. That’s highly relative in a business where ADHD sufferers are seriously over-represented, but even Nikki Finke is mostly ignoring movies and has turned her megablog into a detailed celebration of every aspect of the parting of her bete noir TV executive, Ben Silverman.

But that leaves room for a couple of items relating to two filmmakers who are always worthy of attention.

* AICN’s Capone has a chock-full-of-good-stuff interview with Peter Jackson, whose been busier than you might even think considering the number of projects he’s got going, including some really cool sounding short pieces alongside his upcoming return to his “Heavenly Creatures” “small-movie” mode with “The Lovely Bones.” (Capone also raves about the upcoming Jackson-produced feature debut for South African-born director Neill Blomkamp, “District 9” — already notable because of its semi-unavoidable viral marketing campaign.)

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Blu Tuesday: Battlestar Galactica, Fast & Furious and Green Lantern

After last week’s fantastic selection of Blu-ray titles, you’d think that we’d have to wait another month or two before getting anything even remotely as good, but for fans of sci-fi, you really can’t do much better than today’s offering. There are no less than six geek-worthy Blu-rays this week, as well as a few other major titles definitely worthy of a spot in your collection.

“Battlestar Galactica: The Complete Series” (Universal)

Okay, so I may have never actually watched “Battlestar Galactica” (save for the pilot/miniseries), but it’s one of those shows that I’ve been meaning to check out for quite awhile. And with the release of the complete series box set, what better time than now? This is the first time the show has been available on Blu-ray, and thanks to the fact that it’s actually shot in HD (though not broadcast that way, curiously enough) old and new fans alike can finally enjoy the show as it was meant to be seen. The included extras are mostly a retread of previously released bonus material, but Blu-ray owners do get a few exclusives, like picture-in-picture video and a pop-up encyclopedia. The series is housed in a sweet metallic cube that expands to reveal all four seasons and includes your very own frakkin’ toaster figurine. Even if you’re not a fan of the series, that’s pretty hard to resist.

“Fast & Furious” (Universal)

I don’t care how you may feel about the fourth installment of the popular car porn franchise, or even the series as a whole, because Universal has delivered yet another fine Blu-ray packed with just about everything you could hope for. Personally, I thought the movie was good mindless fund, but I know that a lot of people found it silly and contrived. Fair enough, but for those of you who did enjoy it, the double-disc effort includes a director commentary, stunt featurettes and even a cool Vin Diesel-directed short film that acts as a prequel to the movie. Of course, the real highlight is the Take Control feature, which offers an in-depth look at the film hosted by Justin Lin and Paul Walker. Though it’s only activated for the bigger sequences, it enables the filmmakers to go into further detail than the typical commentary track. Lin pauses, rewinds and fast-forwards his way through key moments, highlighting things with the help of storyboards and behind-the-scenes footage. Zack Snyder may have technically beaten everyone to the punch with a similar feature on the “Watchmen” Blu-ray, but it’s just good to see that Warner Bros. isn’t the only studio looking ahead. This is the future of the HD format.

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Wrapping Comic-Con, if that’s even possible

Okay, so the big show has been over for more than 24 hours and it’s time to come to some grand conclusions. The thing is the only grand conclusion I can offer you is one that isn’t news, and really hasn’t been for many years now: Comic-Con is less and less about comics as a medium — a medium that is too frequently confused with a genre — and more and more about a kind of obsession in the media business with appealing to a young males with tales of butt-kicking monoliths and moderately dressed babes who bend over a lot, and now to young females with tales of forbidden love with troubled vampires who are more a lot more James Dean than Bela Lugosi or Max Shreck — not that there’s anything wrong with any of that, in theory. (I’ve never seen/read “Twilight,” hence my blissful tolerance on that score.)

Of course, there are plenty of bright spots and I’m fond of reminding the world of “Sturgeon’s Law,” the dictum uttered by science fiction great Theodore Sturgeon that “90 percent of everything is crap.” In other words, don’t expect greatness most of the time from any genre, whether it’s superhero funnybooks or Elizabethan plays (though the ones that survive a few centuries tend to be dandy).

And, as someone who bemoans the lack of emphasis that the still nascent art form of comics gets at its own convention, I need to get serious myself and read a few more of them this year. (If you’re curious about comics as a medium and how they relate to other media, including film which grew up alongside it, one of the best books about media ever created is a comic book, “Understanding Comics” by Scott McCloud.) For this kid who grew up dreaming of the day his comic book favorites would finally become major motion pictures, the phrase “be careful what you wish for” is certainly valid.

Before we go, we do have a few lingering con and geek related news items I should probably mention…

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A post-Comic-Con almost-movie moment

I’ll be back in a bit with something more substantial, but I’ve been outside running around taking care of odds and ends in the wake of my return from Comic-Con, it’s hot out, and now I need a nap and an ice-cold diet Orange Crush.

In the meantime, Dave Foley and Kevin McDonald of The Kids in the Hall remind us of the perils of film fandom in the dark days before easy access to IMDb.

Harry Potter and the rodents of surprising popularity

I’m still very much at at Comic-Con so I’m going to be keeping this one simple.

As usual, my Thursday preview was wrong, wrong, wrong.  “Harry Potter and the Half-Blood Prince” only managed an estimated $30 million, somewhat below the $31 million Carl DiOrio suggested as a kind of “floor.”

Meanwhile, the poorly reviewed but family-friendly guinea pigs of “G-Force” showed extra strength and became the highest grossing film with a weekend take of somewhere in the neighborhood of $32.2  million. That marks a new success for producer Jerry Bruckheimer, who certainly has a history of high profitability, medium-to-low quality hits like the “Pirates of the Carribbean” and the “CSI” franchise, to name only two of the more recent examples.

Harry and Hermione ponder the impermanence of the #1 spotIt’s possible that the progression of the Potter story arc makes the films extremely safe bets but somewhat self-limiting to those who are not up to speed on the Potter epic. I hope it isn’t true that stronger than usual reviews somehow damage the sixth Potter film. Still, the news wasn’t all bad for the kid from Hogwarts, as the latest chapter in the story did win the international derby with $84.4 million.

The number 3 spot went to the film that many thought would take second. The R-rated rom-com, “The Ugly Truth,” seduced enough audience members to earn an estimated $27 million, which is not bad at all. “Orphan,” however, turned out to be the red-headed stepchild at the nation’s cinemas with a relatively forlorn $12.8 million, making it a somewhat disappointing weekend for movies involving young people from Warner Brothers.

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