Category: Movies (Page 166 of 498)

The box office kung-fu of “The Karate Kid” proves strong; “The A-Team” does B-grade business

It’s probably not a completely original thought of mine and it’s obviously a vast oversimplification, but it’s always seemed to me that what audiences really seem to want is more of the same, but different. If something is too unfamiliar, only a limited portion of viewers will be adventurous enough to try out a brand new movie flavor. If it’s too familiar, on the other hand, it’s kind of a bore, at best.

That formula has apparently been in full effect this weekend as a film which put a few gentle twists on a very familiar property prospered at the box office. A second movie — in terms of marketing, at any rate — was an apparent carbon copy of its source material, notwithstanding a new cast, more violence, and a bigger budget (too much bigger, probably). That film will prove vastly less profitable, at best.

Jackie Chan and Jaden Smith in

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Guardians of Ga-what?

Of all the birds, mammals, reptiles, and insects in nature’s creation, I have to say that owls would be among the last ones I’d think to build an animated fantasy/adventure around. They strike me as being singularly inexpressive creatures, even if they can crane their necks almost as far as young Regan in “The Exorcist.”

True, Pixar has shown you can make way-better-than-decent films about even inanimate objects more than once. This isn’t Pixar, however. It’s director Zack Snyder (“300,” “Watchmen“) taking his first foray into family fare with an adaptation of the first three books in a popular young adult fantasy series. Overall, especially after taking a look at the excerpts below, I share the mixed feelings of Topless Robot’s resident wiesenheimer Rob Bricken re: “Legend of the Guardians: The Owls of Ga’hoole,” but in the spirit of fair play, I’ll let Snyder try to explain why this movie will be cooler-than-cool and made of awesome.

“Robin and Marian” — your weekend online viewing tip

Crackle is offering up the entirety of what I’m pretty sure will stand as the greatest revisionist film about Robin Hood ever made. Directed by the underrated Richard Lester (“A Hard Day’s Night,” among many others) and with a knockout, if not 100% taut, screenplay by James Goldman (‘The Lion in Winter”), this clearly post-Vietnam view of Robin Hood is bitter and comic and bracingly cynical about the bloodthirsty nature of power, while being ravishingly romantic about true love. It helped solidify Sean Connery’s post-Bond career and started a late career comeback for 47 year-old Audrey Hepburn, more moving than ever.  Since this was the mid-seventies, Robert Shaw was the villain — though Richard Harris’s genocidal Lionheart wasn’t exactly nice — and was absolutely perfect as a badass Sheriff of Nottingham. Imperfect, perhaps, but all in all, pretty hard to top.

If you just want a taste right now, here’s a slightly corny trailer that will give you some idea of what you’re in for.

H/t to my currently blog-less friend Zayne for this one.

What Else Ya Got? “The Book of Eli”

The Hughes brothers’ first film in nine years didn’t exactly burn up the box office, but thanks to the star power of Denzel Washington, it did manage to turn a respectable profit. Apparently, it was even enough to convince Warner Bros. to go all out with the film’s Blu-ray, because while some of the studio’s more recent releases didn’t really feature much in the way of special features, “The Book of Eli” is loaded with them.

Maximum Movie Mode

It’s nothing like the incredible presentation hosted by Zack Snyder on the “Watchmen” Blu-ray, but this picture-in-picture video track is still a pretty cool supplement to the film. Designed more like Universal’s U-Control feature – where a small box pops up in the corner of the screen at various times throughout the movie – the Maximum Movie Mode features interviews with the cast and crew, behind-the-scenes footage from production, as well as concept art and screen to storyboard comparisons. Additionally, you can branch off to mini-featurettes called…

Focus Points

…or you can view them on their own without having to sit through the entire movie. There are ten in all, each running about 3-4 minutes in length. Though each Focus Point covers a different aspect of the film, most of them fall under one of three categories: Production Design, like “Building Carnegie’s Town” and “Apocalyptic San Francisco”; Stunts, like “Underpass Fight,” “Shootout at George and Martha’s,” and “Solara Causes Mayhem”; and Character Profiles, including a look at “The Motorcycle Gang.”

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