It’s time for another look at (relatively) recent Blu-Rays and DVDs aimed at the hardcore movie lover — though more casual viewers looking for something beyond Hollywood’s latest mass-market offerings are certainly allowed to kibitz at the Corner as well. Today’s selections are from Hollywood, off-Hollywood, England, and France and were made mostly in the 1930s or the 1970s, though we will be looking at one from 1998 — only yesterday!
And so we begin…(after the flip, that is.)
Crackle is offering up the entirety of what I’m pretty sure will stand as the greatest revisionist film about Robin Hood ever made. Directed by the underrated Richard Lester (“A Hard Day’s Night,” among many others) and with a knockout, if not 100% taut, screenplay by James Goldman (‘The Lion in Winter”), this clearly post-Vietnam view of Robin Hood is bitter and comic and bracingly cynical about the bloodthirsty nature of power, while being ravishingly romantic about true love. It helped solidify Sean Connery’s post-Bond career and started a late career comeback for 47 year-old Audrey Hepburn, more moving than ever. Since this was the mid-seventies, Robert Shaw was the villain — though Richard Harris’s genocidal Lionheart wasn’t exactly nice — and was absolutely perfect as a badass Sheriff of Nottingham. Imperfect, perhaps, but all in all, pretty hard to top.
If you just want a taste right now, here’s a slightly corny trailer that will give you some idea of what you’re in for.
H/t to my currently blog-less friend Zayne for this one.
The producer, who has just passed on at age 93, was not only widely beloved, he wasn’t afraid to produce movies where people talked. It might be pure BS — and all of these scenes have a large element of that — but it was sincere BS, and that’s what counts. He will be missed.
I’m trying to get out of the house this evening for a change, so I hope you’ll forgive me if I jump the gun slightly on this week’s b.o. preview. That means we won’t be hearing from Bullz-Eye critics this week or some of my other usual suspects, though updates are not impossible if something earth shattering grabs my attention.
Anyhow, we’ve got an interesting weekend shaping up as two superstar vehicles, starring a total of three veteran megastars, do battle with yet another ultra-powerful Pixar/Disney feature, “Up,” and a genuine sleeper, “The Hangover.” In fact, the modest, no-star, R-rated comedy surprised almost everyone last week by narrowly defeating the wildly popular PG Pixar film.
As the Hollywood Reporter‘s Carl DiOrio reminds us, the well-received comedy did about twice as well as it was expected to do (and it was already expected to do quite well), grabbing $45 million on its opening weekend and additionally doing strong business during the week, when some of us adults decide to hit the movies. Variety says largely the same thing.
Still, there is one potential powerhouse this week in what, again per DiOrio, turns out to be the third version of the NYC subway thriller, “The Taking of Pelham 123,” first seen in 1974 with Walter Matthau and Robert Shaw, and then again in a 1998 TV movie with Edward James Olmos and Vincent D’Onofrio. This a fifty-something superstar two-for-one package in which Denzel Washington’s transit nerd will face off against badass hijacker John Travolta, backed up by a very strong supporting cast led by James Gandolfini, who seems to be getting the best reviews of anyone connected with the film.
Indeed, the critical consensus on this one is not especially kind, perhaps hurt by the recent resurgence of interest/respect for the original film by those of us in the Filmgeek-American community. Critics can’t help comparing it to the compelling and blackly humorous original. The Onion‘s always interesting Nathan Rabin has hard words for “L.A. Confidential” screenwriter Brian Helgeland (stepping into the shoes of Peter Stone, one of the wittiest screen-scribes of his day), hyper-maximalist director Tony Scott, and especially the former Vinnie Barbarino:
John Travolta’s wildly successful post-comeback crusade to become synonymous with crap continues with…Tony Scott’s bracingly awful remake/desecration of the classic ‘70s thriller. The miscalculations begin with Travolta’s distractingly Tetris-shaped facial hair—long rectangular sideburns paired with a geometric Fu Manchu—and extend to every facet of the production. Cursed with following in the outsized footsteps of world-class heavy Robert Shaw, Travolta devours the scenery; his performance is 0% inspiration, 100% perspiration.
Nevertheless, a picture like this is not made or broken by reviews, though word of mouth (or word of Blackberry and text message or cell phone) is another story. It’s expected to do well, and possibly hit the #2 spot, but I wouldn’t bet on it doing any better. On the other hand, it’s got Denzel Washington, who should never be discounted. (And, for pity’s sake, read my new Bullz-Eye feature on the actor’s back catalog: “Washington Insiders.” Plug, plug, plug.)
Expectations are more modest for a new family vehicle for Eddie Murphy from Nickelodeon, “Imagine That.” The film pairs Murphy in a comedic father-daughter situation with young Yara Shahidi. Between a rather soft premise and that Nickelodeon imprimatur, especially with a sub-meh 36% on RT, it’s hard to imagine this one having much appeal outside of pre-tween girls, die-hard Eddie fans, and families who’ve already seen “Up” five times. Still, the family mojo is always good for something. Let’s see if our nation’s dutiful parents push this one into the top five or six… [Update: I also note, via our own now-linked to review by David Medsker, that the premise is somewhat simliar to both “Up” (which I haven’t seen yet) and the Adam Sandler vehicle “Bedtime Stories” (which I will likely never see, not matter how accurate Dave is when he says that Keri Russell “oozes cuteness”…if she oozes anything, that would be it). Though Dave has some mild kind words for the Murphy film, I don’t think that it helps with its’ appeal much, either.]
That’s pretty much it except for three interesting films in limited release. For starters, we have a well-reviewed (though not ecstatically so), moody science fiction film called “Moon” from Duncan Jones — who can’t escape being David Bowie‘s son — with Sam Rockwell as a cloned astronaut and Kevin Spacey as the voice of a HAL-9000/Marvin-the-Paranoid-Android-esque ship’s computer. Film geeks will also be curious about a new film from filmic godfather Francis Ford Coppola, “Tetro” which has been getting a mixed response. (Currently 50% at RT — that’s pretty precisely mixed.) It’s opening just on the coasts.
It’s also only opening in L.A. and New York, but look to be hearing more about the new RT 95 percenter documentary “Food, Inc.“, on the hot topic of the politics of what we’re all eating, as the year wears on. It’s also got a great trailer — the notional tomatoes are on me.
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