Category: Movie DVDs (Page 43 of 100)

Blu Tuesday: Star Trek, JCVD and The Reader

It’s been quite some time since so many major titles were released on one day, and while most of them (even the ones I’m covering in more detail) aren’t exactly the kind of films you would consider must-see, there’s still something for everyone. From Oscar nominees and indies to a re-issue of an old favorite, let’s not waste any time in getting to my picks of the week.

“Star Trek: The Original Series: Season One” (Paramount)

With the exception of the feature films, I’ve never really been a fan of “Star Trek” (especially “The Original Series,” as it’s now being dubbed), so when the first season arrived on my doorstep a few weeks before JJ Abrams’ big screen reboot, I decided to give the series another shot. As it turns out, I feel the same way about the sci-fi classic now as I did before, but Paramount has done such a good job with the Blur-ray release that I’m actually considering holding on to it. For starters, both the original broadcast version and a new remastered version (with updated visual effects) of all 29 episodes are available in high definition, and though purists may want to stick with the former, the remastered episodes are almost too gorgeous to pass up. The DTS 7.1 audio track is equally impressive, while nearly all of the extras from the HD-DVD release (like the Starfleet Access video commentary tracks) has also been included. Though diehard fans likely already have the series in several different formats, it’s hard to deny that the Blu-ray release is the best version on the market. Here’s hoping it sells well, because if there’s one thing that would benefit from the HD treatment more than classic movies, it’s classic TV shows.

“JCVD” (Peace Arch)

There are a few things you should know before going into “JCVD.” First, it’s not like most Jean-Claude Van Damme movies in that it’s a low-budget drama – which means that with the exception of a cool tracking shot that opens the film, there’s very little action. Second, while Van Damme’s performance has been acclaimed as award-worthy (TIME Magazine is even quoted on the cover), it’s not. With that said, however, “JCVD” is one of the best surprises of the year. Van Damme stars as a fictional version of himself, a direct-to-DVD action star who’s caught up in the middle of a bank heist that the cops think he planned. Though he’s essentially just playing himself, Van Damme proves here that he isn’t just the Muscles from Brussels, but a regular guy who lucked his way into Hollywood. In a scene towards the end of the film (where Van Damme truly breaks the fourth wall in order to deliver a heartfelt speech), the actor proves that he’s just that – an actor. That likely won’t impress loyal fans that would rather just see him kick ass, but for everyone else, it has to be seen to be believed.

Continue reading »

Blu Tuesday: The Wrestler, Frost/Nixon and Sin City

The Blu-ray community is positively obsessed with the technical specs of every high-def release, but that doesn’t mean you should only invest in movies that make the most of that technology. While there are some titles this week that look and sound great because of it, there are a few others that still belong in your collection – even if they don’t exactly benefit from the enhanced audio and video that Blu-ray delivers.

“The Wrestler” (Fox Searchlight)

With each passing year, the Academy Awards become easier and easier to predict. There are so many awards given out by different organizations before the big night that by the time it finally arrives, the race has already been won. This year was a little different – Sean Penn stole the Best Actor prize when the Academy decided to make a political statement following the passing of Proposition 8, even if that meant denying comeback kid and frontrunner Mickey Rourke from completing the collection – but that shouldn’t take anything away from Rourke’s touching performance as an aging professional wrestler. Though the movie is pretty simple in terms of story and filmmaking (especially considering Darren Aronofsky is the one behind the camera), “The Wrestler” is a must-have for anyone searching for a good American drama. The included bonus features aren’t particularly enticing (the lack of a commentary is the biggest offense), but for a movie as gritty as this, it sure looks good in HD.

“Frost/Nixon” (Universal)

Another film that’s dependent almost entirely on the strength of its performances, “Frost/Nixon” was one of the 2008’s best movies, but you wouldn’t know it from the little attention it did receive during awards season. Ron Howard is the kind of director who isn’t as talented as the material he’s working with, but he sure knows how to pick a good story. Based on the Tony Award-winning play of the same name (which was in turn based on David Frost’s famous series of interviews with then former president Richard Nixon), “Frost/Nixon” blazes through its tension-filled 122-minute runtime so fast that you almost forget to breathe. Constructed like a boxing match where the opponents take jabs at each other with words instead of punches, Peter Morgan’s script is filled with the kind of dialogue-heavy scenes that you’d expect to find in a stage play, but wouldn’t expect to work as well on film. Remarkably, it does, but without Frank Langella and Martin Sheen in the lead roles, “Frost/Nixon” wouldn’t be quite as captivating. Add to that some pretty cool extras, and you’re looking at one of the unlikeliest films to prosper on Blu-ray.

Continue reading »

Splinter

Independent horror films are a dime a dozen these days (they’re cheap to make and even cheaper to market), but every once in a while, a gem slides through the cracks that makes you wonder how much better it could have been with the proper financial backing. Writer/director Toby Wilkins’ “Splinter” might not feature the world’s greatest script, or even quality acting, but it does have something that the genre is sorely lacking: one of the most original movie monsters in years. Paulo Costanzo and Jill Wagner star as a young couple whose romantic getaway is interrupted when a pair of criminals (Shea Whigham and Rachel Kerbs) steal their car and take them hostage. The rest of the plot is pretty standard stuff, but horror fans will get a kick out of the film’s creepy beast – a prickly parasite that transforms its victims into deadly hosts. Though the filmmakers too often resort to the kind of quick-cut editing that prevents the viewer from ever getting a really good look at the monster, the premise is just cool enough to ensure that you’ll be glued to the screen throughout the film’s brisk 82-minute runtime. It’s not particularly gruesome (except for a brutal amputation à la “The Ruins”), but “Splinter” has just enough going for it that you’ll wish it was given the theatrical release it deserved.

Click to buy “Splinter”

Blu Tuesday: The Spirit, Pride & Prejudice and Mean Girls

Not every week can offer the kind of choice titles that we’ve been seeing lately, but while today’s sole major release is a bit of a dud, there are still plenty of decent catalog titles to check out as well. Okay, so maybe it’s not the best week for my Blu-ray collection, but that doesn’t mean everyone else will feel the same way.

“The Spirit” (Lionsgate)

Frank Miller’s “The Spirit” might just go down as one of the biggest disappointments of 2008. When the project was first announced, fanboys were ecstatic at the possibility of another comic book movie in the same vein as “Sin City” (especially when they had already waited so damn long for a sequel), but as soon as the first clips of the movie hit the net, any excitement was quickly deflated. If memory serves correct, there wasn’t a soul on the planet that was begging for a live-action Spy vs. Spy movie, but that’s exactly what Miller has delivered with “The Spirit.” The performances are terrible, the dialogue is even worse, and though Scarlett Johansson looks hotter than ever, there’s not a single redeeming element to be found. The few fans the movie does have will be pleased to discover that the Blu-ray release includes a nice selection of extras (including a director commentary, a making-of featurette, and an interview with Miller) but that’s about the only positive thing I could possibly say.

“Pride and Prejudice” (A&E)

If there’s one novel I hate more than any other, it’s Jane Austen’s “Pride and Prejudice.” Then again, I’m a guy, so that’s hardly a surprise, but that doesn’t mean I abhor everything to do with the book. Joe Wright’s 2005 adaptation was certainly more enjoyable than expected, while the recently released mash-up novel, “Pride and Prejudice and Zombies,” is an absolute riot. Unfortunately, I just don’t feel the same way about the BBC’s six-part miniseries, which has long been considered the ultimate film version thanks to Colin Firth’s star-making role as every female’s nightmare/dream man, Mr. Darcy. My personal biases aside, “Pride and Prejudice” has long been considered a classic, so it’s nice to see that A&E has taken the time to restore the film in HD using the film’s original 16mm negatives. The end result is nothing short of amazing (in place of what looked like a storm cloud hovering overhead in every scene, there’s actually a burst of color) and should be considered a must-own by any fan.

Continue reading »

Blu Tuesday: The Day the Earth Stood Still, Yes Man and Tale of Despereaux

While most of this week’s Blu-ray releases aren’t exactly demo material (or really great movies, to be completely honest), it’s still a solid collection of films – most of which at least deserve a rental. There’s also nothing great being released next week, so if you’re on the fence about one or more of the below titles, it might be worth taking the risk.

“The Day the Earth Stood Still” (Fox)

Scott Derrickson’s update of the sci-fi classic isn’t going to win over fans of the 1951 original any time soon, but while the movie itself is mediocre itself, it also isn’t as band as many would lead you to believe. Keanu Reeves is perfectly cast as the alien diplomat Klaatu, the special effects are fantastic, and GORT’s re-design is about as spot-on as you could get. Additionally, the decision to change the point of view of the story from Klaatu to Helen was a smart one, as it makes more sense to view the end of the world from the eyes of one of its endangered humans. Sadly, the ending isn’t as great as it could be, but disaster flick enthusiasts will probably eat it up. The same goes for the bonus material, with only a few (including a making-of featurette and an in-depth look at the arduous task of designing GORT) truly worth checking out. Still, you have to commend the inclusion of the 1951 version, even if most fans probably already own the latest edition.

“Yes Man” (Warner Bros.)

Jim Carrey can no longer carry a movie like he used to, but in the case of “Yes Man,” the film’s success was completely deserved. Many have suggested that the movie is exactly like his 1999 hit “Liar, Liar,” and while they’re certainly similar in tone, “Yes Man” gives us a Carrey like we’ve never seen before: a more mature comic who isn’t afraid to go over the top, but can also land a joke without all the hyperactivity. The film’s Blu-ray release focuses more on the former, with behind-the-scenes features on the actor’s on-set antics and willingness to do his own stunts. The real highlight of the disc, however, has nothing to do with Carrey at all, but rather his co-star Zooey Deschanel. Along with a faux rockumentary on her character’s band, Munchausen by Proxy, all five musical performances have also been included in their entirety. The songs are a bit strange, but Deschanel’s voice is so intoxicating that you won’t even notice.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑